General Music

Mahogany set

Emotional Billionaire

Paradise

The Victory

Relax

Invocation

I had a lot of fun working on this remix, mainly because Marc and Ken provided some great parts to work with. I messed around with chopping up the main riff so that it plays different versions out of each channel to give an interesting left/right effect, every so often hitting the same pattern on both channels and suddenly jumping to the middle as a result. Then it disintegrates and recombines in new form during the break before finally reaching the original riff on the main drop....I've been playing it out a lot, seems to do the job nicely in the clubs....all about the bassline as often is the way with my stuff!

Marc Romboy And Ken Ishii - Seiun - Max Cooper Remix (out now)

DR.SPY.DER | KRYSHA MIRA LIVE | 16.03.13

I went pretty minimal on this one, no hi-hats, and pretty much no drums actually, just a kick and much later into the track a snare comes in.....There was something about the simple repetitive 2 note melody hits and chords I landed on that just seemed to work without needing anything much else, well hopefully it works for other people too and not just me. It's been going down really well in the clubs at least, it seems to make people clap for some reason, maybe because it's so simple and kick focused rhythmically, it's got a bit of a marching stomp feel.

I stripped out most of the parts from the original, and focused on the great pads and vocal sweeps, which seemed to lead to the melodic idea somehow. It was one of those remixes which flowed nice and easily, not too much conscious thought required, I just let it flow out.

I made an edit of an old video to fit the track too, full details about that on the youtube link:

http://youtu.be/pXdoDtQlvDE

Buy on Beatport

Nick Warren - Devil's Elbow - Max Cooper Remix (out now)

DR.SPY.DER | KRYSHA MIRA LIVE | BEYOND SENSES

This is the second idea I worked on with Kathrin deBoer for the Conditions Two EP, and an attempt to make something surreal. I tried to use her voice as an instrument in the track, rather than presenting it as a normal vocal at the forefront of the mix. I used lots of Max for Live fiddling’s to mangle up her vocals into all sorts of weird noises, and then picked out some of my favourites to use in the track. Most of the noises that aren’t the drums and main synths, so pretty much all the weird noises in the track, are made from Kathrin’s voice.



The overall feeling was something soft and organic, where in addition to the unpredictability and non-loopy manner of the vocal effects, the drums also follow a loose and slightly randomised pattern, with lots of shuffle to add to the free feeling. I thought the approach made it end up sounding a bit maddening and messy, and there was also a strong feeling of space in there with the main pads, so this combined with the surrealist approach lead me to the name ‘Falling Into Recursive Space’.

For Max Cooper mixes/free downloads:
soundcloud.com/max-cooper/sets/max-cooper-free-downloads

And music videos here:
www.youtube.com/user/maxbcooper

And for up to date info on all the goings on, you can join the mailing list on my site if you like:
www.maxcooper.net/

Max Cooper Feat. Kathrin deBoer - Falling Into Recursive Space (clip)

Despite common opinion, our band's name has nothing to do with roses – it comes from the phrase ‘The Primrose Path’ which first appeared in print in Shakespeare’s ‘Hamlet’ - and refers to a life of ease and pleasure which can eventually end in chaos. 
But we decided to cut the negativity and just keep ‘Primrose’ – the first flower of spring – that totally matches our mood in music – light, cheerful but with elements of natural cosmic philosophy.

Invocation

P R I M R O S E