Le Curiosity Club réunit des milliers de femmes à travers l'animation de son propre réseau de clubs présents dans 14 villes et 6 pays et la création de programmes pour des entreprises et organisations engagées en faveur de l'égalité professionnelle F/H au service et de la Diversité & Inclusion. 

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Booking: celine@agauchedelalune.com
Publishing: olivier@alter-k.com

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Also check out: www.kraut.dance

Bookings via contact@danielzuur.com

Daniel Zuur – Electronic musician, Producer & Live Composer

Daniel has been a staple in the Amsterdam club scene since 2009. His unique sound and organic mixes have earned him a name in the alternative electronic music scene, as his sets have been attributed to being melancholic, dynamic but above all, deeply melodic.
In 2012, the artist earned the award for “Best Producer” at Vinylized, the biggest Dutch competition for producers in the scene. Daniel has continued producing and played live at national and international clubs and festivals such as: Kater Holzig (Berlin), Katerblau (Berlin) Sisyphos (Berlin), Paradiso (Amsterdam), Perron (Rotterdam), Tivoli (Utrecht), Pleinvrees (Amsterdam), Shoeless (Amsterdam), Thuishaven (Amsterdam), Baum (Bogota, Colombia) and Next Mondays Hangover (Amsterdam).
In the summer of 2013, the producer released the “Tesla EP” with the hit “Never Gonna Break” on Berlin’s renowned label: Katermukke. Further labels on which he has released his work are: Manual Music, Cinematique and on his own label, Zauer Records of which he is owner and founder.
Haunted by the drums and his experience as a drummer in several bands, Daniel has developed an exceptional rhythm and sound that no label will do justice. Terms such as deep techno or house don’t cover enough ground. The producer composes sets that exist in their own singularity; every single one being an individual story that creates its own atmosphere. Every set is textured by a whole variety of original tracks that he adapts with precise care and proper timing live on stage: dialogues, natural sounds and warm beats, all treated into a highly dynamic and unique set. Consequently, no live set will ever be identical.
Daniel has been working together with other musicians such as singer/songwriter Florian Wolff. The interaction between his organic electronic sounds and other musical instruments ¬– with elements of jazz, pop and rock – create a unique and strikingly complete entity. The dialogue between every piece and instrument is exciting in the ear of the beholder. In this sense, Daniel is an extraordinary creative, always striving for progressiveness in his work.

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