CD + tour t-shirt now available for order at imprec.com 
 
Gezan were delivered to Important by Makoto Kawabata of the Acid Mothers Temple who claimed them to be the greatest live band he'd seen in a long time. Gezan comes with full praise from many in the Japanese underground who regard them as the best young band in Japan. Gezan is already quite popular in their home country and are on tour in America now. See them at South By Southwest on March 11th.

2/26 8PM

Grand Victory
245 Grand St, Brooklyn, NY 11211
https://www.facebook.com/events/232199753632845/

2/28
123 Louis , New Brunswick NJ @ Candy Barrel

3/1
@house venue
6pm start , Podrum Mahzeni 1613 , Bethlehem Pennsylvania

3/2
@Mojo Main
270 E Main Street Newark, DE

3/4
@Modern Cult Records
2001 Frankfort Ave, Louisville, KY 40206

3/5
@529
529 Flat Shoals Ave, Atlanta, GA

3/07
@ No Problemo
813 Purchase St New Bedford, NJ

3/08
@ The Parlour
North Main Street Providence, RI

3/12
@ Quantum Lounge (SXSW)
305 W. 5th St. Austin, TX
http://schedule.sxsw.com/2014/events/event_MS25620


Gezan - Full Claw Lunar Surface - IMPREC364 - March 2014

Mark Fell, "I Refuse to be Complicit in Your Pathology" (2014), 4-channel Sound Installation With Additive Sound Synthesis, Composite Kick Drum (TR 808+TR 707) And Found Vocals  at Southfirst Gallery

ARTIST: DESTROY ALL MONSTERS
TITLE: Hot Box 1974-1994
LABEL: MUNSTER RECORDS (SPAIN)
FORMAT: 2CD / 3LP BOX
CAT#: MR 348CD / MR 348LP
OUT NOW!

Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected poles throughout the saga of the Motor City's music scene, from the University of Michigan's Cooperative Studio for Electronic Music to The Stooges, through to the White Panther Party. In its two incarnations, the experimental -- led by Cary Loren, Jim Shaw and Mike Kelley -- and the high energy one -- with Asheton and Michael Davis from MC5, both featuring the phantasmagorical Niagara in the role of doped-up priestess, Destroy All Monsters are the object of one of the most devotional cults of America's cultural underground, as testified by their abundant artistic and record production. Hot Box 1974-1994 is the first anthology to bring together the best outcome of those two hemispheres, including much unreleased material. Includes a generously-illustrated booklet featuring photos and artwork never seen before. All tracks have been remastered from recently discovered tapes.

CD1:
01. Ripped
02. That's My Ideal
03. Children of the Night
04. From Edger Cayce
05. Confession? I Love You but You're Dead
06. I Want to Live
07. Silver Noise - Kill, Kill
08. The Queen
09. Take Me with You
10. Unplugged in San Diego
11. Paranoid of Blondes
12. Bored
13. You're Gonna Die
14. November 22, 1963
15. Meet the Creeper
16. What Do I Get?
17. Nobody Knows
18. Goin' to Lou's

CD2:
01. These Boots Are Made for Walkin'
02. Jesus Is a Shotgun
03. Anyone Can (Fuck Her)
04. Enough Is Enough
05. I Just Wanna Be Sleepy
06. Bored
07. Party Girl
08. Fast City
09. Go Away
10. Sweet Dreams
11. Little Boyfriend
12. The Right Stuff
13. Ground Zero

Disc 1
Early Warning: Side A
01. 	Intro (fragment)
02. 	That's My Ideal
03. 	Children of the Night
04. 	From the Edgar Cayce Foundation
05. 	Confession (fragment) - I Love You but You're Dead
06. 	I Want to Live
Early Warning: Side B
07. 	Magic Bag (fragment) - You Can't Kill Kill
08. 	The Queen
09. 	Take Me with You
10. 	Unplugged in San Diego (fragment)
11. 	Iron Man (rehearsal fragment) - Paranoid of Blondes

Disc 2
Studio-Singles: Side A
01. 	Bored
02. 	You're Gonna Die
03. 	November 22, 1963
04. 	Meet the Creeper
05. 	What Do I Get?
Studio-Singles: Side B
06. 	Nobody Knows
07. 	Goin' to Lou's
08. 	These Boots Are Made for Walkin'
09. 	Jesus is a Shotgun
10. 	Anyone Can (Fuck Her)

Disc 3
Live: Side A
01. 	Enough Is Enough
02. 	I Just Wanna Be Sleepy
03. 	Bored
04. 	Party Girl
05. 	Fast City
Live: Side B
06. 	Go Away
07. 	Sweet Dreams
08. 	Little Boyfriend
09. 	The Right Stuff
10. 	Ground Zero		

- An anthology which compiles, for the first time, both the experimental period and the high-energy years (with Ron Asheton and Michael Davis) of Destroy All Monsters. 
- Includes a generously-illustrated booklet featuring photos and artwork never seen before. 
- All tracks have been remastered from recently discovered tapes, including previously-unreleased material.


DESTROY ALL MONSTERS: Bored (Taken from Hot Box 1974-1994)

Solo Voice I – X is the first LP by C Spencer Yeh devoted entirely to the voice. Deftly sequenced by Yeh, the LP progresses from a series of shorter tracks, each honing in on a particular sound or technique, towards more open-ended territory in which the formal rigor of the opening tracks begin to dissolve, with Yeh’s voice playing off both silence and itself. This is excerpt is selected from two tracks.

SOLO VOICE (Excerpt)

AA Bronson speaking on the history of Printed Matter, New York, at Artspeak, Vancouver, in 2008.

AA Bronson: A History of Printed Matter

produced by : @dronedisco
label : @primaryinformation
release date: 15 November 2017

https://bizaarbazaar.com/2017/11/22/premiere-c-spencer-yeh-track-v-from-the-rca-mark-ii/

C. Spencer Yeh - Track V from The RCA Mark II

Live set from the NYC PAN Records Festival. June 21st, 2013.

PANFestIssue June 2013

Primary Information is a non-profit organization founded in 2006 to publish artists’ books and artists’ writings. Our mission is to publish out-of-print books that remain vital to ongoing conversations around artistic practice and to publish contemporary books by emerging, mid-career, and established artists. All of our publications are distributed internationally and priced at cost so that they are affordable and accessible to the largest possible audience.