Música, dança, representação teatral, festas populares cheias de tradições dos povos que 
formaram nossa cultura: africanos, portugueses, indígenas. Tudo isso compõe a cultura 
brasileira, difícil de definir, por ter suas raízes na povoação do Brasil, na mistura das raças, 
estilo e traços próprios de cada povo que aqui veio habitar.
Retratar a nossa cultura mais genuína, sem dúvida, é um grande desafio, pois para nós seu 
valor é imenso.
A missão do Fuá é revelar toda a arte contida nas manifestações desta cultura tão grandiosa. 
Para isso fomos buscar inspiração e participação de pessoas que têm, dentro de si, um 
pedacinho de cada rosto, de cada canto, cada parte deste país.
Somos um grupo artístico formado por pesquisadores e admiradores das mais diversas 
influências, ritmos, danças, arte, ritos brasileiros, e nosso primeiro álbum é oriundo de nossa 
formação mestiça, o que nos permitiu realizar uma produção cultural particular e inovadora.
Aqui o maracatu se funde com o rock, a sanfona encontra a guitarra, as danças juntam África 
com Brasil e assim vamos retratando, com toda a licença poética que a arte permite, tudo o 
que vimos e vivenciamos nestes 8 anos de pesquisa e estudos, por diversas regiões do país.
Nosso maior propulsor é a riqueza dessa cultura. Explícita ou oculta, ela permeia 
cotidianamente o nosso modo de ser e pensar. Esses valores permeiam a formação do grupo e 
foram os esteios do álbum de lançamento do Projeto Fuá.

André Bordinhon (1979) is a Brazilian guitar player and composer living in São Paulo, Brazil.

He is currently developing Hiroshige Project, which is a free improvisation project based upon the great Japanese woodblock painting serie called “One Hundred Famous views of Edo”, by the ukiyo-e artist Utagawa Hiroshige (1797-1858). The project consists in a small improvised musical piece inspired by each print of the serie. The term ukiyo-e  translates as "picture[s] of the floating world". 

In the Free Improvisation scene he collaborated with Célio Barros and Guilherme Marques (Trio Orbital) and recorded with the French guitarist Noël Akchoté.

He collaborated with the Catalan circus collective Col.lectiu La Persiana alongside the band Venáncio y los Jóvenes de Antaño.

He also collaborated with the big band of the composer based in Austria, Emiliano Sampaio.

He has toured in Japan, USA and Brazil.

André Bordinhon is a member of several music groups, and plays with many artists of the musical scene of São Paulo such as São Yantó, Corina Magalhães, Daniel Coelho Sexteto, Lê Coelho, Roberta Zerbini, Laura Wrona, Rita Bastos, Vânia Bastos and Paula Mirhan to name a few.

Discography:

“Tem Mineira no Samba” (Corina Magalhães) - Grammy Nomination (2017)
"Eu sou do tempo em que a gente se telefonava" (Blubell)
"Quarteto Solto" (Quarteto Solto)
“Pode ser” (Rita Bastos)
“Morada" (Daniel Coelho Sexteto)
“Cosmo Colméia” (Laura Wrona)
“Organika” (Roberta Zerbini) 
“Lineker" (São Yantó/ former Lineker)
“Verão" (São Yantó)
“São Yantó” (São Yantó)
“Pego, Não Pego” (Duo with Noël Akchoté)
“Tuvalu" (Lê Coelho)
“Singin Good Ol’Songs with Good Ol’Friends” (Paulo Gazela)
“Walterama" (Walterama)
“ii iii iiii” 
“Extraterrena" (Rubyo)
“ Petróleo” (Paula Mirhan - will be released in 2020)
“Pedra" (Roberta Zerbini - will be released in 2020)
“Henrique Cartaxo” (Henrique Cartaxo - will be released in 2020)
“Olhomágico" (Olhomágico - will be released in 2020)

Contact: andre.bordinhon@gmail.com

Bruno Roberti was born in 1981 in São José dos Campos, located in the countryside of São Paulo state. He started his studies of acoustic guitar when he was 8 years old, and was brought up in a very musical home: during the meals and daily small talks, it was quite common listening from the record player artists like Elis Regina, Gilberto Gil, João Bosco, among other great names of the Brazilian popular music.

At the age of 19, he moves to São Paulo city and graduates in Communication Studies. He makes a career out of Marketing, occupation which having not brought him any realization, only increased, as time went by, a growing desire: drop everything to dedicate himself to music.

In 2011, he finally leaves the corporate life and starts recording his debut album after an invitation from Dudinha Lima, a talented bass player and producer, who has played in all universe of the Brazilian popular music – from Banda Black Rio to Gal Costa, from Seu Jorge to Lobão. From then on, the album Lar started to emerge.

The album features more than special participants such as Seu Jorge and the master of harmony Toninho Horta, as well as other remarkable Brazilian musicians. There are 11 authorial songs, from which three of them are in partnership with the poet and songwriter Paulo César de Carvalho. Roberti composes with equal naturalness sambas and bossas, folks or foxtrots. His lyrics translate different aspects of his biography, from his search for doing something he loves to good-humoured quotidian themes. The sonority from the album is inspired by the old school Brazilian popular music from the artists he used to listen to in his parents’ house in childhood. Not by chance, Lar (“Home”) is the tune which opens and names the album, whose lyric reveals its greatest cocoon: one’s own heart as a place to live and follow one’s vocation.

Totally independent, Lar was officially launched in 2013. At last, Bruno Roberti, who has made his heart a home for his vocation, is ready to make the road his residence.

ACULLIA é uma banda de rock que surgiu em 1998 na cidade de São Paulo e é formada por Renato Herédia, Fabinho Reis, Gustavo Baralho e Leonardo Harú. A banda é bastante influenciada por artistas de rock alternativo, blues e rock clássico e também por artistas da Tropicália.

A pretensão inicial do Casablanca era ir pro estúdio, produzir nossas músicas e divulgá-las na internet. O que nos interessava era a experiência do registro e do processo de gravação. Mais do que qualquer outra coisa.
O fato é que quando você grava uma música passa a querer também a experiência de tocá-la ao vivo, de ver a reação das pessoas, enfim... 
Decidimos então preparar um disco novo, pensado pra funcionar ao vivo e tocado por duas pessoas. E é isso que estamos fazendo.

Enquanto isso ouçam e baixem nossas músicas do EP Casablanca, lançado em 2012.

Visit【OUR SPACE】

WWW.NOMADSOULCOLLECTIVE.COM/

__________

Contact us at nomadsoulcollective@gmail.com 


The Leandro Joaquim Sextet
-from Rio de Janeiro, RJ, Brazil/San Francisco, CA
-Leandro Joaquim began his musical career at the age 15 in his hometown of Ribeirão Preto, São Paulo. He studied trumpet at the Symphony Orchestra in his city and later specialized in Jazz and Música Popular Brasileira (or MPB, a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining those with foreign influences, such as from jazz and rock) at the "Dr. Carlos de Campos Musical Conservatory "in the city of Tatuí, São Paulo.

Leandro spent 15 years in Rio de Janeiro, as he build his career by performing along side many national and internationally acclaimed artists such as Elba Ramalho, Marcos Valle, Cidade Negra, João Donato, Hyldon, Mauricio Baia, Carlos Dafé, Gilberto Gil, Jards Macalé, Lucas Santana, Tony Allen, and many more. He was the Musical Director of the band “Lets Play That” of the great Brazilian music master Jards Macalé, as well as founding member of Sobrado 112, Paraphernalia, Abayomy Afrobeat Orchestra, and Monte Alegre Hot Jazz Band.

“Sobre As Cores e a Nossa Tempo” Portuguese for "About Colors and Our Time" is the first solo album by Leandro where he plays trumpet and sings a selection of his original compositions. The album was recorded in Rio de Janeiro and released under Maravilha 8 record label. Ricardo Dias produced the album with musical participation from several dear musician friends such as Band Ce, Bnegao, Sobrado 112 and a few others who made this 9 tracks album possible.

Leandro smoothly takes his audience on a mysterious and colorful musical journey as his music navigates through various genres such as Rock, Jaz, Funk, Reggae and Bossa Nova, with sophisticated and deeply personal lyrics that talk about struggles and triumphs of everyday life. He uses psychedelic effects while experimenting with different arrangements and formations that go from a rock'n'roll trio to a jazz quintet, through duets of puffs with piano, machines of noises, delays and synthesizers.

Projeto Fuá is following