With no hope, no morality and no expectations; London's Cotton Candy Kid has emerged from the gutter of various musical projects, having toured on and off in different guises for the last 2 decades. Surfing the void from The Velvet Underground and The Stooges, NIN, Death From Above 1979, Jack White, Nirvana and Queens of the Stone Age; his first self-produced collection came in the form of the early 2020 release: The Virus Sessions '20; a retrospective of melodies, rhythms, concepts and instrumentals that hit from hard glitchy dance to introspective acoustic musings. Later in 2020 saw the release of The Great Leveller; inspired by the ever changing post-pandemic world and a lament upon loss, hope and the numerous pending questions posed; set to a predominantly psychedelic sound. 2021 heralds the release of Black Rabbit, a progression of guitar work and a lament for the mental health impact of the "new normal".

Prole Position aka the artist Ashley Spindler.
Played performed engineered produced mixed by Ashley Spindler except where indicated .

Jim McClean is a Belfast born Rock singer-songwriter. His repertoire of original songs spans over a decade. He has enjoyed local and international air play, Television appearance, media review and festival performances. Jim plays multiple instruments, and is an innovative performer, including theatrical elements to his stage performance

In 2012, he released the CD album "Cosmic Nomad" http://jimmcclean.bandcamp.com. This was followed by 2014's "Cosmic Chronicles" a collection of live and studio tracks of varied sources. He is currently working toward next studio album as a follow up to "Cosmic Nomad"

jexclamationrex@gmail.com <- Contact

Low fidelity free improvisation spiced with punk and musique concrete.  The tracks of each piece are performed in one or two takes with little to no planning.  Made in Indiana.  In a barn.  With tractors nearby.

P.S. Fuck post-production.

Rock and pop singer / songwriter / lyricist / producer: www.singerproducer.co.uk

Lead singer of Before the Story Ends band: www.soundcloud.com/beforethestoryends

James Webb is an artist, recognised for his site-specific interventions and installations. His practice often involves sound, found objects, and text, invoking references to literature, cinema, and the conceptualist traditions. By shifting objects, techniques, and forms beyond their original contexts and introducing them to different environments, Webb creates new spaces of tension. These spaces bind Webb’s background in religion, theatre, and advertising, offering poetic inquiries into the economies of belief and dynamics of communication in our contemporary world.

As Brandon LaBelle writes, “The works of James Webb circulate around a complex mixture of emotional and affective states; of longing and despair, of the ecstatic and of hopefulness, states of bodies and minds that move throughout his practice to raise questions of individuality and community, belonging and displacement, fragmentation and recuperation.” (Xenagogue, edited by Anthea Buys, published by the Hordaland Kunstsenter, 2015.)

Webb has had solo exhibitions at, amongst others, the Art Institute of Chicago, USA (2018); SPACES, Cleveland, USA (2018); Norrtälje Konsthall, Norrtälje, Sweden (2018); Yorkshire Sculpture Park, Wakefield, United Kingdom (2016); Hordaland Kunstsenter, Bergen, Norway (2015); CentroCentro, Madrid, Spain (2013); Johannesburg Art Gallery, Johannesburg, South Africa (2012); and mac, Birmingham, United Kingdom (2010).

Major group exhibitions include the 13th Biennial of Dakar (2018), 4th Prospect Triennial of New Orleans (2017), Documenta 14 (2017), 13th Biennial of Sharjah (2017), 12th Bienal de la Habana (2015), 55th Biennale di Venezia (2013), 3rd Marrakech Biennale (2009), Melbourne International Arts Festival (2009), and the 8th Biennale d’Art Contemporain de Lyon (2007). Other notable group shows include  those at spaces such as Wanås Konst and Historiska, Sweden; MAXXI Roma, Italy; Darat al Funun, Jordan; Théâtre Graslin, France; and the Tate Modern, London. 

Webb’s projects have been the subject of the two monographs, “. . .” (blank projects, 2020), and “Xenagogue” (Hordaland Kunstsenter, 2015). 

Impressum: All rights reserved. The copyright for these audio pieces and artworks  are reserved. Any replication or use of the content such as images, audio, and texts is not permitted without James Webb’s written consent.

Gallery representation: 
Galerie Imane Farès, Paris www.imanefares.com 
blank projects, Cape Town www.blankprojects.com

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