Jungla

iTunes: http://smarturl.it/gunshottasglit
Ninjashop: http://bit.ly/19E9YuA

Taken from the Machinedrum single 'Gunshotta Ave.' released October 14 2013 on Ninja Tune. 

Vapor City is released by Ninja Tune on September 30 2013 

Ninjashop: http://smarturl.it/vaporcity
iTunes: http://smarturl.it/VaporcityiT
Amazon: http://smarturl.it/VaporcityAM

http://machinedrum.net
http://ninjatune.net

Gunshotta Ave. EP

Buy on iTunes

Machinedrum - Gunshotta (Radio Edit)

Download: http://www.xlr8r.com/mp3/2013/09/kuwae

Download at XLR8R

Seafloor - Kuwae

Official Remix of PFM's Summer Boy, such a great honour to re-wire this! - (Forthcoming Looking Good / Good Looking Records)

PFM - Summer Boy (Tidal Re-wire) Official Remix

TM004 comes from one of our original artists who makes music under the name Snorlax. Ever since day one, Snorlax's enigmatic songs have left us delirious in trying to pin them down to one genre, or even comprehend how he does what he does. On his debut single for The Melt, Snorlax dials into his proto-junglist/drum n bass influences and concocts two songs that keep us guessing all the way through. His unpredictable song structure coupled with his badman-like ability to lay down tough intricate percussion have resulted into something that showcases a true talent. Doing his thing and not being afraid to hide it.

FREE DOWNLOAD → http://bit.ly/16WH7Cv

Tracklist:
1) From The Ghetto
2) Bakra Gets Rinsed
3) From The Ghetto (Pixelord Remix)
4) From The Ghetto (Colta Remix)

Out on 11/11/13
Mastering by Cody Farwell
Artwork by Sparti Linardaki

FREE DOWNLOAD

Snorlax - From The Ghetto

Vìn̸y͜l:͏
̕B͠ùy on̶ Re͞d E͡y̢e̸: http://www.redeyerecords.co.uk/vinyl/51844-IM023-liar-cybertime
B͞uy͠ ̷on J̶un͏o̷:̀ http://www.juno.co.uk/products/liar-cybertime/530945-01
Buy ̶oń Boom̶k͢a͜t:҉ http://boomkat.com/vinyl/1010359-liar-cybertime
B̡uy̵ on ͠A̶m͘a̶zo͞ǹ:̧ http://www.amazon.com/Cybertime-Liar/dp/B00JR82HY8
Buy̸ ̸o͠n K̵ud̨o̡s: http://www.kudosrecords.co.uk/release/IM023/Liar_Cybertime
̨
̸D̡igit͝al:͘
̀Buy͠ ́ǫn ̡i͝T͟u͜ne̢s̕:͠ http://itunes.apple.com/ca/album/cybertime/id844391512
B͝u̷y o҉n̵ Bea͝t̷po͞rt̛: http://www.beatport.com/release/cybertime/1272865
Bu̵y ͘o̡n҉ ͜J͟u̕no̶:̧͟ http://www.junodownload.com/products/liar-cybertime/2440703-02
B̢uy͜ ̧on Bơo͟m͢kat:҉ http://boomkat.com/downloads/968767-liar-cybertime
̢B̨u͞y ͘o̷n ͟A̧ḿaz̨on̨:̡ http://www.amazon.com/gp/product/B00J6V2WMS
̧B͠úy̶ ́o̸n ̧K҉ud̛os̡:̨ http://www.kudosrecords.co.uk/release/IM023/Liar_Cybertime
Bu҉y͡ on Inf͢i̛n̡it͢e͞ ̴Ma͟chi͏ņe͏:͠ http://infinitemachine.bandcamp.com/album/im023-liar-cybertime
͡
“C͝y͝ber̶spa̡će.͜ A ͜c̴on̢s̢e͢n̶su͞al ͟h̕al͡l̷uci҉n̕atįo͝n ͠e̡xpe͞ri͏e͝nc͏ed ̨d̀ai̡ly by b̨il̨l͜io̢n̵s ̧of l҉eg̢i͏ti̢m̨ate ͞operato͘ŕs͝,͞ in̸ ̨e̢very̢ ̀n͞at͘i̶ǫn̛ […̀]̶ L̴i̷n̕e͡s o̵f͠ ͞l̢i̷g͜ht ͢ra̸nged ̡i҉n̛ ̢thé ́non̶space o͜f ́th̛e mind, ̢cl͜u͡st̕ers̷ ̛a̡nḑ ҉co͟nstellat̛ions ̡of̴ ͡d͘àt̴a.” Lia̴r̨ at̢t͟e̷mpt̡s t҉o t̶ran͝s͘l̢a̷t͝è thìs͠ ̛def͢i̡n͘it̛io̕n ̷fr͡om͝ ̶t̶h҉è ̀v̶e҉r͝y̛ ͞a͡uth҉or who͡ ̡f̡i̷r҉st̶ ̕c̴oi̧n͠e͝d͟ t͞h͟e ̵ter̀m, W̨i̧lli͝a̛m͞ ͏G̸ibs͜on,͜ to ̡a 4̢D vant̨age̢ ͘p̶oi͞n͏t҉.̀ ̸A͡s̸ ͜su̶c͡ḩ,͡ he ̕im͘a̧ǵi͘n̨es͏ no͠t ̷only ever̵y śin̶gĺe҉ ͘po̷i͏nt in in̛f̶i͝nit̴e ͝3҉D ̨sp̛a͏ce͏ t́h͠e͠o̷r̶ét͢i͘c͟al͡ly͞ ̕co̧llap͢s͏ed ͘to ̴a ̶s̨i͜n͢g͟le p̢oint͠ ͜u̷poń dig̀it͜ally͏ ţr̢ivia͝lizing̛ ͏diśtànce͜,̕ but, ͡f̨urt͘he͜r͝m͠or͢e, ̵th͝e c̕oll͢ap̴se̛ ̡of ͢e͏ve̴ry d̛is̴c͢r͘ete͏ i͟n̶st̀ance ̕of sai͟d ̷3̶D ͢spa̴ce͞ inţo ̢a s҉i͞ǹg͜l̷e̸,̵ n̛o͡n͘-l͘in͜éar҉ ̸ev̕én̵t,̀ ̀u͡p̨o͏ņ d̨igitally̸ triv͟i̵ál̸izi̛n͘g͘ ͝t̷im͜e.̶ Hen̢c͏e, ̛“҉Cy̛bert͏ime”.̷
͢
F̡un̛c̵ti͞o͡nalĺy͘,͢ this͜ ͝equate̛s t͘ơ musi̡c ̸t͏h͞a̡t̀, see҉miǹgly, e͡f̶f̕ort̷les̡sly ͝spli̛c͝e̛s D̨NA̡ ̸f͟ro̧m̕ ͢di͢g̶i͜t̵a͏l ̴c͏o͝ņc̢ep̧tųali҉st͏s͠ as͠ F̸a̕timá Al Qa͜d̀iŗí o̷r ͟Ơne͢oh͡tr͡ix Po͏i̛n҉t̸ ͏Ne̕v̨e̷r,̷ ̸fr͠oḿ ͘ret̸r̶ofu͠ţurìs̢t̷s such a͏ś ͢B͏ok͘ ̵Bok͝ ͠o͏r͏ Sųrkin͞, fŗòm ̕9̀0̸’͏s ̷h̡a͠r͡d́c̡o͟re̶ ͞s͢ta͠lw͝art̷ś súc̴h͏ ͜a Sp͘ećial ͡Re͢q̛ues̷t ̀o̢r Zom҉b͞y, ͘án̴d̨ f͘r͠o͡m s̡óu͢n̸d d̴e̴s̴i͠gn ̢heavy҉wéíg͘ht̴s͠ ̨such́ ̀a͝s ͡Am͠o̢n̵ ̴Tob̶in or ̢N͝o̢is̴i̷a̸;͠ ͠a̵ll ͝t̢ǫwardś a̧c͘hie̷v̷i͘ng a̧ ́un͏i͝fi͏e͡d,͠ s͏t̴a͘ble͢ ̨con͝str͜uct of ̢anti̴q̶u͏e͜, c͜l̸a̴ssi̡c͠a͜l͢, ͜re͢t͠r͡o, cont̕e̕m͡porary͜ ̢àn͜d̸ ͟futur̕i͠st ̴s͏on̛ic ̢vocab͟u̢ļar̛y͞.

̕Ope҉ner͟ “̶E͡ru̸mpo O͟r̛t̷u͝s͘”͡ is, ̶pòt̛e̴ņti̡all̴y̧, th̕e m̢os̸t͟ ̀c͜in̶em̧atic̨ of͏ th̡e͘ ̧s̡ix. W͏i̧t͡h th̀e ̷op̕e̸ning̶ s̨a̢m̴pl̶e͜ be̴ćko̕nìn͝ģ one͜ ͝to “͡d͢an̛ce ̵li͞ke͡ t͠he͢r̢e҉’͞s̶ ̴no t̨ómòrr͜o̧w”, i̢t’s os̷t́e̶nsib͠ly ͏dri͏v̸en ͝by ͢hun̷dred-̕han҉déd̷ ̛tribaĺ dr̀umming a̶n͜d͘ ͢mon̛ol̀it͜hi͝c ̨chơral ḿa͜n͠i̛pu̷la̵ti͜o͟n҉s. A̴t͡ ͜i̛t͟s̸ ͘ba͡s͟i̵s͏ ͏a ͠s͘im͘pl͡e ol͜d҉s̵k͘o̵òl͜ el̵ec̸tro beat͢,̧ overa͏l͞l ͟it’s ̶a ro̧using̀ ̀overtur͘e, most͟ com̶m̕i̷tt̷ed ́to͞ t͢he ̵ŕe͠le̕a͞s̨e’s̶ or̷ig̸i̧n-̢ ͜and̢ ̨tim̶é-de͘fia̡n͝t͝ a̷e͜s҉th̕et̷ic.
͏
̢T̛he͜ ̡t͜i̶t̵l͞e ͜ţr͘ac̀k͏ is ̸L҉iar̕’ş ̧mơst ̶griḿe̕-lean͡i͜n̴g̕ tr͟ac̷ḱ s̛i͠n͟c͜e “͏A̧lph̡a” ͘(a̶lt͟h̸ou҉ǵh͞,̸ ͠ag̛a͡i̸n,̕ ͘b̸a̢re̛l͝y̧ s̢o̢)̸.̶ Th͝e ̢s͡lugg͟i͏s̀h̕-bass-̀dr̸iv͜en͜, in̵st̵r̸u͏m͡e҉n͠t͘al ͜gri̕m̴e͏ ͟b̨a͘c̀kbo̢ńe̢ ̢is̵ exp͞an͢d̴e͡d̢ u͜pon ͢w̡i̕th͟ j̡un̢g̷lis̴t re̷ferenc͡es̢,҉ ̕a ̶h̕e҉a̢lt͏h̵y̛ ser͜vi͟ng of ̵ra̸vȩ, ánd a͟ Nig͡ht͜ Slu͡gs-͞inḑebted ͝s̶oún͘d ṕal͞eţte. ̢A͞s͘ it̕ ̕pr͠o̕gress̡es, i̴t be͘co͝mes̸ ͢h͞alf ̷ad͡u͠lt͝ ̧vapor̷w̕a͏r̡e, hal҉f “͟Jo͡c̢k Ja̴m͢s”͠ r͠e͡vi͏v̀ali͞sm, aņd ̢a̶l͢l ͟lov̴e̕ ̴l̸etter ̴to Go̵lde̵n̢ ͡A͝ge s̵ci-fi̵.
͜
“͏H̴e̷ka͠t͟o͢n͜k̴hei̸r”͜ ͜i̧s a ͞ge̷n҉r̀e͠-҉o̕bsole̢t̷e͘ ̸piec̨e̸ o̧f ͡ba҉ss͢ h̴istri͜o̢n̡i͘cs̵.́ B̛egin̛nin̴g͏ wi͝t̴h͘ ̡a ̛t̵i̡t͞an̨ic͏ ̧b̸e̸l̵l͘ow th̴at̀ s̴e̛g̸ue҉s i͘nto̸ ̸ci͠nem͏atic͏ o̕rches̴t̛ra͝t̛iơn̡, ̶i͠t ͞t̢i̕mȩl̢y ex̕p̀l̨od̸e͟s̕ ̶i̧n͜t̀o ̷doz̡en̛s o̢f̴ ̧di͢st͟i҉nct s͝o͞un͘ds ̷t͢h̸r̨a̸sh̴i͝n̴g̸ ́ab̢o̡ut,̨ ̀nèv̷er͝th̴eļess, a̧s ̀ón͘e̵ ̛si͢n͟gl͡e ́c̨on̛gr̕uo͜u͜s̶ ̷beast̷.̡ ̸Th̷i͟s ̸v̧òļl͟ey of͠ ̧s̸ound̴ ͡desi҉g̴n͘ gǫe҉s ̧thro͏u̸g͡h ͠s͠eve͝r̶a͟l ̧dis͞t͢i̴nc̡t ҉s҉ections ̶wi̛th ̕o͢p̛eŕati͝c f͜laįr̵ ̡a͝n͢d po͡m̀p͡, s̸om͜e͏t̨im҉es͢ ̀s͜e͝emin̴g lik̸e̛ ̨a c͟ut f͠r̵o̕m ̀D͝òn Dav̕įs’͘ w͡ork҉ ̧f̸o͞r҉ t͏h͡e͝ The Mat҉rix҉ tril͠og̵y̛,͝ som̢etimès̶ s̵e͟em̵in̡g̡ ͞l̛ike͢ ̢a̛ sa͢cc̢a̡dic dre͏a͞m ͜s͞eq́u̸e͏ņc̀e̵,̕ ̢s̶o̢metim͏e͠s ̨seȩm҉i͠ng ̛li̧ke a҉ ͜rh̢yt̷h̛mi̴càll҉y͜-s͢u͝bv̛e͏r͡ted neu̴ro̴f̕u͞n̡k͝ ͠b͡a͢n̴ge͏r, ҉and̸ fr͞equ͠e̢n͞t̵l̴y p̛un̶c͝t͡ùa̢t͏ed ́b͟y e͢t̛h͝er҉eal͠ ̵v̢ocal͏s̴ ch͜a͞n͢ti̵n̶g abơu҉t͝ ̨Íape̕tus,̷ t͢he th͘i͏r͟d̕ mo͝o̡n ̧of ̢Sat̀u҉r͞n.͡ 

̡O̷n͢ ͜t̕h͜e̢ ̕f͟l͘i̴p͟, ͏“͠M̧uta̸Gen”҉ div͜ulg̷es̀ so͡m͡e of ͡t̵h̸e̢ ͠E̵P’s͡ ̕meţa-͞social̀ a̴ǵe͠n̵d́a,̸ e҉nvi̢s̸ion̵i̵n͝g ͏co̸n̶t͠em͡pòrar͠y҉ ͟l̨ife as ̢t̢he éxpl̨oit̢s ͠of҉ ̡a͜ mùt̵a͞n̷t ͝ge͢n̶erat̷ión, ̧pa̛s̢s̢i̛vèlý ͟én͜ģag͞e͏d̀ in a͘ vi͘o̷len̷t͘ p͘syc̴hi̸c i̶n̸su̷rre͜ction͡ ͠a͟gains͢t t҉he ̸d̴ehu͡mąn̕i͘zìng ̢v̵ag̴ar̛ie̸s of ̴hyper͘-͟r̷e̶al͢i͢ty. It̵ als͘o d͘iv́ulģes ͞L̢ia͏r̸’̸s r̢oo͟t҉s͘ ́i̕n͡ jųn̛gle̛ ̕a̧ǹd͜ h͢i͝s ́v̧e͜nera̷t̷ion f͏or͞ f͢ǫr͠e͢f̴a҉ther͠ Ven҉e͘ti̛a͞n Snar̀es̡,̶ ̴in͠ ͟the form͟ ̨o͞f ͠a̛cid͠ hy͝pe͝r͢-ģri̸m͝e͝ th͏at͜ sp̴astica͠ll̀y groo͢v̀eş ̢bene͞a̸t̴h́ ̸a s̶urrea̵li҉st s̷co̕r̷e, b̀e͜f҉o̶r̶e̡ ͠èx̵p̛l̷od͘ing ínto̢ ͡a͝ǹ ͞am̧en҉-͘d̀ri҉v̧en ̧fina̛l̡e̡.̛
̷
Cont̨inui҉ǹg “̢M͝ut́áG͜e͘ń”͡’s rh̴ét̨oric͟,͜ ͡“Phal͝a͢nx”̨ is a ͝b̷le͟nd̸ ͟o̧f̢ N͝ew A̵ge͜ ͡s͢a̡m̕ples, şou͞nd͘s of̨ bat̶tl͏e,̸ ͡r̨etr͢o҉futur͝i͝sţ t͞ra͢nc̨e̴ a͜nd͜ ͜sl͟o̸w-mo f̵ơo̢tw͠or͡k̴.̨ Ur̢gen̛t͟,́ inte͏ns͞e̶ ͞an͜d ųnrél̨e͟n̵t̛i͡n͜g̷, ́i̕t̡ş ͠o͘nl͠y͠ ̛br̕i̷e̴f r̶e͏s̶p̸i͞te is ̀a̢ro̧un͡d ̵t͘h̢e 2̀ ́m̶i͠nute̶ ͠m̡ark͢, ͠where it p͝au҉se̡s f́ơr ̀a̢ br͏ea͜t͟ḩt̡a̢kin̶g, ͟u̵ncann̸iļy͘-̷u̸pli҉f͡ti͞nǵ ͠tra̡nce b͘reakd̡ow͏n,̶ ͘b̛ef͏o͏re҉ ͜resumin̷g̀ ͘t̀he s͏oni͞c si͝e͡ge̛.̵

̵“Re̵foreştry͝”̶ i̡s͢ a̡ le̢n͞g͟t҉hy͜ ̕c̶l̨os̵er ̀thąt͢ ̷p̕ull͘s ̶n̸o̴ ͘pu̶nchęs̵ ͡in eaŗni̵ng ͜th̡e ̴oft̷-a̢bused-thes͏e-̛days ad̛j͢e̕c͘ţive̕ “epic”͞. A͢lt̨èr͡n̕át҉ing̸ b̴e͏tw̨een҉ ̶m̕ar̵tial rhyt͡ḩm̧s, ͠spl̴i̵n͏t͢e҉rin͡g h͜ąl͞f̕-t̴ime s̨lo҉gs a͠n͡ḑ ̸lo͟u̢n̵g͏y ͜d͠ownte͞m͏po̵ swag͝g͜ér,̶ ͏i͡t̕ pull̡s ͡from ̧myri͠ad̴ pa͝le͏t̵t͝e̷s͝, ͢yet̴ àchi͠ev̨es̀ ͡a̢ ųnįfie̸d͝ ͞ȩf̸fect͏ ̧– ̛t̡h̢a̛t of co͘nvey̛i҉ng ̕a ͘sy͘lv͜àn͠ ͢swa̷ǹso͡n̸g. ̨A͢ro͟ùn҉d͟ ͝the s̡ónic d̡et̢rit͡u҉s͢ ̷o̶f ͟a͘ ̢fores̵t s͢e̢em̛ing͘l҉y imp̕l̴o͠d͠i͠n҉g͘ on͝ itsel̛f̀, ͟dįs̀torte̕d̷ d͟ron̵es̡,͟ d̢is̛tant pád̢s̷,̵ d̶iffu͏s̀e ̧chǫi͟r̨s ͝and͡,̕ lastly͠,͟ a ͞d̀em̸uŕe̕ ͘pia̛n̴o͟ ęp͏iloǵu̷e c̨r̷ea̸t͢e̕ ̷a ҉s҉wirl͝i͏n̴g,͞ go͡thíc port́rayal of̧ u͢ns̨till̨ lif̕ę, ̢l͘a͟d̛e̸n͠ wit̶h ͡t͡h̷e s̀oft,͟ ͢sparse ̀to̕u͟ch͝ of̴ R̷om͡an͠iáń vo̶ca͝l̵s̵ t͡h́at҉ go (̶i̵f Lia̴r i̕s ̷t̡o͏ be t͡ru͠s҉t͠ed̸) ́“̡It͢ ̀wa͠s̸ r͡a̵i҉nin͜g̵ in͠f͢er͝n͞al̢ly,͜ ͜a̷nd̵ w͘e̵ ̷wer̀e ̨mak̢ing ̀lo̸ve͞.”
̴
T͘h̢is̕ i̛s ̸the ̸datamo͡sh̀ed ́Gen͟esis̢ an̵d ͟Re̛v͟e͡l̷a͜ti͝ons of͟ L͞i̡a̛r’s͠ ͠In͢fi̴ni̡t̢e̵ ̷M͝ac̴h͢i̸ne ̷Bib̡le, cir͝c͟a͝ MMXIV.͞ ̴Thi͡s ̢i̧s th̕e͏ ͘g̢os̴p҉el̡ ̵o̧f ͝h͏ow t̵he͢ in͏finite ͞ma̢ch́i͠ne op҉er̵at̷es͏ ҉in the̡ ̀grea̶t ̴s͡in̢g̷ul̵a̢ri̵t̸y̡ cloud͘ ͜o͞f ̶cybèrti̵m͠ȩ.̸ Be͏li͢eve͜.
̨
͝T̨ra͢c̷k͡l̕iśt:҉
A1 ͞-͟ ͡Er̀u͠mp͠o̕ O͞r͞t̵us ͘
A2̷ ͢- ͢Cyb͢erti͢me 
A̶3 ̨-́ H͏e͟ķàton̶ķhe̴i͏r͠ ̵
B1 ͘- ͜Muta̸g̡en͞ 
̀B2 ̵-͠ ̡P̛h̡a͝lanx 
B3҉ - R̢ef͠o͢ŕestry

Liar - MutaGen

Building his name and reputation up through regular releases with the likes of Hip Dozer, Inner Ocean, Aviary Bridge, Cascade Records, Handbook has built up a loyal fanbase, accrued significant champions on BBC Radio 1, KCRW, across French college radio, and boasts multiple tracks with many millions of streams to their name on the major streaming platforms... 

In his debut full length for the label he brings his already popular sonic palette of warm, tasteful, and reflective grooves, but stretches his artistic horizons with a plethora of analogue synths, organic elements and some definite nods to electronica, despite remaining firmly in beats territory.  

Deliberately opting for an upbeat tone and positive feel across the album tracks, he worked with Maschine and Ableton - drawing inspiration from film scores, Madlib’s recent album ‘Sound Ancestors’, and the process of resampling his own work. His creation process operating entirely ‘in the box’ might be a surprise to some who hear the record due to his fondness for organic sounds and analogue warmth, it could well have been a vintage console recorded to tape.

Handbook - Glint

El Búho - Floating Islands

Premiered by @clashmusic: http://www.clashmusic.com/news/premiere-memotone-soosh-first-avenue

2LP Grey Vinyl ➥
EU http://www.hhv.de/shop/de/artikel/memotone-and-soosh-memoosh-370396  | http://www.rushhour.nl/distribution_detailed.php?item=77575 | 
US - http://www.crosstalkintl.com/node/45148
UK - http://www.kudosrecords.co.uk/release/PMC134/Memotone_amp_Soosh_Memoosh.html | http://www.redeyerecords.co.uk/vinyl/55169-pmc134-memotone-and-soosh-memoosh-lp  | http://de.juno.co.uk/products/memotone-soosh-memoosh/538644-01/ | 
JP - http://www.jetsetrecords.net/MEMOTONE-SOOSH-MEMOOSH/p/733004902462

Cassette version: ➦ EU - http://www.hhv.de/shop/de/artikel/memotone-and-soosh-memoosh-370392 | US - http://www.crosstalkintl.com/node/45150

Digital ➥ https://itunes.apple.com/album/memoosh/id898276081 | http://projectmooncircle.bandcamp.com/album/memoosh |  
http://boomkat.com/downloads/1059101-memotone-soosh-memoosh  |  https://bleep.com/release/52728-memotone-soosh-memoosh

 <b>Memoosh’</b> is the collaborative project between William Yates (@memotone) and Soroosh Khavari (@Soosh).
Without any pre-planning, the project started to grow and develop a life of its own as soon as the first session started. Over the course of more than eight weekends spread over a year, the two visited each other for recording sessions, not relying on modern modes of communication. Making all the music in person to keep to the collaborative nature of the project, leaving more room for improvisation and opportunity to jam out all their ideas.
The album is a mixture of live instrumentation (guitars, piano, cello, zither, drums, clarinet, synths and numerous others) coupled with effect boxes, samplers, vocals and field recordings, influenced by everything from random static and buzz, to a beautiful early morning rain or the bass thud of a closing door. The whole album being more an exploration of their approach rather than anything conceptually thematic, representing both characters and personalities in the music.

“To be honest, had we not been asked by Project Mooncircle to make the album we probably would never have met to make music. Thankfully they did ask! And it has been a very fruitful conquest. Not only has the album created music we are proud of, but in it’s construction it created a new and lasting friendship.“

‘Memoosh’ comes out worldwide on limited grey-marbled double vinyl, limited handmade and handpainted cassette edition (both including download code).
All tracks written, performed and produced by William Yates and Soroosh Khavari. Vocals on ‘This Hush’ by William Yates. Recorded in the Soosh Studio, Brighton. With Thanks to all our close friends, family and the team in Berlin.

Mastered by Sven Friederichs. Original painting by William Yates. Design and layout by Gordon Gieseking. A&R: Malte Tarnow, Aine Devaney and Gordon Gieseking.

Buy 2LP/MC/ Digital

Memotone & Soosh 'First Avenue' (Memoosh - Grey 2LP/MC/Dig - Project Mooncircle, Oct 2nd 2014)

‘This album is all about ebbs and flows. It’s been a very interesting few years to say the least, both personally and in terms of the world. I always kept coming back to the concept of Tides, the cyclical nature of everything and the way sadness gives way to happiness… and vice versa. It all works out in the end though… and regardless of what’s happening, the sea is still there, a constant in the madness.’

Working closely with string arranger Thomas Lea (Adele/Bonobo/Rhye), Catching Flies, real name George King, has created his most emotional and cohesive project yet. A beautiful, moving record, with sounds that unmistakably come straight from the heart, it’s all held together by a singular sense of purpose and that trademark intricacy. ‘I wanted it to feel as intricate and as layered as possible. I tried to really push myself musically. The challenge was – how do I make this sound much bigger than a guy sitting in a room with a laptop and a MIDI keyboard?’

Typically wide-ranging in genre, the album highlights his ability to effortlessly manoeuvre and experiment across the spectrum of electronic music, from hip-hop to house, from soul to neo-classical. The album is led by new single ‘Halo,’ which sees him at his best - a melodic mesh of harp samples, vocal chops and a soaring string quartet finale. It’s highly textured, deeply melodic and effortlessly marries live instrumentation with warm electronic beats. ‘Spring’ utilises a vocal sample he found whilst touring China, and ‘The Last Phone Call’ merges a spoken word voice-note from a friend with a vocal recorded on his iPhone on Hampstead Heath - ‘I was pushing my bike and heard this guy singing in the distance, hidden in the trees… I had to EQ out the sound of my bike wheels turning to make it work.’ ‘Macerato’ was made in lockdown with a couple of friends, whilst the album track ‘Tides’ caused the most headache - ‘it went through about 20 different versions and ended up having 270 tracks of audio - there’s so much in there that you don’t necessarily hear on first listen.’ The album also includes the ‘absolutely brilliant’ (Lauren Laverne, BBC6 Music) hit single ‘GLY’ which has received over 20 million streams to date and came with remixes by revered British dance/pop band Hot Chip, and Ninja Tune’s DJ Boring. Also featured is piano piece ‘Diamonds,’ which has gathered artist support from the likes of Nils Frahm and Jungle. The album will be released in combination with a live video performance featuring a string quartet and a harpist.

Tides

Catching Flies ft. Imaginary Friend - The Last Phone Call

KLR 012
Release Date: 22.08.2015
(c) Keller 2015

Dialogue (Parra for Cuva Remix) - Aparde

We've been noticing londoner producer Alex Keefe aka "Tagwell Woods" with its first release for Willie Burns "WT Records" more than two years ago. He's back on wax with a 6 tracker mini-LP on dutch label Photic Fields who released a 2015 highlight for us with The Submersible Machines "Waypoints". Tagwell Woods certainly draws a large panel of vintage sounds and "Chance" here premiered is a true piece of art, an emotional & deep acidic cut full of melancholy ! 300 copies already out, don't sleep

PREMIERE : Tagwell Woods - Chance

FREE DOWNLOAD: https://hypeddit.com/track/197gwd

Follow on SoundCloud:

https://soundcloud.com/fake_mood
https://soundcloud.com/anturage

Follow Suprematic Sounds:

✖ Facebook ▸ https://goo.gl/vwLvQV
✖ SoundCloud ▸ https://goo.gl/C15UAE
✖ YouTube ▸ https://goo.gl/5H9ERG
✖ Spotify ▸ https://goo.gl/KnHfPL

https://soundcloud.com/suprematic

⬇︎ DOWNLOAD

FREE DOWNLOAD: Neil Davidge — Sensor (Viktor Petrov Remix)

buy digital

Pavel Milyakov — mx live 4

My Way (ft. Cordelia O'Driscoll)

from 'Messias Maschine' [CD|2xLP|DIGITAL]
Denovali Records · den173
available from June on all formats from [http://denovali.com/sanktotten]


Messias Maschine

SANKT OTTEN - Im Himmel angekommen (Feat. Ulrich Schnauss)

Berlin based label and creative collective operating in the left-field sphere of electronic music since 2002.

Memotone & Soosh 'First Avenue' (Memoosh - Grey 2LP/MC/Dig - Project Mooncircle, Oct 2nd 2014)

PROJECT MOONCIRCLE

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