my songs

nimra

prince

pritiraju

Folk/Sufi

meri passand

reshma songs

songs

Overload And Shafqat Amanat Ali Khan

Gham Hai Ya Khushi Hai Tu meri zindagi hai tu (Nusrat Fateh Ali Khan)

Tufail Niazi was born in 1916 in the only Muslim family in the Sikh village of MadairaN in Jallandhar district. MadairaN was only a short distance from Sham Chaurasi, famous birthplace of the musical gharana of that name (Ustad Salamat Ali Khan, arguably Pakistan's finest classical vocalist, hailed from this gharana). Tufail's family and ancestors were "Pakhawajis". (Pakhawaj is a tabla-like percussion instrument traditionally used as accompaniment in Dhrupad singing, the much older and temple-rooted form of Hindustani classical vocal music than the newer, more popular Mughal-era creation Khayal.) Historically, some of his family members were "Rubabis" who sang Gurbanis (songs in praise of the gurus) in Gurdwaras. Tufail followed this family tradition and started singing Guru Nanak's bani at the Gurdwara in the village of Pumba near Amritsar where his maternal grandfather was employed as a rubabi...  He then joined a traveling theater ("Nautanki") and honed his theatrical and storytelling skills playing a hero in productions of famous Punjabi folktales like Heer Ranjha, Sohni MahiNwal, Sassi PunnooN and Pooran Bhagat. Most of this pre-partition part of Tufail's life today reads like a page not from 20th century history but a much older epoch that we can no longer even imagine.

At the time of partition, like all East Punjabi Muslims, Tufail too had to move from his ancestral lands and he ended up in Multan. To survive in this new unknown place where he hardly knew anybody, he opened up a milk shop. It was fortuitous that in 1949 a police inspector who had known him in East Punjab and had been a fan saw him and, on learning that Tufail had abandoned his music because he had no instruments and no other way to make a living, intervened. He got him instruments from the state coffers and organized a mehfil for Tufail introducing him to the people in Multan. It is unbearable to imagine that Tufail Niazi's voice could have been lost forever were it not for the effort of an ordinary fan who saved him from potential obscurity. We owe that unknown police officer a deep debt of gratitude.

Tufail soon became well known in the cultural circles of Multan after which there was no looking back. He started singing for Radio Pakistan and had the honor to be the first singer who performed on Pakistan Television, the day of its inauguration on November 26th, 1964. He sang his famous song "Laai beqadaraN naal yaari te tut gai tarak kar ke" that day. It was at that time that PTV's senior producer Aslam Azhar gave him the name Tufail Niazi because Tufail had told him that his pir was Hazrat Pir Niaz Ali Shah. Before this he had been just Tufail, Master Tufail, Mian Tufail and lastly Tufail Multani. Later, under Uxi Mufti he worked with great dedication to help set up and sustain the National Institute of Folk Heritage (Lok Virsa) in Islamabad. He received the Presidential Pride of Performance Award in 1983 and died on September 21st, 1990. A stroke had left him debilitated and unable to perform and he died in poverty with a wounded sense of official and unofficial neglect which has been the lot of so many Pakistani artists. He is buried in the graveyard in Islamabad.

Mein vi Jana Jhok Ranjhan Di- Shah Hussain

Ashqaan Di Gali (Reshma) :(

Sajjad Ali Bhoola Na Ye Dil OST Meri Beti

Rang Laga By Sajjad Ali

Ni Oonthan Waley Tur Jaan Gey

Sir Di Baazi Lag Jawe

Naseebo Lal - Dhola Azlan To Reshma Teri

Allah Jilai Bai (1 February 1902 – 3 November 1992) was a folk singer from Rajasthan, India.
Born in Bikaner to a family of singers, by the age of 10 she was singing in the Durbar of Maharaja Ganga Singh. She took singing lessons from Ustad Hussain Baksh Khan and later on from Achhan Maharaj. She was well versed in Maand, Thumri, Khayal and Dadra. Perhaps her best known piece is Kesaria Balam. In 1982, the Indian Government awarded her the Padma Shri in Arts field [1], one of the highest civilian awards. She has been also awarded by Sangeet Natak Akademi Award in 1988 for Folk Music.

Kesariya Balam- Allah jillai Bai

Mittar Pyare Nu (Voice - Reshma)

Kita C pyaar

nusrat sahab at his best , 
truly saying its my personal choice from the golden collection of NUSRAT FATEH ALI KHAN.

the composition is direct drop from the heaven.

Sochta Hoon Ke woh Kitne Masoom Thay- Nusrat Fateh Ali Khan(2)

Hey Romeo releases their new album I Got This on September 9th, which includes the first single “Won’t Be Over You”. 

Like this song? Grab it here http://ow.ly/BucFQ 
www.heyromeo.com


Hey Romeo - Won't Be Over You

Chalo Re Doli Uthao Kahaar - Anil Abhua
A Tribute to Our Legend Mohd. Rafi Sahab . Thanks for listening this song in my voice ....
Anil Abhua - 08860139730 , 09958405082 
Anilabhua36@gmail.com 

Chalo Re Doli Uthao - Anil Abhua

Mahiya tere pyar menu mar mukayaan(01)

Dj Deepa feat Reshma - Lambi Judai - Rough Sample

Download LIVING THINGS now on iTunes http://smarturl.it/lp2012

LYRICS:
You were that / foundation
Never gonna be another one no
I followed / so taken
So conditioned I could never let go
Then sorrow / then sickness
Then the shock when you flip it on me
So hollow / so vicious
So afraid I couldn't let myself see
That I could never be held
Back or up no / I hold myself
Check the rep / yep you know mine well
Forget the rest / let them know my hell
There and back / yet my soul ain't sell
Kept respect up / the best they fell
Let the rest be the tale they tell
That I was there saying . . .

In these promises broken / deep below
Each word gets lost in the echo
So one last lie / I can see through
This time I finally let you
Go

Test my will / test my heart
Let me tell you how the odds gonna stack up
Ya'll go hard / I go smart
How's that working out for y'all in the back, huh?
I've seen that frustration
Been crossed and lost and told no
And I've come back / unshaken
Let down and lived and let go
So you can let it be known
I don't hold back I hold my own
I can't be mapped / I can't be cloned
I can't C-flat / it ain't my tone
I can't fall back I came too far
Hold myself up and love my scars
Let the bells ring wherever they are
'Cause I was there saying. . .

NO / YOU CAN TELL 'EM ALL NOW
I DON'T BACK UP / I DON'T BACK DOWN
I DON'T FOLD UP AND I DON'T BOW
I DON'T ROLL OVER / DON'T KNOW HOW
I DON'T CARE WHERE THE ENEMIES ARE
CAN'T BE STOPPED / ALL I KNOW / GO HARD
WON'T FORGET HOW I GOT THIS FAR
FOR EVERY TIME SAYING

In these promises broken / deep below
Each word gets lost in the echo
So one last lie / I can see through
This time I finally let you
Go

LIVING THINGS: Acapellas and Instrumentals

LOST IN THE ECHO (Instrumental)

Stay Close Don't Go (A Naked Twist in My Story Version)

sakhi ro ro main sung by Nazakat Ali Khan & Salamat Ali Khan
Raag- SINDH KAFI
Vocal-Male

Nazakat Ali Khan & Salamat Ali Khan - sakhi ro ro main - SINDH KAFI

Title: Mahiya Tere Pyar
Artist: Fariha Perwaiz
Album: Abhi Abhi

Mahiya Tere Pyar - Fariha Perwaiz

Reshma-Lambi(Phoenyx Refix) FRICTION2 LAB

The Dewarists Tv Show - Season 02 Episode 01

Salim-Sulaiman, Shafqat Amanat Ali Khan & Fin Greenall - Let go

Qaid-e-Tanhai - Hum Ost

Ishq Mujhko Nahin - Chitra Singh

Lyrics:

Katna Nai, Langna Nai
Yaadan Teriyan De Naal Din Mera 
Sunn Ke Sadawan, Boohey Uttey Aawan
Nai Koyee Nai, Koyee Nai 
Murrdee Gali Da Kanda Ainj Minoo Disda
Jeewain Murr Aawain Ga Toon Aiho Minoo Lagda 
Kinee Waree Aawan, Kundiyan Halawan
Nai Koyee Nai, Koyee Nai 
Kinee Der Laani Eh Toon, Kinee Der Lawain Ga
Taa Muk Jaaney Jadon, Oss Weley Aawain Ga 
Mukkiyan Duawan, Udd Gayyan Chawan
Chal Koyee Nai, Koyee Nai

Katna Nai - Sajjad Ali

Tufail Niazi was born in 1916 in the only Muslim family in the Sikh village of MadairaN in Jalandhar district. Like his family members, Niazi sahab started singing Guru Nanak's bani at the Gurdwara in the village of Pumba near Amritsar. His family members were rababis at the Gurughar. 

At the time of partition, Tufail Niazi sahab was uprooted from East Punjab, his ancestral land, and dis placed to Multan. He hardly knew anyone there and in order to survive he opened up a milk shop. It was fortuitous that in 1949 a police inspector who had known Tufail sahab in East Punjab and had been a fan of him, had come to learn that Tufail had abandoned his music because he had no instruments and no other way to make a living. The police inspector was quick to intervene. He got Tufail sahab some instruments from the state coffers and organized a mehfil to introduce him to the people of Multan. It would have been a misfortune to have lost Tufail Niazi's voice if it weren't for an ordinary fan who saved him from potential obscurity. We owe that unknown officer a deep debt of gratitude.  

Tufail sahab later became a legend in Multan and went to sing for Radio Pakistan and was honored to be the first singer who performed on Pakistan TV. 

Some of his shabads have been lost to time, but this one was fortunately saved and is thus marked as a prized collection to be recalled, marveled, and recited along. 
The shabad performed here was recited by the 10th Sikh Master (Guru Gobind SIngh ji) while he was in Machhivarra forest, separated from his family and his brethren. This bani is registered in the Dasam Granth Sahib as Khyal (p1348)


ਮਿਤ੍ਰ ਪਿਆਰੇ ਨੂੰ ਹਾਲ ਮੁਰੀਦਾਂ ਦਾ ਕਹਿਣਾ ॥
ਤੁਧੁ ਬਿਨੁ ਰੋਗੁ ਰਜਾਈਆਂ ਦਾ ਓਢਣ ਨਾਗ ਨਿਵਾਸਾਂ ਦੇ ਰਹਿਣਾ ॥
ਸੂਲ ਸੁਰਾਹੀ ਖੰਜਰੁ ਪਿਆਲਾ ਬਿੰਗ ਕਸਾਈਆਂ ਦਾ ਸਹਿਣਾ ॥
ਯਾਰੜੇ ਦਾ ਸਾਨੂੰ ਸੱਥਰੁ ਚੰਗਾ ਭੱਠ ਖੇੜਿਆਂ ਦਾ ਰਹਿਣਾ ॥੧॥੧॥

Convey to the dear friend the condition of the disciples,
Without Thee, it feels as if I have taken over a quilt of disease, and thus living in the house with serpents;
The flask is like the spike, the cup is like a dagger, and (the separation) is like enduring the chopper of the butchers, 
The pallet of the beloved Friend is most pleasing, while the worldly pleasures is like a furnace.







Mittar Pyare Nu (Voice - Reshma)

Prof. Kawaldeep Singh