yes, timeless, very good work, a good team! 👍

Fabulous collaboration and interesting theme very well interpreted.

Such a wonderful sculptor of sounds you are. The airy quality of this is quite stunning. Well done, once again! :)

I feel like charmed by something from the past, maybe it is a dream, an ideal, something that had lead many to their loss ... a really fascinating track! totally bewitched by this flute along in that mysterious atmosphere... Wonderful piece!

A mysterious track with a spatial and earthy sound at the same time.  An unprecedented journey.  Beautiful work!

I was bored about ambient, but this track is very good! Congratulations!

Reworks + Collabs + Unsorted

progettosonoro & Dia.Mat:
Marco Mascia: soft synthesizers.
Claudio Ferrari: electronic devices - field recording.
Alessandro Bona: flute - bass flute - thunder.

picture reference: www.yumpu.com/it/document/read/1…pittura-arcaicapdf

SS London Valour was a British merchant ship belonging to London & Overseas Freighters (LOF). She was built as an oil tanker in England in 1956 and converted into a bulk carrier in Italy in 1966. She was wrecked in a gale just outside the Port of Genoa in 1970, resulting in the deaths of 20 of the 58 people aboard (en.wikipedia.org/wiki/SS_London_Valour).

London Valour

video here : https://www.youtube.com/watch?v=OmMXFd1Qdlg

Another Void / YT video (link in description)

Distant worlds is an experimental project by madsrecords (Marcelo Díaz Soto, Chile) and progettosonoro (Marco Mascia, Italy). With ambient sounds and atmosphere, it is the result of distant worlds

Distant Worlds

a piano pattern by Marco Lucchi reworked by Jan Gruenfeld

agosto 2021

Marco Lucchi & Jan Gruenfeld - pp 9 rework

Bandcamp: https://expansionoftheauralcognizance.bandcamp.com/track/the-origin-of-complexity
Youtube: https://youtu.be/pcNpt2eb8Kg

Bandcamp

The Origin of Complexity

This's a song that lamented me who couldn't give any advice to my lost YouTube friends.

#New #Original #Song #Shape #Moon

[Verse 1]
When clouds spring up and it starts to rain
Even if the moon disappears
If you look at the heavens again
That half moon is floating, But
I'm kind of lonely, too lonely
We are the Wanderer of the times
You who are wondering whether to give up
I couldn't find a word to stop
Even if the shape of the moon can be predicted
The flow of the times is unpredictable
An event that I never thought of happened
As far as I'm concerned

[Chorus]
Woo, in the swell of SNS
Knowin', I can't even stop
I'm a wanderer in distorted space-time
I’ll get caught up in it and be swept away
Oh, in the swell of SNS
Knowin', I can't even stop
I'm a wanderer in distorted space-time
I’ll get caught up in it and be swept away

[Verse 2]
When clouds spring up and it starts to rain
Even if the moon disappears
If you look at the heavens again
That half moon is floating, But
It's a little sad, too sad, oh
We are lonely Wanderer
To you standing against the wall
I couldn't even reach out
Even if the shape of the moon can be predicted
The flow of the times is unpredictable
An event that I never thought of happened
As far as I'm concerned

[Chorus]
Woo, in the swell of SNS
Knowin', I can't even stop
I'm a wanderer in distorted space-time
I’ll get caught up in it and be swept away
Oh, in the swell of SNS
Knowin', I can't even stop
I'm a wanderer in distorted space-time
I’ll get caught up in it and be swept away

[Outro]
Woo, in the swell of SNS
Knowin', I can't even stop
I'm a wanderer in distorted space-time
I’ll get caught up in it and be swept away
Oh, in the swell of SNS
Knowin', I can't even stop
I'm a wanderer in distorted space-time
I’ll get caught up in it and be swept away

Shape Of The Moon

Settembre (L'eco Confuso Di Un Ricordo Lontano)

Piero Caniparo: guitars, guitar synth, mix
Donatella Basilico: vox, keys, drums, lyrics
Feat. Bruno Torre on bass guitar

I ARRIVE

WITH MY SOFT AND ELEGANT WAY TO PROCEED

 AND I'VE LONG AND SHARP TEETH

I'M ELEGANT, THIN AND VERY KIND

I HAVE LONG AND TREMBLING FINGERS,

AGILE AND FRANTIC LIKE INSECTS' ANTENNAE.



YOU WERE SITTING ALONE, LOOKING AT YOUR SOUL,

FLAILING WITHOUT HOPE IN THE PUDDLE OF YOUR LIFE

SHE ARRIVED WITHOUT A SOUND

SHE SEEEMED NOT TO TOUCH THE GROUND

     AND  SITTING BY YOUR SIDE

SHE TALKED WHISPERING TO YOU



HOW LONG WILL IT TAKE TO UNDERSTAND  AND FACE

YOU'LL FIX IN YOUR HEAD, SHE SAID, YOU HAVE BEEN ALWAYS ALONE

FIX IT IN YOUR HEAD , SHE SAID, YOU ARE ALWAYS ALONE


THEN SHE SAT BESIDE YOU,

GENTLY FORCING YOUR DEFENCE

MAKING YOU CONFIDE EVERYTHING ABOUT YOURSELF

YOU FELT GLAD AND THANKFUL FOR THIS

SHE BEGAN TO MOVE ALL YOUR THINGS

AND SLEEPING IN YOUR BED

SHE KEPT ON REPEATING


HOW LONG WILL YOU TAKE TO REALIZE

THERE'S NOBODY BY YOUR SIDE 

'CAUSE YOU'RE ALWAYS ALONE




FINALLY ONE DAY YOU ASKED HER WHAT SHE REALLY WANTED

SHE SHOWED  LONG AND CUTTING TEETH, SHE REVEALED A MONSTRUOUS BITE,

THE SAME INSTANT YOU FELT YOUR CLAWS AND SOMETHING SHARP IN YOUR MOUTH


 ARE YOU STILL INSIDE THERE?

IS STILL YOU INSIDE YOURSELF?

HOW MUCH DID YOU CHANGE

HOW MUCH LINGERS OF YOU FROM THAT TIME?

WHAT LIFE TORE AWAY FROM YOU,                                             

HOW IT CHANGED YOU IN YOUR SHADOW,

ARE YOU STILL ALIVE INSIDE ,

WHAT'S REMAINING OF YOUR SOUL?

YOUR SOUL,YOUR SOUL, YOUR SOUL                                 REPEAT


HEY YOU, IS STILL ME, DO YOU REALLY WANT TO KNOW WHO I REALLY AM, THEN?

ME  WITH MY TREMBLING FINGERS?

I'M NOT REAL, I'M NOT TOUCHABLE, YOU CAN'T SEE ME, YOU ONLY CAN MAYBE

IN SOME FLEEING FLASH OF YOUR LIFE GRASP SOMETHING OF ME IN A GLIMPSE OF 

AWARENESS.

MY FRIEND, I'M NOTHING ELSE THAN A VOICE, THE VOICE, THE ONE YOU'VE 

ALWAYS KNOWN,

 YOUR VOICE,  YOUR DESTINY, THE TRUTH, THE ONE 

YOU ARE AFRAID OF ,YOUR SOLITUDE, YOUR 

USELESSNESS, YOUR EMPTYNESS, YOU ARE MEANINGLESS, ONLY A PRODUCT

OF CLASHING CELLS

I'M YOUR  DEATH,  YOUR DUST, YOUR END....I'M YOU,  AND YOU ARE ME, JUST YOU AND ME, JUST YOU AND ME, JUST YOU AND ME...........

MY FRIEND, MY FRIEND,MY FRIEND.........

YOU AND ME feat. Bruno Torre on bass guitar

CD+book: @CrazyCompass & @The-Black-Diamond-Train - TELE VISION:  
https://meticulousmidgets.bandcamp.com/album/tele-vision

More about: http://stopcran.ru/blog/2021-10-07-226

Crazy Compass & The Black Diamond Train - TELE VISION (CD+book)

a track by Marco Lucchi reworked by progettosonoro

progettosonoro & Marco Lucchi -  ὁ γ​ὰ​ρ κ​α​ι​ρ​ὸ​ς ἐ​γ​γ​ύ​ς

10 Record 10

Three Four Five
 - Prelude
 - Development
 - Rest

Dates:
17-Sep-2025 (inception), 18-Sep-2025 (finalised), 19-Sep-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

Description:
This composition is inspired from a FaceBook group "Mathematical Tiling and Tessellation" (Ref. [1]), on a tiling pattern inspired from  Pythagoras' 3,4,5 triangle.  Ref. [1]'s posting date corresponded to the squares of the 3,4,5 triangle, 16-Sep-25, whereas I made a musical interpretation of this. I have seen this countless times, the "3 4 5 Triangle" (triangle who's sides have the integer lengths of 3, 4 and 5 units where the 3 and 4 sides are 90 degrees to each other) since learning algebra in high-school, but today was the day to be inspired to use this as the basis of delay times. There is another clue to this puzzle, Just Intonation, where the ratios between frequencies are made up from integer numerators and denominators and importantly, when these integers are small, the frequency pairs produced typically make for pleasing sounds. Now back to the inspiration. I made a few back of the envelope notes on time delay chains (how a delay+feedback networks connect to each other). Then when I came home, turned on my NOF_PulDelFilt digital synthesiser and started to experiment.

For the full description, see my BandCamp:
https://normanfreund.bandcamp.com/album/three-four-five
or my FaceBook page:
xxxx -- watch this space --- xxxx

The Three Four Five album of three pieces, all take inspiration from this central idea, using the numbers from the 3,4,5 triangle for delay times and as starting points for tuning frequency ratios. The first piece is the Prelude, lasting 01 minute 14 seconds. The second piece is the Development, lasting 5 minutes 43 seconds; and the final piece is the Rest, lasting 1 minutes 31 seconds.

The PulDeFilt synthesiser also includes a multi-track audio recorder which can accept external audio signals in addition to the sound it makes. Here the external audio came from the Soma Enner (hardware synthesiser) feed into the Soma COSMOS (hardware memory station). The Soma Enner has no discrete tuning, rather frequency dials, these were adjusted live during the performance in response to the PulDeFilt synthesiser themes.

Thank you Ed Pegg for your posting of the three four five triangle tiling pattern, to inspire me to use it in a musical way. Also a big thanks to Vlad Kreimer of Soma Laboratory for bringing the Soma Enner to the music community, a truly organic human machine musical interface.

References:
[1] Ed Pegg, "Facebook Group - "Mathematical Tiling and Tessellation", Sep-2025, "Happy 3^2 / 4^2 / 5^2!", Link: https://www.facebook.com/share/p/1CWm8yaeg1/

Three Four Five - Rest

Atmo OP7-Saturate

Lockdown

Progettosonoro - La Crisi Del Settimo Brano - Version with Vasco Ribeiro Morais on synth. voice

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

London Valour

progettosonoro

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