Love to mix my favourite tracks regularly. Also love to remix sounds or work on own tracks. Open for networking with other people with same interests.  I'm Swiss and living in the area of Basel.
E-Mail: project.james.street@gmail.com

Adam Beyer's Upcoming Gigs:
 http://gigs.gigatools.com/u/AdamBeyer

Adam Beyer’s music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer’s focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer headlining cutting edge clubs and festivals week-in-week-out. 

Adam is also one of the most acclaimed production talents on the scene and has consistently delivered cutting edge music across his 3 labels – Drumcode, Truesoul and Madeye. Over the years he has also built up a highly prized roster of talent on the labels and his meticulous ear for quality productions is highly renowned.

My label VIRGO : https://soundcloud.com/virgotransmissions
My label Deep Moves: https://soundcloud.com/deepmoves

Interview for SKY italia. Matchmusic TV 

http://www.youtube.com/watch?v=uQp7_irqGOs

My Alter EGO : http://soundcloud.com/ill-r

Born out of a shared vision of musical inspiration, the duo of D-Nox & Beckers has, over the last 15 years, firmly entrenched itself into the landscape of the worldwide electronic community. Working as a perfect fusion of studio expertise and an impeccable dancefloor touch, this creative combination of Christian "D-Nox" Wedekind and Frank Beckers has become a an unfailing source of massive grooves which have successfully infected (infiltrated?) all corners of the globe. With more than a quarter century of combined DJing and producing experience between them, D-Nox & Beckers effectively merge a seasoned musical grounding with a dynamic creative spark that never fails in its ability to adapt to the ever-changing vista of electronic dance music.

Prior to the beginning of their collaborative work, both D-Nox and Frank Beckers were each well established in the electronic music scene, with a multitude of success both as DJs and in the studio. D-Nox began his career in Germany's vibrant techno scene in the early-90s, and quickly became a fixture in clubs across the country. An aptitude for enveloping and captivating dancefloors with his incomparable style saw his booking diary expand to a global scale, while his increasingly frequent forays into the studio brought a number of releases as well as the birth of his own successful imprint, Sprout Music. With training as a musician from childhood, Frank Beckers compositional gift has always been evident. A string of full-length album and single releases under a variety of guises developed a sound steeped in detailed rhythms and savvy harmonies, as well as keeping Frank's services as an actively-touring DJ in high demand.

In the time since their debut release saw the light of day in late-2004, the emergence of D-Nox & Beckers has been nothing short of astounding. Their numerous releases on a variety of top labels along with constant remix requests for artists such as Minilogue, Lützenkirchen, Nick Muir, Tocadisco and many others have become ubiquitous on worldwide dancefloors, with their works appearing in the cases and playlists of countless top DJs. Their 2007 album Left Behind on Electribe was met with acclaim and led to a heavy worldwide touring schedule with constant appearances in thriving musical centers in Brazil, Japan, Mexico, Australia and across the globe. The first half of 2008 has only seen this duo gaining further momentum with the release the highly-received mixed CD City Lights, recognition as one of the top artists in Beatport's Music Awards, a first appearance for D-Nox in DJMag's top 250 DJs and being signed to Marc Romboy's legendary Systematic Recordings for a new single.

Rather than following the current trends, D-Nox & Beckers have placed themselves squarely at the forefront of the evolution of electronic dance music. Slickly drawing from the best elements of a variety of musical genres, this duo is undoubtedly one of the most exciting acts to emerge in recent years. Whether as a DJ mesmerized by their latest release or a dancer caught in the wake of their music pulsating through the speakers, the future will see countless listeners continue thrilled and spellbound by their works.

Frederic Berger and Patrick Buck have rocked the right clubs, remixed the acts that matter, put their names in bold across festival marquees, retained the highest quality through honest endeavour and made the name Kaiserdisco a worldwide authority with guru-like guidance of the groove. 

A case of great minds thinking alike after pooling (and maintaining) their own careers – Berger as part of Nudisco, Buck juggling a mass of other projects - their debut long player ‘In No One’s Shadow’ laid down the Kaiserdisco manifesto and the ability therein to tilt dancefloors smoothly, minimally, tribally, forcefully and progressively in their favour. With the confidence of the title running through every dropped needle and pushed play button, the Hamburg duo have enveloped the dancefloor in their own resilient way since joining forces in 2008. Their methods are in part down to being “very careful with decisions”, and relaying the fruits of a telepathy in which they admit they’ve “never had a disagreement.” 

With its almost business-like invitation, follow-up ‘Meet Me on the Floor’ required little more introduction but offered classiness by night never found on the back foot, with a little toughness and quiet determination when required and subtle variations in flavour from beach to bolthole. Once a burgeoning remix schedule began to pick up pace, boosted were the beats of Robyn, Nicole Moudaber, Extrawelt, and Sébastien Léger, culminating in the ‘Retouched’ 12” tweaking Steve Lawler, Booka Shade and Marc Romboy. 

Blessing the back catalogues of Drumcode, Suara, Snatch and Get Physical meant the unveiling of their own KD Music, always a long-term goal for the pair, was a natural knock-on effect. They may have been quoted with tongue only partially in cheek by running a label with a “we produce it, and if we like it, we release it” ethos, but it seemed a risk-free declaration given the pair’s established quality control, extending to giving rising talents a way in, and inviting Eddie Amador and Danny Serrano to their ranks. 

After what has been a watershed Kaiserdisco era celebrating 50 KD Music releases this year, their new baby KD Raw is prepared to get to the heart of the dancefloor even quicker, starting in blistering fashion with the ‘Three Lions’/’Fifth Element’ EP. “The important concept behind Kaiserdisco is to make the people dance...it’s our main goal to stimulate the people!”


Nick has been writing and producing dance music since 1990, notably as John Digweed’s production partner in the Bedrock project but he is well known as a DJ/producer in his own right. He is a multi-instrumentalist but was a professional session pianist before he entered the nascent dance scene of the early 90’s.

DRUNKEN KONG is the project of D. Singh and DJ Kyoko. In 2010, the two started their project when one day, they
suddenly decided to make a track together. Since then they have released two albums on Christian Smith's label Tronic, The Signs Within (2017) and Where We Start (2020) as well as numerous EPs and singles on labels such as Octopus Recordings, Stil Vor Talent and
Terminal M while they remain active with domestic labels such as Session WOMB. All 7 tracks of their EPs in early 2017 on Tronic and Terminal M have entered Beatport Top 100 Techno chart at the same time, which has made an impact on the Asian and global techno scene. 

Since then, their music has been constantly entering top charts. Their music is gaining a lot of attention/support from
international top artists and DJs such as Carl Cox, Adam Beyer, Christian Smith, Monika Kruse, Pan-Pot, Umek, Hernan Cattaneo and Deadmau5, just to name a few. Their release “Repeat” from Octopus Recordings have entered Beatport Techno Top 10, being supported and played by many artists around the globe.

DRUNKEN KONG has always been active in the Tokyo techno scene, playing regularly at major festivals such as Ultra Japan and in clubs such as WOMB, Ageha, Unit, Vent, Contact and Vision Tokyo. The two are constantly attracting new fans with their unique sound and groove. With their powerful DJ style and charisma, the two are able to constantly amuse the audience while expanding their ideas and skills to the next level.

［TRONIC / SPECTRA / soO］
Japanese #DJ #Producer Based in Kyoto & Osaka.

He has been DJing and performing since 2009. He made his debut with "Torque" in 2014, an Osaka-based label released by Ben Sims and Dave Clarke, that has supported Ben Klock, Alan Fitzpatrick, and Truncate in coming to Japan.

Since 2017, he has been a resident DJ at CLUB METRO's regular party "seQuence.", and has been bringing a wide range of dance music in Kyoto, where he was born, influenced by French electronic music together with his contemporaries. He has brought in next generation of originators with express diverse music as guests, making it into its popular weekend party spot.

At the end of 2019, he formed the collective "soO" together with the promoter sintaro fujita, with whom he had collaborated on "seQuence.", and CeeeSTee. CeeeSTee also produces for CLUB METRO. In the midst of the difficult situation caused by COVID-19, they released a split EP called "session 00". To celebrate its launch, they hosted a global virtual party from Kyoto.

In 2020, he won the Grand Prix in the SPECTRA label competition, which is run by Hiroyuki Arakawa, a producer supported by Frank Muller, Takkyu Ishino, and KEN ISHII. He appeared as a special guest at CIRCUS TOKYO, and was featured in BARKS and other domestic media, as well as Spain's Mossaic Magazine.

After that, he won the first prize in the Drunken Kong remix contest, which was held to celebrate the 25th anniversary of Tronic, a Swedish label run by Christian Smith. He beat more than 300 entries. He experienced his first international release, and was featured in Beatport's "Week End Pick 100" and "Electronica Top 100 Chart", and Juno Records' "Recommends TECHNO" together with works by Charlotte de Witte, Kölsch, and Joseph Capriati. He has also been featured in Mixmag Japan, J-Wave's TOKYO MAAD SPIN, and GH Streaming. 

He also performed an exclusive DJ set on Tronic Radio which Christian Smith called "Very different taste."

He has worked as a composer and sound engineer, providing music for films and commercials, and as an editor, writing and supervising articles on dance music.


2009年よりDJ・ライブパフォーマンスを開始。Ben Klock, Alan Fitzpatrick, Truncateへの来日サポートをはじめ、Ben SimsやDave Clarkeなどがリリースした大阪のレーベル“Torque”から2014年にデビューする。

2017年からは4年間に渡り、CLUB METROのレギュラーパーティー『seQuence.』のレジデントDJを務め、フレンチ・エレクトロニックに影響を受けた世代とともに地元、京都で幅広いダンスミュージックをリコメンド。多彩な音楽を表現する次世代のオリジネーターをゲストに迎え、平日にもかかわらず盛り上がりを見せ、次第に週末の人気パーティーへと成長させた。

2019年の暮れには『seQuence.』で共演したプロモーター、sintaro fujitaとCLUB METROの制作も行う、CeeeSTeeの3名でコレクティブ“soO”を結成。メンバーが参加したスプリットEP『session 00』をリリースし、COVID-19により苦境に立たされる中、京都から世界へ向け、各々のホームスタジオからのプレイをスムーズに繋いだバーチャルローンチパーティーを配信する。

2020年には、Frank Mullerや石野卓球, KEN ISHIIから支持を受けるプロデューサー、Hiroyuki Arakawaが主宰するレーベル“SPECTRA”のレーベルコンペティションでグランプリを受賞。CIRCUS TOKYOにてスペシャルゲストとして出演し、『BARKS』をはじめとする国内のメディア、スペインの『Mosssaic Magazine』でも大々的に取り上げられた。

その後、Christian Smithが主宰するスウェーデンのレーベル“Tronic”の25周年を記念した、Drunken Kongのリミックスコンテストで、300組を超えるエントリーの中から楽曲が1位に入賞。初となる海外リリースを経験し、Beatportの『Week End Pick 100』や『Electronica Top 100』にチャートイン。Juno Recordsの『Recommends TECHNO』ではCharlotte de WitteやKölsch、Joseph Capriatiの作品とともに紹介され『Mixmag Japan』や、J-Waveの『TOKYO MAAD SPIN』、ライブ配信サイト『GH Streaming』でも話題となった。

また、『Tronic Radio』でエクスクルーシブなDJセットを披露した際には、Christian Smithから「大きく異なるセンス」と評価を受ける。

これまでにコンポーザーやサウンドエンジニアとして映画やCMなどに楽曲提供しており、編集者としてダンスミュージックを専門に記事の執筆、監修も行っている。

Management: nishant@gentlyaltered.com
Bookings:  alakshendra@gentlyaltered.com

LABELS


 Octopus Recordings
 Senso Sounds
 Tronic Music 
 Gem Records
 Alleanza Records
 OFF Recordings
 Be As One Imprint
 Sleaze Records


Shaun Moses has been an integral part of the budding underground electronic music scene coming out of the Indian sub-continent in the last decade. Hailing from Goa (IN), the techno producer crafts his unique style of raw and pulsating techno, with signature driving subs and relentless grooves. His DJ sets showcase an explosive snapshot of his capabilities with atmospheric synth hazes, rolling percussive hits and deep basslines.

With a strong list of labels under his roster, a few notable names being Octopus Recordings, Tronic Music, OFF Recordings, Alleanza Records and Hydrozoa Records, he has worked some of the best dancefloors across India and around the globe. With regular tours across Europe and Russia, he continues to expand his reach with each passing year.

2019 saw him bring about his alternative alias, Moses, which showcases a more industrial and leftfield sound that he's been developing over time. His first release on Shlomi Aber's - Be As One Imprint, managed to turn heads of some of the most prominent names in the industry while featuring on the playlists of Charlotte De Witte, Paul Ritch, Enrico Sangiuliano and Amotik. Dubbed as one of the finest techno exports to come out of India, Shaun is a key part of the next wave of electronic music producers from the region.

Project James Street is following