That's earporn! Love the patch notes, thanks a lot!

Live performance for EMS Synthi 100, magnetic tape and computer setup. Performed and recorded at Electronic Studio-Radio Belgrade in 2021.

VIDEO: https://youtu.be/x-j0nUvlogQ
More info: https://www.svetlanamaras.com/radioconcerts.html

Svetlana Maraš©SOKOJ
All rights reserved

Radio Concert No.2

This track is from 2011, but I've never posted it here before.  I used the Modcan 57B VC Recorder (voltage control recorder) as an audio recorder and grabbed a bunch of sounds "live" from a shortwave radio and looped them.  Once I created and layered the loops, I recorded them and mixed them with some Moog synthesizer recordings in Logic.  I'm pretty sure the Moog Old School Voyager was going through a Electro-Harmonix POG pedal to create 'chords' and then various delay and reverb efx.

Sounds lush and haunting to my ears, so it seemed like something nice to post for Halloween this season.  Enjoy and thanks for listening if you choose to do so!

Modcan VC Recorder Ambient

ShapeShifter

Taken from Rod Modell's Ghost Lights LP on Astral Industries, out September 1.

Pre-order: https://astralindustries.bandcamp.com/album/ai-35-ghost-lights
More: www.orbmag.com/music

@astralindustries

Ghost Lights

Listen more

Premiere: Rod Modell - Side A

E490 demo (Robert Rich) showing the DIST mode. PWM on the VCOs.

E490 RR Sat

E490 demo (Robert Rich) with various resonance and delay.

E490 RR EchoSeq

E490 demo (Peter Grenader) using MIDI sequencing

E490 PG PatSeg

E490 demo (Dave Fulton) using 2 sequenced patterns (multi-tracked).

E490 DF LoopSeq

laras

scylla

Small Steps

All sound from single E300 Ultra VCO.

PATCH NOTES:  An Doepfer A160-2 clock divider triggers notes and accents, rhythmic tension provided by 3s against 4s. Shorter divisions trigger quick Math envelopes which strike LPG's on the Optomix and a Boogie to articulate all the notes of the main pattern. Longer clock divisions trigger the more infrequent accents, routed thru Maths to the 'control' and 'key' inputs of the Optomix and Boogie respectively. I also manually manipulated the Maths' envelope attenuators to fade in & out various parts to create a live, one-pass 3 voice part with SAW, PULSE, SUB (-1 oct) outputs recorded simultaneously. The additional elements were added thru multitracking. There's no FM, but lots of hard sync heard on the longer held notes, the sweep created by holding the E300 base note with an outside saw-wave routed to the sync input, while a Zadar generates a voltage profile to the E300's pitch input, creating a kind of harmonic singing effect.

Synthesis Technology E300 Ultra VCO Hijinx

These are modular sketches & demos. Full sized/complete pieces on my Fastus page.

Thrilled to announce the new Fastus release - "Into the Light" -DL or physical media! [see link below]

Synthesis Technology E300 Ultra VCO Hijinx

Professor Oblivion

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