Punk From The Start

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Dillinger Four

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Un pezzettino di un pezzettino di quello che ORMAI ascoltano. A parte il metal ovviamente (o quasi...) 💎

Full playlist: https://open.spotify.com/playlist/1N8y2r653O0pnp4h9sHUUV

Non è tutto metal quel che luccica.

ride mix

propagandhi

i mean yeah

Don't get all worked up by the poor quality... This is a COVER for fun.
Guitars recorded by me, over programmed drums. No vocals

Spit It Out (Slipknot) - INSTRUMENTAL COVER

Following countless years of personal hardships, studio disasters and times of music industry indecision, New Orleans’ own EYEHATEGOD, with much relief and excitement, are proud to announce the release of their brand new full-length! Entirely assembled and financed by the band, the self-titled, eleven-track long player will be released on May 27th by their partners at Housecore Records in North America, May 26th by Century Media in Europe, Australia and New Zealand and May 21st by Daymare in Japan.

Comments vocalist Mike IX Williams, “I have to say I don’t believe we’ve lost nary a step in the creation of this album and we think these newer songs are a killer combination of classic EYEHATEGOD mixed along with our best production, mixing, engineering and songwriting in thirteen years. The main and total tragic break in the chain, was obviously last year’s death of our great friend and drummer Joey LaCaze. However, his original drum tracks made it onto the final master recordings and we’re fucking psyched about that… As for working with Housecore, it was a no-brainer. We’ve always been a family, and will always remain a family.”

Adds Housecore founder Philip H. Anselmo, “Being a part of the new EHG record is a dream come true. I’ve known, supported and loved the guys for almost as long as I’ve been playing music myself, and it is our pleasure here at The Housecore Records Compound to have ‘em aboard. And I gotta mention, having heard the new record, this is the EYEHATEGOD record every true fan has been waiting for…. Hail!”

As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. Most people who know the band have a story to tell or they heard a story about the guys. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning  out entire small towns of their drug supply, these stories spread  throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.

Certainly not the first band to be surrounded by myth and lore, EYEHATEGOD’s staying and growing power ultimately comes from the music. No one riffs like Jimmy Bower and Brian Patton. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery.  All combined, the music is the most genuine, distressing cacophony of sound around.

“Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. In 2014 that style might sound somewhat commonplace. In 1988 it most definitely was not. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, EYEHATEGOD sounds as fresh and innovative as ever. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. They were touring more than ever and used that time and energy to work on an album’s worth of songs. At the end of 2012 they were ready.

The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.

An unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. An outpouring of condolences and tributes spread online. Enough can’t be said of the loss felt by the band, family and friends. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about; seriously not taking yourself too seriously. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. The band hit the road after wrapping up the record and plan to embark upon their most exhaustive touring schedule to date.

EYEHATEGOD:
Mike IX Williams – vocals
Jimmy Bower – guitars
Brian Patton – guitars
Gary Mader – bass
Aaron Hill – drums

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
http://www.thehousecorerecords.com

EYEHATEGOD - "Robitussin And Rejection"

True to form, the band continues to evolve their patented sound on Transmission.Alpha.Delta through 12 new tracks saturated with lightning fast riffs, clobbering rhythms, and fresh vocal melodies.

Buy at Fat

Strung Out - The Animal and the Machine

Weird Tales of The Ramones (1976 - 1996)

Blitzkrieg Bop (1999 Remaster)

Pleasant Dreams

The KKK Took My Baby Away (1999 Remaster)

Exodus 30th Anniversary Edition

Jamming

Guiltiness

Africa Unite EP

Exodus

The Heathen

So Much Things To Say

Sober

Mania

I Wanna Be Sedated

Rocket to Russia

Cretin Hop (1999 Remaster)

Weezer

Holiday

Incesticide

Sliver

Less Talk, More Rock

The Only Good Fascist Is a Very Dead Fascist

Situationist Comedy

!!Noble Stabbings!!

A Floater Left with Pleasure in the Executive Washroom

Sellthehousesellthecarsellthekidsfindsomeoneelseforgetiti'mnevercomingbackforgetit

The Father, The Son, And the Homosexual / Single Parent

Fuzzy Pink Hand-Cuffs

Fresh Fruit for Rotting Vegetables

California Über Alles

You'll Rebel to Anything

Stupid MF

Failed States

Lotus Gait (2019 Remaster)

Things I Like (2019 Remaster)

Unscripted Moment (2019 Remaster)

Dark Matters (2019 Remaster)

Duplicate Keys Icaro (An Interim Report) (2019 Remaster)

Potemkin City Limits

Fixed Frequencies

Cut into the Earth

Iteration

Die Jugend Marschiert

Name and Address Withheld

A Speculative Fiction

Fedallah's Hearse

The Power of Failing

Five. Eight and Ten

Alle Onde

Biarritz

Prodotto da Ormai e V Fisik.
Registrato e mixato da V Fisik presso Hombrelobo Studio (Roma).
Mastering a cura di Riccardo Pasini, presso Studio73 (Ravenna).
La foto in copertina è di Francesca Woodman.

Testi e musica di Ormai.

Domani

New album 'At Peace’ out now on Epitaph Records https://propagandhi.ffm.to/atpeace

Fixed Frequencies

Propagandhi