Not Underground. Not Mainstream. Just Left Ground.

Left Ground Music stands outside the boundaries of genres and scenes.
We are neither part of the mainstream nor the underground—we exist in the “left ground”, a space where sound refuses to conform.

From electronica, dub, and ambient to post-rock textures, our releases carve out soundscapes that demand attention, not background listening.
Born in Japan, our music captures the collision of urban noise and natural silence, offering listeners a sonic experience that feels both familiar and alien.

This is music for those who walk the edges of reality.
This is Left Ground.

Label & radio show focus on Contemporary music & Aesthetics · MANIFIESTO + FUTUREISNOW · 
'The sound of tomorrow, the music of today'  

2025 shows:

FISN 35 – 18.01.25 w/ @luishock
FISN 36 – 08.02.25 w/ @robert_cosmic
FISN 37 – 10.03.25 w/ @gostem
FISN 38 – 21.04.25 w/ @enricdonat
FISN 39 – 12.05.25 w/ @snuffo
FISN 40 – 07.07.25 w/ @giselesouth

2026 shows:

FISN 41 – 30.01.26 w/ @los-pucheros-atomicos

KIP STUDIO & MANIFIESTO 2015–2026©
hosted by @bl4cktr4ck
supported by @blacktonerradio
instagram.com/m4nifi3sto/
kipstudio.es/manifiesto

God Above All
Dancehall & Hip Hop Musician
Founder & Owner: Boogie Cmpny & Boogie Merchandise  

S. Mtira Jumba Also Known As King Boogie.
Was Born In Nairobi, Kenya. In 2003, 1st May, During Labour Day" A Ranked Holiday In Kenya.

Was Raised By Single Mother, Growing Up With One Sibling (Sister).

King Boogie Started Hi Music Career In 2018, Recorded His First Song In 2019 Called "Mjulubeng" With His Former Music Group Namely "Mbogi Ya Madawa."
Then Switched To Solo Artist In 2021.
Recorded His First Solo Song In 2021, Namely "I Wish."

KING BOOGIE Means: King Of Music Played With  Strong Melodic, Slow Or Fast Beat.

#KingBoogie #KB #GodAboveAll 

2025 new French Electronic Music Composer. Creator of new Cinematic EDM / House Musics. 1M streams in 7 months in all streaming platforms.
https://www.instagram.com/elecprote1n/

Creator of electronic music in the 90s with the pioneering software Scream Tracker 3, then he has become for 20 years a recognized specialist in 3D movies (cinema and Blu-ray).

Elecprote1n comes back to music since early 2025 with new projects of electronic musics, inspired by « retro » electronica, synthpop, synthwave and house style with a single objective: make you vibrate by mixing electronic modern musics  inspired by Justice or Daft Punk with unique cinematic and movie composition inspired by movie scores from Hans Zimmer or Lorne Balfe. The first cinematic EDM Music genre! Already 110 electronic musics composed in 7 months!

A collection of amateur recordings from private jam sessions, released posthumously by Arizona band MadHoney.

A prop music imprint
Pop/Rock/Electronic/Garage
Independent self‑publishing music imprint and home‑studio production project.
Web3 ID----> culturalcompany.nft

"Nobody knows it but A.J. Kaufmann is a national treasure of Poland." - David Bixby.

A.J. Kaufmann is a Polish poet, composer, and underground musician whose work has spanned nearly three decades of DIY experimentation. He began writing music in 1998, releasing his first solo cassette Adam Sandosa the same year. After moving to Berlin in 2000 to study music and poetry under Johann Gottlob von Wrochem, he expanded his interests to improvisation and contemporary sound art.

In 2002 he co‑founded the duo Strange World in Poznań, recording a series of longform tapes blending original material with reinterpretations of underground classics. Two years later he launched Die Rote Erde, a project that remains active intermittently to this day.

Between 2005 and 2008 Kaufmann focused on home‑recorded demos and experiments, while his literary debut, Siva in Rags, appeared in 2008 via Kendra Steiner Editions. From 2008 to 2010 he prioritized poetry, but returned to studio work in 2010, recording his first full‑length album Second Hand Man with Andrzej Mikołajczak. It was released on vinyl and CD in 2011.

From 2011 to 2014 he continued publishing poetry (including Hosannah Honeypots) and recording demos, culminating in the American release of Stoned Gypsy Wanderer (Kendra Steiner Editions, 2014). The album marked the end of his early U.S. period.

Between 2014 and 2021 Kaufmann remained active across poetry, composition, improvisation, and collaborative recording. In 2021 his project Fairyport Convent was signed by The Swamp Records (USA), resulting in two CD releases and his 2023 solo album Bard’s Woman in the Cool of the Summer Breeze. He worked with the label until late 2025.

Parallel to his solo work, Kaufmann co‑founded several notable projects:
• Sauer Adler / Säure Adler (2012–2025), whose debut Revelation (2013) and later vinyl releases on Ramble Records (Australia) earned international attention.
• Psychedelic Mayhem (from 2022), including the 2023 session Supershroom.
• Bezkwit (2024–2025), an improvising trio praised for its raw, avant‑rock energy and comparisons ranging from Captain Beefheart and Can to King Crimson.

His catalogue also includes numerous short‑lived experimental aliases, as well as a significant body of electroacoustic work released under the name Adam Majdecki‑Janicki on the French label Snow in Water Records, beginning with Eimi (2020). The album helped define his contemporary sound and received praise from figures such as Maurizio Bianchi.

Kaufmann has also collaborated extensively with the Texas label Herby Records, which issued multiple vinyl releases starting with Stoned Gypsy Wanderer 2 (2020). Artist Justin Jackley has designed many of his covers, and in 2018 Kaufmann organized Jackley’s first Polish exhibition in Poznań.

His latest album, released on January 1st, 2026, marks a return to “folk in a crooked mirror”: Kontynent Mu — the only one that doesn’t exist, yet still has its own post office, its own storms, and its own anthem, sung by fish that have never seen the sea.

Since 1998, A.J. Kaufmann has continued to explore the intersections of word, sound, image, and noise — always evolving, always restless.

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀Ø

https://linktr.ee/limbo._

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VULTURE OF THE SUBCULTURE.
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