OUR FLIGHT SHIFTS TOWARDS THE LUMINOUS SUN

■概要(Overview)
今回はピアノはお休みです。
鳥になりたいなぁ。良いよなぁ。でも鳥の中でも色々とルールとか合って大変だったりするのかなぁ。
頑張れ、地球！
There's a break from piano this time.
I want to be a bird. That would be nice. But I wonder if it would be difficult for birds because there are all sorts of rules to follow.
Hang in there, Earth!

■歌詞
ハンバーガーをかじって
浜辺を散歩していたわ
そしたらトンビやってきて
ハンバーガー飛んで行った

はやてのように　風をあやつり
獲物を狙っている　トンビ！

優雅に大空を　飛んでいる
翼広げ

いつか私が体を離れる時が来た後はあんな風に
高く遠く太平洋の向こうまで飛んでいきたいな

想いを馳せる Happy Free Flight!
見つけ出せるさ　Wind Rail, Yeah!
遠ざかるトンビ　指カメラで捉えた


海岸沿いの街灯に
トンビが一羽とまってる
さしずめ監視活動ね
あの子のクレープ　危ない

音もたてずに　獲物をさらう
まるで忍者のようね　トンビ！

王者の風格で　空を飛ぶ
風を　読んで

風のレールに身体を預けて　どこまでだって飛んでいきたいわ
はるか遠く　苦しみも　悲しみも　きっと追いつけない場所

夢を見ていた Happy Free Flight!
見つけ出せるさ　Wind Rail, Yeah!
麦わら帽子　投げ捨てて　走り出す

今は飛べない
殻は硬く閉ざされて何も見えないけど
輪廻転生
するには全力で走りぬくしか・・ない！ない！ない！
いないいないばぁ！

いつか私が体を離れる時が来た後はあんな風に
高く遠く太平洋の向こうまで飛んでいきたいな
想いを馳せる Happy Free Flight!
見つけ出せるさ　Wind Rail, Yeah!
遠ざかるトンビ　指カメラで捉えた

■Lyrics (translation)
Biting into a hamburger
I was strolling along the beach
Then came a kite bird
And my hamburger flew away
Like a swift wind, controlling the breeze
A kite bird aiming for its prey!
Gracefully soaring through the vast sky
With wings spread wide
Someday, when my body is set free, I'd like to fly just like that
High and far, beyond the Pacific Ocean
Imagining the dream, Happy Free Flight!
I'll find it, Wind Rail, Yeah!
The distant kite bird, caught through my finger-camera

A kite bird perched on a streetlight along the coast
It's probably on surveillance duty
That kid's crepe looks dangerous
Silently stealing its prey
Like a ninja, the kite bird!
Flying with the dignity of a ruler
Reading the wind
I want to entrust my body to the wind rail and fly anywhere
To a place far away, where suffering and sadness can't catch up
Dreaming of it, Happy Free Flight!
I'll find it, Wind Rail, Yeah!
Throwing away my straw hat, I start to run

For now, I can't fly
The shell is tightly closed, and I can't see anything
Reincarnation
The only way is to run with all my might—no choice, no choice!
Peek-a-boo!
Someday, when my body is set free, I'd like to fly just like that
High and far, beyond the Pacific Ocean
Imagining the dream, Happy Free Flight!
I'll find it, Wind Rail, Yeah!
The distant kite bird, caught through my finger-camer

Happy Flight(いないいないばぁ)

Aurora Robealis

Propeller

Electric guitar, percussion, effect pedals, unsynchronized loops, voice, two tube amps, field recording (jackhammer). All sounds, voice, lyrics, mixing and production: Velvet Something Superdark. Image: Abandoned doll's head at roadside, Berlin (photo: VSS)

I don't see you
You don't see me

I don't hear you
You don't hear me

I don't touch you
You don't touch me

I can't feel you
You can't feel me

I can't kill you
You can't kill me

I'm alone
And you're alone

I am home
And you are home

We're together
Here forever

We're together 
Here forever...

Together Forever

method: most of the pre-takes done with a reface dx and oyayo toy drums, later stretches in audacity, voice in balabolka and rearrangement and editing in samplitude (also adding bubbling bass voice, clicks and further elements)
Narration: it is the evening of the day …. the serenity of the song by the Stones, coupled with recollectioms of events, i.e. exploring tensions, delayed dis- and resonances and so on and so forth
image: guests at my doorstep, copyright jo richter

sip /copyright jo richter:

drinking patient sap
from a fragile cup
he salvaged today's silence

Soooo Blue is out now link in bio💙
Soooo Blue is my 19th single. This single contains two songs. Second song, Catch The Sun is an uplifting song. The genres are Folk rock / Singer-songwriter. The mood is Happy and the style is Holiday with a laid-back groove. 111 BPM. I was most influenced by The Byrds. Vocal harmony reminiscent of bands from the 60s and 70s what was created by overdubbing the main melody is the highlight. I want the audience to listen to both songs when they have time to relax, such as before going to bed. I want the audience to enjoy the acoustics of both songs, so I would like them to use speakers or headphones.

Lyrics :
(Ahhh)
(Ahhh)
(Ahhh)

I'll catch the sun
You will catch it too
They can't feel me
They can't feel you
There is music
There is a beautiful light
You're my everything
You're my all the lights

I'll catch the sun
I'll catch the sun
I'll catch the sun
I'll catch the sun

I'll catch the sun
You will catch it too
Gimme a little pain
Gimme so much love
Higher than blue sky
Higher than black sky
We'll meet the stars
Meet the bright stars

I'll catch the sun
I'll catch the sun
I'll catch the sun
I'll catch the sun

I'll catch the sun
I'll catch the sun
I'll catch the sun
I'll catch the sun
I'll catch the sun

CATCH THE SUN

Recording sessions from 14-09-2022 - 20-03-2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, 
Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony,
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

AMBIENT_19

Ambient_19

Pole Shift

The earth shakes below
lightning flashes above
hearts and minds are broken
Poison all around

Nowhere else to go
Everywhere the same
There’s no time at all
where we find ourselves

If we could only see
That we lack nothing
fear would fade away
Only truth would stay

Swallowing the hook
we consume the bait
Can’t agree at all
Save the need for change

Divided in our minds
Can’t tell love from hate
Then before we know
It may be too late

Blind with mental plays
walk into the blaze
Cannot see what’s here
in front of our face

Earth shakes below
lightning flashes above
hearts and minds broken
Poison all around

If we could only see
That we lack nothing
fear would fade away
Only truth would stay

Earth shakes below
lightening flash above
Hearts and minds broken
Poison all around

If we could only see
That we lack nothing
fear would fade away
Only truth would stay

Seeing in real time
Following the way
Having seen what’s real
Only truth will stay

Lightly holding on
As the poles turn round
peaceful through it all
as the world falls down

Pole Shift (2025 Remaster)

closing track to the upcoming EP, 'random sidequest restarted'

staverton airport

Pierre and JC Bordetti productions (c) 05/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Anne-Lise for this beautiful photo of the island of Lanzarote.

Instrumental Jazz Fusion

Luminous cave

Luminous Cave

Alpha Mound is back with a new release: this time an 11 minute banger! It's a live recording with no overdubs. You can watch him do his magic on Youtube:

https://www.youtube.com/watch?v=zIiiQXjvoSQ

Alpha Mound is the recording project of Joakim Westlund, who has  released many albums, EPs and collaborations since 2012. His style is focused in the ambient genre and sometimes mixed into more deep going indie-electronica, techno and kraut sounds. The sound design is always a main feature where you can find complex melodies alongside slow drones and spare rhythms.

www.stalverk.se
https://alphamound.bandcamp.com/

Alpha Mound - Good Luck Sky

My remix of the Beautiful Track "The Golden Eternity" by Marco Lucchi

The Golden Eternity (progettosonoro remix)

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Gentle textural soundscapes trace the quiet shift in season, evoking warmth, stillness, and the beauty of impermanence. A sonic reflection on the passage of time, memory, and the subtle charm of change.

Christoph Vogel (Ghostloop) about his album: “It’s a collection of nine ambient pieces — soundscapes shaped by personal moments and quiet shifts I experienced over the past year, many of them spent in nature.

I worked with field recordings I captured during that time, letting them carry traces of place and memory. While writing, I also began building my Eurorack modular system, slowly integrating its sounds into the tracks as they took shape.

'Almost Autumn' reflects a quiet cycle of the year — the slow transitions, inner stillness, and changing atmosphere that come with time passing”.

Christoph Vogel, known as Ghostloop (Germany), weaves immersive soundscapes shaped by the serene rhythms of nature. Drawing from the ambient textures of field recordings and grounding them with deep, fluid basslines, his compositions echo the quiet moods of Northern Germany and the Baltic Sea coast. Rooted in a deep sense of place, Ghostloop’s music invites listeners to pause, drift, and sink into gentle, emotive layers of sound.

Produced and mixed by Christoph Vogel (Ghostloop)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

Almost Autumn

The Deer

09.08 - 23.08.2025
A Milli Space, 101 Reykjavìk

archivum, chronaura, cachéamor

An album inspired by evocative locations in the UK. Using a variety of digital instruments and techniques, the music is a semi improvisational response to landscape, encapsulating the feeling of place and time in an abstract, open and non-directed way.

Handa

(Don't follow me here, best on my main page ;)

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Aurora Robealis

progettosonoro

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