For Jesse Somfay music has always been about communicating and sharing immense feelings which he finds impossible to convey in any other way. His Borealis alias was born as a twinned satellite to his work under his birth name. Much like conjoined twins, the two share the same heart and breathe with the same lungs, and even though they speak of similar things, they do it from two different vantage points. According to Jesse, it is better for something to be felt in whole than to be defined and reflected upon in approximation, and this album - his sixth to date and second under the Borealis handle - is a truly wholesome, boundless, gorgeous emotional experience on both the end of its creator and its listener. 

Glittervoice is Somfay's most energetically intense work to date. It is both euphoric and dysphoric and the music itself cannot be pigeonholed into any particular genre - hints of techno, oldschool trance or rave complement each other just to ultimately get lost in an artfully crafted trademark sound. It’s easy to allow this multifaceted, hyperlayered, continuously shapeshifting aural multiverse to deprive you of any form of reason, activate all senses and carry you where no music has before, regardless of where you listen to it. Glittervoice’s 16 tracks encompass everything from visceral warehouse techno to stylish ambient compositions via rapid hypnotic drum loops and trance synths of cosmic proportions, all filtered through his unique etherial aesthetic. 

Having something equally introspective and weighty yet exceptionally club-friendly is a rare feat that could soundtrack any modern techno mecca - be it a big dark room or an open air festival. 
The emergence of Borealis meant an unexpected turn for Somfay, but at the end of the day, much like its worthy genre-defying predecessor, Glittervoice is yet another album not of this reality - a sonic guide to entering “the flow”.

Facebook - https://www.facebook.com/BorealisNOTR
Soundcloud -  @jessesomfay
Twitter - https://twitter.com/borealisomfay

Borealis - Lover

Firen

EYES DON'T LIE CHEAP PROMISES

Cut You Off

From the Synkro debut album ‘Changes’ released 18/09.

Pre-order from iTunes - smarturl.it/Changes-Synkro (including instant download of ‘Changes' and 'Midnight Sun')
Pre-order from bandcamp - bit.ly/1eyPriN (including instant download of ‘Changes' and 'Midnight Sun')


Synkro -  Midnight Sun

Tendts - Our Sun

Bandcamp: ochre.bandcamp.com/album/beyond-the-outer-loop
Spotify: open.spotify.com/album/6gOkTOsw1ax9UYZ5zVghOu
Apple: itunes.apple.com/us/album/id1203813166
http://ochremusic.com

Beyond the Outer Loop

Anaphora

Bandcamp

PURCHASE EP NOW - http://itunes.apple.com/us/album/acquiescence-ep/id510232868

A companion piece to the upcoming full-length debut ‘Inner Hue’ from Anenon (aka Non Projects founder Brian Allen Simon), ‘Acquiescence’ is a moment in time, frozen. It’s a diary of acceptance, of surrendering into your surroundings and not looking back. It feels unhurried and relaxed, yet was recorded in just under a week in Madrid, Spain at the Red Bull Music Academy, in which Brian was a participant. Production and arrangement took place back home in Los Angeles also in just under a week’s time. Strong yet vulnerable, the music on ‘Acquiescence’ moves with an air of confidence, but also feels tender and exposed - a deer caught in the headlights. A product of both extreme personal highs and lows, the music of ‘Acquiescence’ finds a delicate balance, grand piano and tenor saxophone up front with very minimal processing throughout. The sound of ‘Acquiescence’ uncovers an artist fearless of the tradition, yet fully capable of molding old technologies with new in ways that feel unquestionably modern, always looking deep inside and always moving forward.  

“Clairvoyance” sets the scene with delicately seductive dissonances between slowly repetitive piano chords on top of a curtain of saxophone drones. Harmonic staccato reed slaps from the saxophone arrive and build, polyrhythms budding against each other, a perfect compliment to what comes next. Arguably the standout of the EP, the title track is a push-and-pull dialogue between ivories, breathy and melodic saxophone playing, a string quartet and drum programming. One of Brian’s most cinematic pieces yet, the tension between all elements is palpable - polyphonic lines of highly melodic and reverb soaked saxophone coalescing into each other on top of a bed of stark piano chords and contrapuntal strings, technical yet physically human drum programming pushing each line forward into the ether. “Rites” closes out the set with an affectionate and upfront piano refrain over sequenced 909 kicks and blankets of piano decay and ambience – layers of an artist’s dreams and desires seeping through the speakers throughout.

Acquiescence

The new Warias album Now it's never is out digitally worldwide.  

LP available at http://coypurecords.bigcartel.com

Facebook - www.facebook.com/wariaswariaswarias
Instagram - www.instagram.com/wariaswarias
Web - http://wariaswarias.com

Feelings Jar (Yppah Remix)

Album ● https://1954.lnk.to/apom @iam1954

A Part Of Me

It Was Love

BUY LTD. LP/DIGITAL

1954 - It Was Love (A Part Of Me - Project: Mooncircle, 2018)

Taken from the album NIGHT DROPS: 
https://badpandarecords.bandcamp.com/album/indian-wells-night-drops

Follow:
https://soundcloud.com/indian-wells | http://www.facebook.com/Indianbells | https://twitter.com/IndianBells

---
Follow Bad Panda :  http://eepurl.com/rHmPv | 
http://twitter.com/badpandarecords | https://www.facebook.com/badpandarecords


"Sounding something like a blend of Shlohmo's lo-fi textures and Actress' gritty techno mantras, Deuce exhibits the shadowy aesthetics, crunchy beats, and brooding soundscapes that make Indian Wells' tunes something to take notice of." James Eaton, XLR8R

Stream / Download

Indian Wells - In The Streets

Berlin based label and creative collective operating in the left-field sphere of electronic music since 2002.

1954 - It Was Love (A Part Of Me - Project: Mooncircle, 2018)

PROJECT MOONCIRCLE