Captures the uncertainty, worry and the darkened mood over that region. Beautifully controlled yet emotionally complex minimalism.

Very striking and fitting mental picture this paints. Nice work!!!

Already listening and commented…..🌍☮︎👍

Feel the ferocity of the wonderfully created nature

CAN YOU MIND TREES ON JUPITER?

Original description disappeared !!

NADA  / NOTHING

He pensado en la muerte  /  I've thought about death
y en lo que habrá detrás.  /  and what will be behind.
Puede que no haya nada,  /  It may be nothing,
¿te has parado a pensar?  /  have you stopped to think?

Nada, nada... nada.  /  Nothing, nothing... nothing.

Nada, nada, nada ni siquiera aire,  /  Nothing, nothing, nothing not even air,
nada, nada, nada que pueda tocarse,  /  nothing, nothing, nothing you can touch.
Nada, nada, nada que tocar ni respirar.  /  Nothing, nothing, nothing to touch nor breathe.

Nada, nada, ni una idea ni un deseo,  /  Nothing, nothing, neither an idea nor a desire,
nada, nada, ningún miedo ni silencio,  /  nothing, nothing, no fear or silence,
nada, nada, nada nada se puede escuchar.  /  nothing, nothing, nothing nothing can be heard.
...
Nada, nada, no esperes encontrarte  /  Nothing, nothing, don't expect finding
nada, nada, no puedes imaginarte  /  nothing, nothing, you cannot imagine
nada, nada, nada, no te entra en la razón.  /  nothing, nothing, it doesn't fit your mind.

ER18PB06 - ©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Nada (He pensado en la muerte)

Lady Oestera

Production Note
https://furicomusicteam.blogspot.com/p/silence-after-you-leave.html
Youtube Movie
https://www.youtube.com/watch?v=4E9SpYWPBx4
Piano Played By Emico
Cello Played By Soh
Electronics Keyboard Played By TI
Rhythm Construction By TM

Silence After You Leave (Live Version)

Open Window

Dream World

Merry Christmas or Happy Holiday of your choice(s)!! Most of what few holiday songs I have done, I have put an unexpected twist in the middle. For example, Valentines day I did an ambient candy outer shell with a chewy jazzy center. Or last Christmas, I did a song called Bipolar Charlie (Brown) which took a happy Peanuts song and made it dark in the middle in an unexpected turn of events. Here's this holiday's take with a twist on the old classic; "Oh Christmas Tree". 

Hope you enjoy!

J.J.

Oh Christmas Tree (with a surprise in the middle)

Cast of Eclectic Collective Characters:
J.J. Terrell–@j-j-terrell –piano, synth, and composition
mistermark-- @user-432503709 -- Mark—synth effects, synth strings and flute, lyrics, and vocals
TexMex Shaman–@texmex-shaman –Stephen– electric and acoustic guitars, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four-string Fender P bass

  This is a song that JJ created late one Saturday night on the piano, drums, bass, and guitar. You can hear his Grateful Dead influence if you're familiar with the band. He then presented it to the rest of the Eclectic Collective so we could do our thing with it. I replaced JJ's rough bass with my interpretation of the line as soon as Ken replaced the drums with his interpretation of the beat. Interestingly, Ravel's Bolero had a lot to do with the inspiration for the second part of the song. After the rhythm section was done, we turned it over to Stephen, who came up with some really subtle, yet very necessary guitar lines. 
  We then turned it over to our relatively new collaborator, Mark, who came up with the lyrics and vocals. He was also instrumental in getting the arrangement to fit right with the vocals. This is a lyrical and vocal songwriting debut for Mark, who was inspired by his very first listen to JJ's rough draft. Thus, this song is extra special for him.  
  We all hope you enjoy listening to this as much as we did creating it.
  Mark's lyrics are about our Earthly relatives in the far distant future. At that point life on earth would have just about reached its limits, and so mankind embarks on a journey through space to find another place to call home.
Lyrics:
Part 1:
All you know, all you love is here today
Feel the sun, see the flowers embrace her rays
And you know, all we have must fade away
And now its time to go… away…

Part 2:
Here we are, flying high, flying high above the moons of Mars
And beyond another sunrise greets a world once again,
a million miles from where we are
To embrace the flowers of Jupiter, once again…

On and on we sail away, searching for another day,
the universe an endless sea
And you know that somewhere out there,
a brand new world, for you and me….

Flowers of Jupiter (Eclectic Collective)

The sad sky of Gaza

I Don’t Mind feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/17219/i-dont-mind-94bpm-country-acapella
Paploviante:
Bass, Music Composing, Mix and Mastering

I Don't Mind Feat. Patricia Edwards

Keith had a gentle guitar phrase and  a few words that he was playing with and shuffled it over to me for a listen to see what I made of it. The result is the song below. The conflict is in the spirituality represented by the sparks on a fire ascending, and the observation that the embers twinkle, fade and fall, silent. What is it all about if the prayers, meditations and positive thoughts just fall back to earth like the sparks? The beliefs we embrace must hit the road of reality. If they measure up to good - wonderful! But if not? The supreme irony for me is watching kids being taught to hate in a religious school class.  I was going to use the coordinating conjunction BUT to set up the point of contrast (But you can't..."). Instead, Keith preferred the AND ("And you can't...") as, in addition to all that one CAN believe, you must be aware that other things follow too. Can And Cannot. So simple. Or is it?
Free D/L - Track 9 of the new album Hold On To Someone : https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
We seem to want to find
A spiritual connection to space and time
An affinity for infinity and the great beyond
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence, fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

It's the lack of definition of in the twilight hours
That makes it so difficult to find our way
Past all the claims and assertions of things that cannot be proven
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

Wigmore: synths, production, lyrics, vocals
Allen: guitars, bass, music, additional vocals

Hold On (To Someone)

And You Can't

“Snowflakes”

うずぶるう
うずぶるう
指ん先ん火の消ゆる
火の消ゆる

Very cold.
The fire on my fingertips has gone out.

Art work: Art_Dreams via Pixabay

Snowflakes

twisted together

In These Times

Words: CW Mullins
Music: Fogey   

Mixed by Jack Holston

Don’t look at the time
It won’t tell you anything you need to know
It’s dark out there and the clock hands move so slow

Keep this thought in mind
Everyone who’s ever lived has to deal
With the world as is and sometimes it can get too real

In these times our patience gets tested
Our will could fail
It never gets rested
In These times we’ve lost sight of what is right

Hold to this belief
We’re the only ones on whom we can depend
We have to be there for each other up until the end

Catch a ray of sun
Wait for the clouds to break and light to fall to earth
In a darkening world there’s nothing else of greater worth

In these times we’ve seen the best bleeding
Look around, the worst are succeeding
Now’s the time to hold tight to what’s right

Every where we go we feel trapped
There’s no place left that’s unmapped
So we crawl back inside and find a place to hide

In these times our patience gets tested
Our will could fail
It never gets rested
In these times We’ve lost sight of what is right

In these times we’ve seen the best bleeding
Look around, the worst are succeeding
Now’s the time to hold tight to what’s right

In These Times v2024

DARK AMBIENT SOUNDSCAPES FOR YOUR PLEASURE

DARK AMBIENT - LACUNA ANOMALY

With the battle variants, my goal was to create a unique piece of music that fit right along with the other themes for the region. This meant keeping instrumentations similar, and this provided a fun limitation! 

Lightless Hollow-Battle Variant

#sad #pain #piano #music #mym #reecewokeup

like a baby’s dream(instrumental)

(Don't follow me here, best on my main page ;)

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

The sad sky of Gaza

progettosonoro

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