woman trapped in societal stereotypes metaphorically trapped in a cocoon of a
others expectations and her own lack of determination to break out. I wrote this thinking about women of the world and the prevalent and growing movement to put women back into controlled confines.

tightly bound

Save Your Love

Based on the novel 'Behind Us The Land' - 'Hinter uns das Land' - German release 2025

(Verse 1)
Sunrise through the window pane, paints the fields in golden rain
Childhood dreams, a life so sweet, running barefoot, tiny feet
Laughter echoes, whispers fly, beneath the vast and endless sky
Innocence, a fragile grace, a smile upon a youthful face

(Pre-Chorus)
But whispers turn to chilling fears, a world on edge, a mother's tears
The shadows grow, the darkness falls, a storm is brewing, fate now calls....

Roots In The Wind

05_Everything

UnderWater

Written & produced by Belinda Krottendorfer

I – let so many chances pass
I’m – ashamed of my shyness
This life is punishing those who needed way too much time – time

Why? – Ist this the way it’s going…
… by? – Can no one turn back time?
How can I ever go on if the last chance has gone by – by

This way is not meant to last; the moment won’t stay long
And time is moving so fast; so just keep going on
So many chances have passed; take them before they’re gone by – by

Time – will never bring back moments
Time – can slip away so fast
If you let it be you’ll keep asking what would be if I – I

So try – as long as it hasn’t gone…
… by – This moment won’t remain
Before it comes to regrets do it now and seize your time – time

This way is … 2x


Time

Bersama Tapi Sendiri

The Forsaken Hearth

Still Life, from the album 'The River of Change' weaves melodic rock with prog and ambient influences, creating a soundscape that’s both introspective and cinematic. This song builds with emotional depth — ideal for focused listening, late-night sessions, or as a soundtrack for your own story. With layered guitar, textured keys, and dynamic movement, it’s a track that invites you to feel and imagine. Thanks for listening — if it resonates, share it and follow for more.

STILL LIFE

Absurdcore Paradise Vol1

Crisps of Existential Dread

“Golden Fever” is a modern electro-disco / funk-pop rush – logical_miracle’s ode to hedonism as escape. Built on slap-funk bass, Nile Rodgers-style guitars and glittering strings, it channels Dua Lipa, SG Lewis and Kylie into a single shimmering club moment.

Lyrically, it celebrates excess, allure and that unstoppable feeling when the party crowns you. The chorus locks into a massive “golden fever” hook designed to cut through crowded playlists and fuel dance-floor euphoria. With bright call-and-response vocals, string flourishes and a festival-scale extended chorus, “Golden Fever” is ideal for nu-disco, feel-good pop and late-night celebration playlists across SoundCloud.

Golden Fever

If Prettier Than Matt has a motto that describes them best, it is diversity and versatility combined with musical ability. The likeable duo have made a name for themselves in the Carolinas with a mixture of rock 'n' roll energy and acoustic accessibility that allows them to play in many different places, events, and situations and still appeal to a wide audience. They're Americana, pop, rock, and more on the newly released album Better Left Said, which features lead single “Anymore.”

Credit the varied musical taste of singer/keyboard/ukulele player Jessica Skinner and guitarist/singer Jeff Pitts as the source of their chemistry together on stage. Skinner is influenced by classic country females such as Dolly Parton, but also aware of the contemporary pop styles of Ingrid Michaelson and others. Pitts counts the arena rock/pop leanings of Bon Jovi and heavier acts such as Metallica in his wheelhouse. The result? They can play a rock club or a coffeehouse and deliver virtually the same set of upbeat originals and artfully done cover tunes.

Better Left Said was recorded with Kenny McWilliams in Columbia, South Carolina's Archer Avenue studio, taking a batch of new compositions and pairing them with new takes on several songs from previous recordings. The album presents a mature songwriting duo with a true sense of what they want to say, which is a lot.

The folk-Americana sounding opener “Anymore” uses a gently plucked rhythm as the vehicle for a lament over a past relationship that also includes serious self-reflection anyone in those shoes can relate to, while “Already Gone” isn't the Eagles classic but a similarly singable verse and chorus, the kind of country hit Martina McBride used to score with regularity on the charts.

Skinner's playful nature comes to the forefront on “The La La Song,” a natural sing-along with what sounds like a studio full of guests on the chorus, while Pitts takes lead vocals on a pair of tracks, the eulogy to a father “Taken Away” and “Did You?”. “Girl” adds a piano and strings for a contemporary ballad style, and “Run” adds some powerful electric guitars; both tunes show the duo is capable of much more than just pretty acoustic pop.

Prettier Than Matt is a self-contained DIY effort with Pitts and Skinner handling their own booking and management; on their own they have been able to mount cross-country tours the last several years and play shows with Sister Hazel, G. Love and Special Sauce, Danielle Howle, and others. If they haven't been to your town yet, it won't be long.