This track was performed live at Knobcon 2023 using the Prism Circuits Quasar System and the Teenage Engineering OP-1.

Live at Knobcon 2023 on the Quasar System

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

William Elliott makes experimental synthesizer-based music under a number of aliases, including Phantom Oscillator, GASGIANTS, Interferenzmaschine, and Occam's Raygun. His uncompromising improvisational style has led him to embrace hardware synths such as the iconic Soma Laboratory Lyra-8 and Eurorack modular synths among others.

I'm an electronic musician doing ambient and avant garde pieces, often using modular synthesis.  I also enjoy computer music as well.

Based in West Los Angeles. 

Take care,
Jim
Los Angeles, CA USA

Creating immersive sensory experiences🌲music + biomaterials often in collaboration with fungi 🍄🎶

Interested in working with us or licensing our music? 
It is highly appreciated you kindly reach out to us prior to ripping our audio. 
Our music (mycelium, tree derived or otherwise) posted online here, or through Tidal, Bandcamp, Spotify, etc., is registered with SOCAN.
Reach out through, www.nanotopia.net
Thanks!

©Nanotopia 21st century

Think of the sound of NIM as the host of angels in Gustave Dore’s illustrations for Dante’s Paradise – radiant and terrifying at once, spinning in a whirlpool of celestial light. This is electronic music that far transcends its material origin and becomes an ethereal entity that belongs to no particular time. Its points of attraction are equally 21st century and Renaissance, science and mysticism, neoclassical and experimental, purity and imperfection, impenetrable depth and unbearable lightness, cosmic harmony and chthonic dissonance. These references define NIM, but not completely, as there is always room for something that escapes words.

Text author: Jurij Dobriakov

noiseismessage@gmail.com