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« Ce que nous voulons c’est le mouvement de masse » Ou comment la techno prend une dimension percutante en samplant des punchlines d'un discours politique de Lordon au "Tout le monde deteste la police" du cortège de tête.
Producer & Liver
Live Techno Revolt
booking : mikymike@riseup.net

Ableton Live - Native Instruments Massive - Arturia - Korg KaossPad - Moog Grand Mother

Sous quelque angle qu’on le prenne, le présent est sans issue. Ce n’est pas la moindre de ses vertus. À ceux qui voudraient absolument espérer, il dérobe tout appui. Ceux qui prétendent détenir des solutions sont démentis dans l’heure. C’est une chose entendue que tout ne peut aller que de mal en pis. « Le futur n’a plus d’avenir » est la sagesse d’une époque qui en est arrivée, sous ses airs d’extrême normalité, au niveau de conscience des premiers punks. La sphère de la représentation politique se clôt. De gauche à droite, c’est le même néant qui prend des poses de cador ou des airs de vierge, les mêmes têtes de gondole qui échangent leurs discours d’après les dernières trouvailles du service communication. Ceux qui votent encore donnent l’impression de n’avoir plus d’autre intention que de faire sauter les urnes à force de voter en pure protestation. On commence à deviner que c’est en fait contre le vote lui-même que l’on continue de voter. Rien de ce qui se présente n’est, de loin, à la hauteur de la situation. (Comité invisible)

"What we want is the mass movement" Or how techno takes on a punchy dimension by punching out punchlines from a political speech by Lordon to the "Everyone hates the police" in the BlackBloc.

From whatever angle, the present is hopeless. It is not the least of its virtues. To those who would absolutely hope, he steals all support. Those who claim to have solutions are denied within the hour. It is understood that everything can only go from bad to worse. "The future has no future" is the wisdom of an era that has come, in its air of extreme normality, to the level of consciousness of the first punks. The sphere of political representation is closed. From left to right, it’s the same nothingness that takes on the pose of a cador or the air of a virgin, the same gondola heads who exchange their speeches according to the latest findings from the communications department. Those still voting seem to have no other intention than to blow up the ballot box by dint of voting in pure protest. We begin to guess that it is actually against the vote itself that we continue to vote. Nothing that presents itself, by far, lives up to the situation. (Comité invisible)

retro picture with retro vibes give me ur heat ill give u the fire

● Enjoying music as RB
● Groove  influence
● RBettes

Founded in 2016 by Jon Hart as a sister label to the now established Reason 2 Funk Records as a way to bring the harder side of his passion to the forefront of the underground house scene. After a DJ appearance at HeadQuarterz Festival in Belgium alongside good friend and one half of Vrank en Vrij – Jon decided that it was only a matter of time before Cross Breed Music was to be born. There and then discussions where had with Vrank en Vrij and so the label was born this year with a debut release from Vrank en Vrij themselves.
Its all about keeping this label consistent with the more obscure Tech House | Deep House vibes. A big thanks to everyone supporting the label and all the artists involved or due to be involved.

Jon Hart - Founder at Cross Breed Music

SirBroon (formerly known as KeelMe)

Composer, Multi-instrumentalist, Beatmaker

Contact : sirbroon.contact@gmail.com

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