Morning Dharma Song from Thich Nhat Hanh's "Basket of Plums".

This is a completely spontaneous demo.  The birds were singing so beautifully in the background, I wanted to share these beautiful words with their beautiful song.

And When I Rise

Gene Keys - Fragments of Light

Dealing With Teenagers

Earth Pulse - Didgeridoo - Handpan - Vargan Soundscape
Ruff Libner - didgeridoo, handpan, vargan, voice, mix and recordings

full album available on:
https://travellingdidjeridoo.bandcamp.com/album/relations

Relations

Earth Pulse

Excerpt from The Magnetic Monopole: The Key at the Heart of Being. Learn more: https://offer.jovianarchive.com/the-magnetic-monopole-the-key-at-the-heart-of-being/

The G Center

Forest Bathing 432 Hz (Shinrin Yoku) – The Magic of Nature

Spirit in the Stream - 432 Hz

A Joyful Gathering With Nithya Shanti In New Delhi on 23rd October '24

The Wisdom of Slow

Album instrumental mélant Rock celtique et musique néo-classique

Amour perdu

Most of the pieces on Shanti Guitar are based on the concept of Raga, a traditional form of Indian music that has been in existence for centuries. It's important to note that these pieces are not traditional North Indian Classical music. Rather, they were borne from a personal musical style developed over many years - a style that is heavily influenced by this music.

The word Raga itself means “that which colors the mind." It is not only a scale or some fixed sequence of notes; it is considered a living musical entity (like a God or Goddess). The ancient Vedic yogis discovered that ragas have certain harmonious or antagonistic effects depending on when they are played. When correctly performed -- at the appropriate time of day or season of the year -- a spiritual connection between Raga and musician occurs, thus creating a "sound manifestation" between artist and audience. It is an experience that is literally out of this world.

"Music is much more than notes produced on an instrument. Every note should live and breathe with a connection to the Soul. Drawing from the infinite tradition of raga, as well as that of blues and those South African sounds of my youth, I have found a way to express my experience in a way that I hope will leave you feeling soothed, healed, uplifted and at peace with one's self and the world. Because that's the feeling I get from playing it. Namaste, Siyabonga and Peace." - Stevin McNamara, Ashland, Oregon, January 2012

And When I Rise

Priscilla Ahn