mixes

Privacy Radio - Refuge Worldwide -June 28 2023

PINKMAN RECORDS : label owner MARSMAN & comrade RANDSTAD guests hours for the Rinse France radio show Public System Recordings | Myn

MARSMAN for the first hour, followed by RANDSTAD

Tune in at www.rinse.fr

Friday 24/05/19 
10 PM – Paris. | 9 PM – London.

Rinse France Podcast

PUBLIC SYSTEM RECORDINGS - MYN invite PINKMAN - MARSMAN & RANDSTAD | RINSE FRANCE - MAY 2019

Алексей Борисов, студент исторического факультета МГУ, создает свою первую группу Проспект в 1981 году; вдохновленные летними посиделками на столичных кухнях, они с друзьями играют легкую гитарную музыку с оглядкой на западную «новую волну». Группа распадается в 1984 году, чтобы через год вернуться на сцену в обновленном виде, уже как Ночной Проспект. К Борисову присоединяется энтузиаст электронной музыки и коллекционер редких синтезаторов Иван Соколовский, а новое звучание группы совершает плавный переход в «сумеречную зону» индастриала и тягучего синти-попа. Под новой вывеской коллектив записывает и издает несколько концептуальных, новаторских альбомов, работая с важными деятелями советского авангарда — например, Жанной Агузаровой, — после чего Борисов и Соколовский решают сфокусироваться на сольных проектах.  
	В 1986 году музыканты воссоединяются на студии Борисова на Проспекте Вернадского, чтобы записать единственный инструментальный альбом в дискографии группы, «Курорты Кавказа». Главные инструменты на записи — перкуссионная драм-машина, звуки которой придают альбому несколько афро-карибский, «тропический» характер, а также редкие синтезаторы: от советского «Фаэми» до итальянского «Бонтемпи». Альбом получит противоречивые отзывы и останется непонятым современниками, во многом из-за того, что звучит слишком странно и нетипично, даже для самих участников дуэта.  Запись так и не будет издана официально, эти композиции ни разу не сыграют вживую. Вскоре после своего появления на свет «Курорты Кавказа» уберут подальше в архив и забудут, а музыканты переключатся на создание более монументальных произведений — например, своих культовых «Кислот». 
	Спустя 33 года после записи «Курорты Кавказа» издаются впервые.
_____________________________________

In 1981, Alexei Borisov, a history student at the Moscow State University, formed his first band Prospekt (Avenue), drawing inspiration from kitchen table talks and new wave music coming from the West. They broke up in 1984 and 
a year later Borisov joined forces with Ivan Sokolovsky, 
an electronic music enthusiast and a connoisseur of rare synthesizers, to introduce the new and «updated» version of the band. By becoming Notchnoi Prospekt (Night Avenue), Borisov and Sokolovsky started moving towards industrial music and viscous, psychedelic synth pop. 
	In 1986, after a few conceptual, revolutionary albums 
as Notchnoi Prospekt, various solo projects and collaborations, the duo reunited in the studio to record their only 
instrumental album «Kurorty Kavkaza» (Resorts of the Caucasus). Built around the hypnotic meshing of afro-caribbean drum machine percussion and vintage Soviet and Italian synthesizers' vivid sonic palette, the resulting record was something that was absolutely different from Borisov and Sokolovsky's dark signature sound and wasn't well 
received both by the public and underground scene. Until now, these tracks were never released and Notchnoi Prospekt never performed them live. Shortly after the recording session the duo focused on a return to their industrial roots that resulted in a number of monumental albums including «Kisloty» that became an instant underground classic. 
	«Kurorty Kavkaza» lay dormant and forgotten for decades, and thirty three years after its recording, it gets the deserved official release.

Notchnoi Prospekt  "Health Resorts of the Caucasus" (1987)

Side 1
A1 – From the depth (5:09)
A2 – Fishes (8:46)
 
Side 2
B1 – This Night (7:40)
B2 – On the coast (6:27)
B3 –  Sea walk (4:23)

Side 3
C1 – Lukich on the beach (5:20)
C2 – Oriental sweets (4:12)
C3 – Heat (4:47)

Side 4
D1 – Road to mountains (11:59)
D2 – Caves (6:02)

guitar, percussion, effects — A. Borisov
keyboards, electronic percussion, TB-303 – I. Sokolovsky
text – E. Galochkin, S. Sharifullin
photo – O. Kornev, V. Marochkin
art direction – P. Milyakov
executive producer — I. Zaynetdinov

2 x 12" LP, 180 grams
© «ГОСТ ЗВУК», Moscow, Russia, 2019

Bleep

ГАР002: Ночной Проспект «Курорты Кавказа»

Estamos muy contentos de en presentar a uno de nuestros artistas favoritos, SARIN.

SARIN es el proyecto de música electrónica y presentación multimedia del artista radicado en Berlín Emad Dabiri, originario de Toronto, Canadá.

Emad ha editado más de una docena de vinilos y cassettes en los últimos años bajo SARIN y otros proyectos de colaboración desde la transición de su experiencia en arte de audio/video.

Antes de comenzar el proyecto SARIN, Dabiri realizaba sus shows audiovisuales bajo el nombre INFINITY DOSE.

Ha lanzado con su proyecto en solitario y también con sus proyectos de colaboración en sellos como [aufnahme + wiedergabe], BITE, X-IMG, Fill-Lex Records, BFE Records, Total Black, AFU Limited, AREA Z, Linda Records, Veleno Viola, Tripalium Corp y Khemia.

Además de su proyecto en solitario, Dabiri actúa como Nostromo (con Unhuman), KONKURS (con BLUSH_RESPONSE) y Human Performance Lab (con Matt Cangiano).

También es el fundador de X-IMG, una etiqueta de cassette y plataforma de A/V.

El sonido de SARIN puede describirse como una mezcla de programación de batería abrasiva y líneas de bajo brutalmente mínimas combinadas con muestras distópicas de detritus de medios de corte, invocando espíritus de fetichistas tecno de cuerpo militante de antes.

Los DJ y sets en vivo de Sarin lo han llevado por todo el mundo desde los Balcanes hasta Asia y todos los rincones de Europa y Sudamérica.

We are very happy to introduce one of our favorite artists, SARIN.

SARIN is the electronic music & multimedia performance project of Berlin-based artist Emad Dabiri, hailing from Toronto, Canada.

Emad has edited over a dozen vinyls & cassettes in the past few years under SARIN and other collaborative projects since transitioning from his audio/video art background.

Before starting the project SARIN, Dabiri performed his audiovisual shows under the name INFINITY DOSE.

He has released with his solo project and also with his collaborative proyects across labels such as [aufnahme + wiedergabe], BITE, X-IMG, Fill-Lex Records, BFE Records, Total Black, AFU Limited, AREA Z, Linda Records, Veleno Viola, Tripalium Corp, and Khemia.

Besides his solo proyect, Dabiri performs as Nostromo (with Unhuman), KONKURS (with BLUSH_RESPONSE) and Human Performance Lab (with Matt Cangiano).

He's also the founder of the X-IMG, a cassette label & A/V platform.

The sound of SARIN can be described as a blend of abrasive drum programming and brutally minimal bass lines paired with dystopian cut-up style sampling of media detritus, invoking spirits of militant body techno fetishists of before.

Sarin's DJ & live sets have taken him across the globe from the Balkans to Asia and all corners of Europe and South America.

x-img.bandcamp.com/

www.facebook.com/ximgberlin/

www.residentadvisor.net/dj/sarin

www.facebook.com/sarinberlin/

@sarinvx

Knife Podcast 076 | SARIN

Martin Jõela (@froteerecords) B2B Nikolaienko (Muscut)
Melodia Label Favourites mix recorded At Biit Me Record store, Tallinn on 6.03.2020 - Muscut 8 Years party.

Martin Jõela B2B Nikolaienko - Мелодия (Melodia Favourites Muscut 8 Years At Biit Me 6.03.2020)

This one has been in the pipeline for quite some time.

Florian Kupfer is a producer and dj with whom we have kept tracks on for years, his releases are essential and his own take on the industrial fringes of leftfield dance and electronic music has made him one of the most intriguing figures in the genre. Mysterious and illusive, he tends to let the music do the talking and hasn't bought into the bulls**t which can accompany what can be at times a ludicrous charade. His releases have appeared on the likes of LIES, Technicolour, WT Records, Russian Torrent Versions, Obsolete Future and many more.

The music itself has always been abstract, rough, rugged and experimental. At times it has carried club focussed potential, yet not the big rooms and grand stages. For Florian it has always been about diy culture, dark smoked out basements and the accompanying counter culture. Real grit, real stress, real personality - music created as rough as the circumstantial day to day existence of us all.

Read & Download

Florian Kupfer: The Wednesday Alternative Mix

_booking
eu : anke@phuturewest.com
au : l@bizarro.life

_other
ww : system72@protonmail.com

Privacy Radio - Refuge Worldwide -June 28 2023

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