this whole release... love this label so much

Releases

This one taken from a super playful, modern and exciting 5 tracker from Bristol based Delay Grounds. Some of his best work yet!

OS Premiere
www.originssound.com/premiere

Release Date:
18th June 2021

Artist Name - Delay Grounds
EP Name - Upcycling EP
Cat Number - TROPOPAUSE001
Track Name - Metal Swinging
Label - Tropopause Records

Follow
https://www.instagram.com/delaygrounds/
@delay-grounds
https://www.instagram.com/tropopauserecords/

We want to hear your new music. If you have something you want us to listen to, please email danielle@originssound.com

Upcycling EP

OS Premiere: Delay Grounds - Metal Swinging [Tropopause Records]

20kPa - Pulse / Procedure

A. Pulse
B. Procedure

Limited one time pressing hi-pressure dubplate

https://iliantape.de/itdp001-20kpa-pulse-procedure/

Artwork by Anja Lekavski

ITDP001 20kPa - Pulse / Procedure

Often I wonder what it would be like to be the river blistering down Dwight, doused in sweat and steam, hastily rushing to where the waters meet. She moves with such ferocity and ease, unashamed to be sprinting while being bashful to the untrained eye. Even when her currents are withholding and her roots are spreading thin, I know that one chance meeting in her waters will unload me from the mess I’m in. 

Up-and-coming French producer Less-O releases hypnotic bass track 'Behind Closed Doors' ahead of his debut EP Shenanigans via  his brother Simo Cell's TEMƎT. Recorded during the recent lockdown over lengthy night watch shifts, the track is imbued with dark elation propelled by a manipulated laughing vocal sample and drum programming akin to the dripping of water droplets, clicking like excess time of lockdowns gone by. The infectious breaks and cascading bleeps transform mid-track into a miasma of trance influences, through the lens of arpeggiating synth lines and vast space in the soundscape. This track ensures that Less-O should be on everyone’s radar as a keen emerging producer to look out for.

Shenanigans EP

PREMIERE: Less-O - Behind Closed Doors [TEMƎT]

Mercy System - Recognise
BUY LINK: https://voitax.bandcamp.com/album/recognise
Label: Voitax (https://soundcloud.com/voitax)
Release Date: 17 January 2022
@mercysystem

With VOI 029 we are presenting the UK-based Mercy System, also known as Adam Crawford. Growing up in a small town on the outskirts of Manchester, he brings a dark, swung, early dubstep influence to his beats. His productions, which have already found a first platform on the American record label Miracle Drugs, occupy a middle ground between various UK Bass genres, through which he creates a paranoid shuffle of styles.

With »Recognise« Crawford now lands his debut EP on Voitax, a personal project that represents his patiently accumulated skill set in sound design, as part of an excellently produced dystopian UK Bass four-tracker. This powerful package combines high-definition sample work with outstanding arrangements. With the right eye for voice shaping, crowned with beautifully placed drone delays, dense bass, and broken drum patterns, this EP also explores the realms of Dubstep nuanced with UK Garage, Grime, and Dancehall, while keeping its unique character. We are thrilled to hear more to come from this newbie among the UK Bass producers.

BUY LINK

PREMIERE : Mercy System - Recognise

Old school Hip-Hop-infused Electro. High speed madness.

Vinyl: https://clone.nl/item71465.html
Digital: https://goingbananas.bandcamp.com/album/dj-overdose-waste-no-time-express

Distro via Clone Rotterdam

Waste No Time Express

DJ Overdose - Waste No Time Express

The first release on the newly established @Greyhound-days imprint comes from Christian Kroupa alias Alleged Witches, hailing from Slovenia, who proved his skills and innovation as a participant at the Red Bull Music Academy in 2014.

Since then he became one of the most prominent names of Slovenia's techno and house scene, with making appearance on the mighty Fabric mix compilation, producing a remix of Alex Smoke for legendary Belgian label R&S, while also releasing a 12” entitled Serve The Spirits on R&S sub-label Meda Fury.

»One Skilled In The Black Arts« EP consists of four tracks, meant for dictating the dance floor with their drum workout, as well as luring you into its deep ritualistic feel, with distant native tongues echo.

For an extra wonderful hypnotic polyrhytms, a rework has been provided by @marcopassarani, one of the Italian leading dance music producers and DJs, who continues to be an inspiration and providing his knowledge and skills to younger generations. While Bristol based Jacob Martin alias @HodgeBristol demonstrated his expertise in percussion, resulting in an slamming rework, not meant for the faint-hearted. Just shows, why Hodge is one of Bristol's most exciting new names.

One Skilled In The Black Arts

B2. Alleged Witches- One Skilled In The Black Arts (Hodge Remix) (DOGS001)

Pre-Order 
https://pressuredome.bandcamp.com/album/welcome-to-the-pressure-dome
https://www.unearthedsounds.co.uk/products/various-artists-welcome-to-the-pressure-dome

Tied together by syncopated rhythms and broken beats, each producer featured brings their own style, tempo and atmosphere. The first release from this new imprint provides a range and depth that reflects Bristol’s musical versatility, from newcomer Syz whose contribution follows highly praised releases on Only Ruins and Brotherhood Sound System, to some of the city’s newest party starters to rise through the ranks. 
  
The journey begins with Syz and Yushh, both showcasing intricate percussion and delicate melodies that roll with energy over subby baselines. On the flip, Mish brings a chugged out, wobbly techno treasure with hints of dancehall rhythms. Mulengasound then bringing the atmosphere and space, perfect for that warm-up transition and Balouu’s playful Egyptian melodies and strong, Arabesque synth-lines close the party. 
  
All five tracks ooze individuality, yet subtly tie together with influences and sounds of a city that naturally nurtures progressive experimentalism. Pressure Dome’s offering is a fine example of burgeoning collective, with like-minded producers set on an uncompromising approach to the broken beat.

https://soundcloud.com/syzuk
https://soundcloud.com/yushh
https://soundcloud.com/dj_mish
https://soundcloud.com/mulengasound
https://soundcloud.com/balouuuu

Welcome To The Pressure Dome

PD001 - Welcome To The Pressure Dome [clips]

Pre-0rder - https://pressuredome.bandcamp.com/album/pdcomp001

The Pressure Dome crew are back in full force with something fresh out of the lab. A cold fusion of other-wordly rhythm and pulsation, a blueprint of Bristol's sonic underground and its uncharted voices of vibration.

From chuggy dancehall rhythm and energetic breaks, to intricate, atmospheric techno, electro and grime, these fifteen broken-beat builders take us on on a journey through crafted cadence and dynamic metronomy.

Wanting to give back to the city we live in and one that inspires so much creativity in those fortunate enough to access opportunity, all proceeds from PDCOMP001 will go to Caring in Bristol, a homeless charity providing services and shelter for those most in need.

@balouuuu | @candouk | @moonchildcharlie | @super-kamiokande | @karisan | @dj_mish | @mulengasound | @outsiderspeaks |@mynameissonic | @syzuk | @ulexmusic | Vael | @yeye-music | @yushh | @zobol

PDCOMP001 - Various Artists [clips]

Bandcamp - https://pressuredome.bandcamp.com/album/pd002
Distro - https://www.unearthedsounds.co.uk/collections/pressure-dome/products/joe-craven-human-resources-pd002

Pressure Dome welcome in the new year with their second vinyl direct from the test-bed, a split EP showcasing two rhythmically focused beat-architects; Joe Craven and Human Resources. 

Following a head-turning debut release on Scuffed Recordings, Joe Craven delivers two more imaginatively designed polyrhythmic workouts. Airy, distant pads and delicate percussion roll over driving kicks, giving ‘Hurt Potential’ its detailed futuristic landscape while ‘Dyeus’, with its high tempo distorted breaks, chopped vocals and distant piano riffs takes us to an altogether more abstract space. 

On the flip, Human Resources takes us forward in his own singular style with the thunderous ‘Shaq Stem Edit’, combining cymbal heavy breaks, huge subs and prodigy like bass leads that mutate with club-shattering velocity, and on to ‘At Tanagra’, where pitching leads and sporadic, wonky mid basslines hold a tough, yet mysterious energy and drive. 

Both enter the Dome with their individual technical form, the perfect additions to our collective of phonic explorers.

https://soundcloud.com/joecravenuk
https://soundcloud.com/human-resources-133111994

PD002

PD002 - Joe Craven / Human Resources  [clips]

BSUN002 B2 - Soreab - Jyraghie

Full stream of Significant Other's "Little Blue Pills," taken from his upcoming EP on Oscilla Sound, out March 6.

Pre-order: https://oscillasound.bandcamp.com/album/club-aura

@oscilla-sound
@significant0ther

Club Aura

Premiere: Significant Other - Little Blue Pills

Melbourne based producer, DJ and co-founder of Sumac Records, Jon Watts delivers his Butter Sessions debut, Music for 3 CDJs. With over 10 years experimenting as an artist, Jon has an established history with the Australian underground scene. Music for 3 CDJs, showcases two contrasting sides, revealing his ability to seamlessly navigate manifold sounds.

The A-side presents three distinct tracks, thread together with restless percussion and a propulsive force. The introduction to the EP, Prohaasation, is a medley of techno and electro fabrics which progressively build before abruptly halting -- generating suspense for the track to follow. The feverish William gasps and screeches in tones that peak and fall, accompanied by audio maintained throughout; reminiscent of a malfunctioning fax machine. Now It’s Done is a choppy and disjointed piece yet coherent in its structure that makes for a rewarding conclusion to the release’s first chapter.

Subtlety and minimalism prevail for side B, as Jon gifts us with loops that swirl and churn. AMB 4 marks the first deviation from the narrative of Side A; sounding like hypnotic swelling from the bottom of a deep well. AMB 5 follows suit, divulging more of the picture. Carved out of a sound bed of field recordings, the nine and a half minute piece enchants with its repetitive arc, a spaciousness mirrored in the EP’s farewell. The last track Piano 1, is an intricate study of a singular piano chord, examining the layers of the chord’s sustain that are disclosed. A testament to Jon’s unadorned restraint and confirmation of the old adage that less is really more. 
credits


Mastered by C. Kikos
Design by M. Syawish

Jon Watts - Music For 3 CDJS - A Side Previews

Pressure Dome returns from the isolation of our remote research facility with a ten-track collection of emotionally depth-charged explorations of movement and mode.

Dubbed-out atmospherics, futuristic UK Techno, IDM tinged jungle and 2-step rhythms take us through a world of playful hybridity and fluid frequencies.

All proceeds from PDCOMP002 will be split between Black Minds Matter UK, The Stephen Lawrence Charitable Trust and Caring in Bristol.

@foreverg10 | @syzuk | @dj_mish | @outsiderspeaks | @caldera-caldera 
@mcgrgrmusic | @delay-grounds | @lxnv | @flatpackdudeman | @suzemusique

PDCOMP002 - Various Artists [clips]

Bandcamp - http://bit.ly/PD003BC
Distro (for shops) - https://www.unearthedsounds.co.uk/collections/pressure-dome/products/delay-grounds-onomatopoeia

Following his debut outing on our most recent compilation, Delay Grounds is back with three bass heavy submissions, each bubbling with effervescent melodies that twist and transform into the imitation of their phonetic namesakes. 

On the A-side, Coruscant builds and modulates with glitching rhythms and glittering synths, leading us onto the storming tantrum of Stompy; both tracks demonstrating the innovative intricacy we’ve come to expect from this burgeoning producer.
 
On the flip, Clatter’s playful yet introspective trajectory completes Delays Grounds’ solo excursion with fellow newcomer, Suze tapping the brakes in their explosive “Heeley Mix” to round off the EP.

Onomatopoeia's inviting digital landscape offers us an uplifting, yet ponderous escape during these times of uncertainty and change.

@delay-grounds | @suzemusique

Bandcamp

PD003 - Delay Grounds - Onomatopoeia [clips]

Full length streams of Hed Ardennes' EP for Local Knowledge.

Released September 28, 2020

We acknowledge Aboriginal and Torres Strait Islander people as the sovereign owners of the country where we live, create and work, and recognise that sovereignty has not been ceded. We pay our respects to their Elders, past, present and emerging.

All tracks written, recorded and mixed by Doug Wright.
Recorded at Glorious Studios, Sydney.
Mastered by Carsten Dambkes.
Design by Jordan Wells and Evan Davies.
Worldwide Distro. by Rubadub
Australia Distro. by Local Knowledge

Keep The Peace!

@hed-ardennes @hed-ardennes @hed-ardennes @hed-ardennes @hed-ardennes

Add 2 Cart ⚔️

Hunched

Contact - presssssure [@] gmail.com
Curated by @yushh
https://pressuredome.bandcamp.com 👀
https://facebook.com/pressuredome 👀

PDCOMP002 - Various Artists [clips]

Pressure Dome

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