Audio from: ATP Recordings releases, archive artists performing at ATP Festivals, or performing at ATP Concerts.

All Tomorrow's Parties  is an organisation based in London that has been promoting festivals, concerts and records throughout the world for ten years. It was founded by Barry Hogan in 1999 in preparation for the first All Tomorrow's Parties festival, the line-up of which was curated by Mogwai and took place in the unusual setting of Pontins Holiday Camp, Camber Sands. Since then the festival has appeared every year, and continues to set itself apart from festivals like Reading or Glastonbury by staying intimate, non-corporate and fan-friendly. Another vital difference is that the line-ups are chosen by significant bands or artists, resulting in unpredictable and exciting events which combine performances by legendary and influential acts with appearances by the latest crop of experimental artists from any (and every) musical genre. The All Tomorrow's Parties festival has become more successful with every passing year, moving in 2006 to a larger holiday camp. It has taken place in the UK, USA and Australia

ATP Recordings is a record label started in 2001 by London concert promoter Barry Hogan, who heads the All Tomorrow's Parties organisation, which has been promoting its world renowned festivals and concerts since 2000. The label was originally created to bring out a compilation CD featuring artists from the line-up of a Tortoise curated All Tomorrow's Parties event. As well as further compilations released to coincide with their festivals, the label soon expanded, signing bands and releasing their records: sometimes for the European market where their records had no distribution, but also on a worldwide basis with artists old and new.

The label has notably released the first album by the reunited Magic Band, and also acclaimed albums from Bardo Pond, Deerhoof and Australia's The Drones. The label develops new home-grown talent such as Alexander Tucker and Fuck Buttons, and has also worked to release records by such varied luminaries as Apse, Autolux, Spiritualized, Built To Spill, Sleepy Sun, Death Vessel, Fursaxa, Jackie-O Motherfucker, The Scientists, Threnody Ensemble and White Out (with Jim O'Rourke). For more info on the ATP Recordings label including information on all new and archive releases, please visit our website at atprecordings.com

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

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