This song is made with nothing but analog vintage analog gear.  I’m using alot of stereo. These are the daft punk drums.  I took the records daft punk used. From a song called roll, Skate, bounce. I sampled it, turned those samples into binary files, then I programmed it with a Oberheim Prommer for the sequential circuit Drumtraks. I’m the pads are a Juno 106. I’m using a Pro one, SH-101. I think I was using the drumtraks to trigger the sequencers. 

 I spent the last 5 years designing sounds for many famous artist. Now I’m taking the time to use some of the sounds I designed for my own songs. And to finish up songs. I also learned more about music theory, and I really mastered stereo imaging.

 You will hear a lot of cool stuff going on with the left and right speakers. I really wanted to have tension and release in this song. To have it actually go somewhere.

yo joe

Modi Bardo, general in dub and cofounder of Foundation Channel, has
been around the music industry for years. With notable releases on labels
like Interdimensional Transmissions (1997) and 23 years worth of far reaching knowledge on music production, reveals the music guru
knowing his way of moving through sound.
Douglas Keeney, the name the producer is carrying in real-life, has
taken on the Foundation Channel project together with his partner-in crime Satta Don Dada. They bundled their love for dub and molded this into an outing that focuses on reggae influenced bass music.


I am a sound designer for Grammy winners. I use vintage analog synthesizer and drum machines. My main focus is to make sounds no one has ever heard before. And to uplift hhuman consciousness. I am the Linn drum guru. I design for people all around the world. I use an Oberheim prommer to make custom EPROMs. I’m trying to make more time to write music.

yo joe

program17