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radobif@gmail.com
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I am an Established Practitioner in Creative Arts(with professional credits), aged 36, broadly educated, successful artist composer-producer-performer-designer, with 26 years of experience as a creative professional musician (multi- instrumentalist), dedicated music and New Media Arts producer and performer, but also sound manager, production/event/stage manager, Theatre producer, AV engineer, researcher and arts/events animator. Working with themes of contrast (including improvisation), human vs. nature, truth, and change within multimedia and music environments. Loving diverse collaborations, traveling, languages and sports.

As a creative professional, studying and practicing within all given constraints of production management in arts, I am interested and excited about new tendencies and their possible outcome. I combine new technologies and ideas with old forms of arts and media, whilst operating within various production software, but also hardware processes in the live studio, control room, theatre, stage or any location.

My interests and inspirations, which (alongside music) are based in new media and contemporary arts (Compagne Luc Amoros, Studio Azzurro, Nam June Paik, Damien Hirst, Bill Viola, Wired Aerial Theatre, Pippilotti Rist, Fransisco Lopez, Exit Festival, Cie Ecart, Janet Cardiff, Kendal Mint Fest, Exit Festival, StreetArtsGermany, and many others), they all enhance and inform my projects, whilst my other artistic inspirations (Karlheinz Stockhausen, Brian Eno, David Lynch, Fela Kuti, Banksy, Tom Morello, RZA, Lee Scratch Perry, Grzegorz Ciechowski, Dimebag Darrell, Marcus Miller and many others) help me develop their social aspects and offer innovative solutions for arts performance and representation. A wide spectrum of subject specific and general knowledge, allows me to interchange ideas in-between different areas of human life, and apply them in my artistic activities, where I display a great level of international collaboration. These approaches are present in all productions of both of my arts companies where live performance, performance in time and improvisation are the lateral constraints connecting all ideas into one coherent form. Progr∂ss Records and Kolektiv Organika, are considered forward thinking, contributing to a sustainable future, and carrying the international voice of modern day. They offer diversity and innovation, whist holding respect to other cultures and new societies, and enhancing their existence and common perception, restructuring locations and audiences. Both organisations are also set to inform the industry, or an interested company about the results of research and practice in the area. 

Leading themes: improvisation (and the whole idea of contrast), human vs. nature, manipulation to the truth in media, theory of change, location, found sound, contemporary music, experimental, progressive, new instruments techniques, new audiences, new representation, new collaboration types.

My musical heritage: Poland, Russia, Balkans, Eastern Europe, Italy, UK, USA, Scandinavia, South America, Cuba, Africa.....in almost all classical, popular and progressive forms.

For genres, instrumentation and more info, please research my website and other referral links.

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