Joshua M Norton's Album

Preludes & Nocturnes III

Instrumental Project whit a lot of influences .

★MTM Productions★
✯Realization of musical productions (Recording, mixing and mastering).
Mastering True Music is composed of:
☆Founding Partners and Presidents:
- Miguel Sepulveda Arnau (Mastering engineer)
- Richard Jones Belloch (Mixing and mastering engineer, producer)
☆Music Department:
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- Steven Davis Williams (Musician, producer)(Attention social networks)
- GABI Alonso Hernández (Musician)
☆Technical Team:
- Christine Sampson(Recording, editing and mixing)
- Martín J. Alonso Umpiérrez (Recording, editing and mixing)
- Alessandro Giordano(Recording, mixing and mastering engineer)
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- Amanda Bernard Thomas 
★ MASTERING TRUE MUSIC ★ 2023 MTM Ⓒ

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Electronic music artist since the mid-'80s.
I create tracks of different genres and moods.

Thanks to all musicians and music lovers
on soundcloud who support me with likes,
comments and reposts. That motivates me
to record new tracks.

On SoundCloud since December 2017
© All rights reserved

Welcome to The Fermentation Cycle – a 1940s industrial-noir duology told as a slow-burn audio experience.

Every day I drop a new chapter with its own lofi score running through a crackling 1940s radio: low drums, hiss, distant horns, machinery in the walls. You’re not just reading a book – you’re inside a failing dockside brewery, listening to the pipes, the ledgers, and the rats under the floor.

Book I follows The Violet Boar, a once-powerful brewery in a corrupt coastal city, held together by heat, debt, queer love, and bad decisions. It’s adult, cerebral, immersive: pressure, politics, undercity tunnels, rat “choirs,” and a city that launders violence into paperwork.

Start at the Prologue and move forward a chapter a day, or let the playlist run like a haunted late-night radio station.

🔧 Tone: harsh 1940s noir, queer, anti-capitalist, psychological, slow escalation
🎧 Sound: lofi, tape-hiss, radio crackle, industrial ambience
📚 Project: The Fermentation Cycle Duology – The Violet Boar & Rats

The Fermentation Cycle is an adult industrial-noir duology set in 1940s Brineford, where Dockstring Ward runs on steam, rumor, and the kind of “civic” language that ruins people with clean hands.
At its center squats the Violet Boar Brewery, a once-proud Kiln now being slurred as a Loom, sweating heat and debt into the street like a confession.
Elara Wexley inherits the place and its failures, walking under a city that keeps score even when it pretends it doesn’t.
Every pipe, ledger mark, and shipment becomes leverage in a quiet war between rival breweries, supply yards, and the polite enforcers who call it regulation.
The Ward itself is a chorus — bars, docks, backrooms, and watchers — deciding what the Boar is worth, and what Elara is allowed to be.
Below the surface, the undercity’s layered infrastructure and rat-choir ecology mirror the city’s neglect: history stacked like rot you can’t fully scrub.
The story turns pressure into plot: money, heat, reputation, and intimacy all pushing until something breaks and the break changes the map.
It’s harsh, cinematic, and funny in the dark, obsessed with inheritance, survival, and the cost of naming what’s really happening.

I am old old now  .but i think we are what we do .i am lucky to still do what i did when i was young.  i try and catch a song .. i try and get a good take.  i record it  ..i never played live...most of the songs are from the 8o's .   old songs.. new recordings .I can not hear very well in one ear, . the mix maybe a bit off..i am dyslexic....my song writing has been for me self therapy... .I hope my words help you heal :O)i have tinnitus makes it hard listening to others music ..

Electronic noises 

I co-found a duo with my friend Artur
on guitar - Surfers Like Us

This is a track shared by https://soundcloud.com/regiokei

Preludes & Nocturnes III

project2a.