Originally released in 1993, Two Full Moons & A Trout was one of the seminal releases on Platipus Records.

It was picked up by Rising High in 1994 featuring the epic remix by Caspar Pound and mix by Friends Lovers & Family.

Platipus delivered 2 further remixes in 2006 by Luke Chable, Chab and Tetonik^.

Now 7 years later and 20 years after the original release, we thought it's time for a fresh take on this legendary release.

This time round from with mixes from Belgium's Airwave, Israel's Freedom Fighters & Domestic and USA's Terra Ferma, each bringing their own take within today's sound along with the Original 14" Mix.

Two Full Moons And A Trout (Freedom Fighters, Domestic & Pixel Remix

Union Jack - Two Full Moons And A Trout (Freedom Fighters, Domestic & Pixel Remix)  Platipus

he Aston Shuffle story continues to steadily build and the momentum is relentless, as Australia’s number 1 deliver big record one after the other.

For their latest effort the guys team up with the sultry vocals of Lovers Electric on ‘Start Again’. Highlighting the guy’s versatility, ‘Start Again’ encompasses an uplifting melodic overtone while still pertaining to that trademark Aston Shuffle club grit.

Remixes from Hooknsling, Dem Slackers, Shockone, Jump Jump Dance Dance & Alexander Holland

The Aston Shuffle - Start Again Feat. Lovers Electric (Hook N Sling Remix)

A bona fide UK clubbing classic, Felix’s ‘Don’t You Want Me’ dominated international charts when it played a significant role in 90s rave culture. Now, with the pairing of current #2 Top 100 ranked DJs Dimitri Vegas & Like Mike taking on the dance floor demolisher, in their own unique fashion, Felix’s blueprint is reworked into a hyperactive yet spacious reincarnation for the next generation.

Driving ‘Don’t You Want Me’s unforgettable instrumental top line down a surprisingly spacious route at first, when moulded with parading beats and a high-intensity energy that pairs with punching synths, prepare for the Smash The House bosses remix to shatter stages throughout the Summer season.

Stirring up a frenzy on both ‘Bringing The World The Madness’ dates across Mexico and in their native home of Belgium, Dimitri Vegas & Like Mike’s rousing remix of Felix’s ‘Don’t You Want Me’, is poised to claim its status as a future stand-put anthem in the pairing’s back catalog. Make sure you grab your copy exclusively on Beatport March 30th.   


BUY @ BEATPORT

Felix - Don't You Want Me ( Dimitri Vegas & Like Mike Remix ) NOW ON BEATPORT

Spaztek & The Monkeymind - Back Up! (Original Gorilla Percussion Concussion Mix)

Rihanna: Diamonds (M33kah M. Cover)

Fractal Ascent

Halcyon Circuit

Discovery

Veridis Quo

Angels of Destruction (Neelix Remix)

Angels of Destruction (feat. Caroline Harrison)

The Day Is My Enemy

Rok-Weiler

Profile: Herman Giebartowski (a.k.a. Primitive Alchemy)

Based in: Melbourne, Australia

Disciplines: Electronic music production · Experimental sound design · Spoken word · Multimedia installation

Genres: Ambient · Post-Industrial · Leftfield electronica · Electroacoustic · Experimental techno · Liquid D&B

Active since: 1995
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📄 Artist Bio

Herman Giebartowski is a Melbourne-based electronic music producer and multimedia artist whose work blends ambient textures, modular\beat synthesis and the spoken word. With a background in audio engineering and live performance, Giebartowski creates immersive soundscapes that often explore urban decay, mythos, memory, and technology. His releases span both digital and cassette formats and have been featured in underground electronic circles across Australia and Europe.
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📄 Artist Bio (Extended)

Herman Giebartowski is a multidisciplinary artist and producer working at the intersection of electronic sound design, experimental music, and conceptual performance.

With a formal background in audio production and sound theory from secondary school onwards, Herman began performing under the tag Pyrotechnica in 1995. His live sets are known for blending slow-evolving ambient landscapes with fragmented post-industrial rhythms and spoken word overlays. His work has appeared at independent electronic events, clubs, warehouse shows, and gallery-based listening rooms throughout Melbourne, with international interest via curated playlists.

Giebartowski is a boundary-dissolving artist navigating the liminal spaces between sound, text, and memory. Drawing on a hybrid lineage of Eastern European folklore, post-communist architecture, and algorithmic decay, his work evokes the static hum of lost transmissions and the poetic distortion of time.

His signature “glitch chants” and ambient-noir soundscapes have earned underground acclaim in Melbourne’s electronic scene and Europe’s cassette-based art communities.

Whether composing for avant-garde theatre, broadcasting cryptic radio rituals, or exhibiting obsolete data as sculpture, Giebartowski’s aesthetic is a constant archaeology of the near-now.

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🔍 Education & Background
•	Bachelor of Arts: The University of Melbourne
•	Bachelor of Creative Arts: La Trobe University

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🛠️ Tools & Gear
•	Impulse Tracker 2.14 - patch #5
•	Ableton Live + Max for Live
•	Virtual DJ
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🔁 Themes in Practice

•	Environmental memory and field resonance
•	Post-industrial spaces and sonic textures
•	Voice and machine interplay
•	Loops and archival processes in sound

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📣 Public Presence
•	Instagram: @primitive.alchemist
•	Affiliated collectives: Pyrotechnica, Mindmonkey: the Monkeymind, Alienation Theory, Primitive Alchemy