After years of playing records, encountering an artist who inspires you with their unique approach is truly a mind-blower. Enter Big Hands, who graced our February session in the box, saving the day (🙏) when my USB failed (thankfully, I had my records handy). His ingenious use of vinyl, playing some tracks 45s at 33 RPM, breathed new life into the airwaves, leaving a lasting impression on me as I revisit my record collection. Co-founder of @BaroqueSunburst alongside @SoreabUK, Big Hands is also the mastermind behind Ottomani Parker, a delightful addition to our last year event lineup. Operating within the lively beats of London's music scene, our protagonist finds their creative home at Honest Jon's Records shop. Dive into his session now, and experience the magic for yourself.

@big-hands-1
https://instagr.am/big__hands
https://instagr.am/ottomaniparker

Baroque Bandcamp

Big Hands | #78

2 hours of fun for the first edition of Lockin' - a new and free daytime party on our beloved Misc rooftop. After sets by Kimi & Dr.Fetch aka @drftctch <3

Lolo @ Lockin' / Miscellania rooftop 05.04.25

For this episode we welcome the extraordinary talents of Aaron J, Brooklyn's Sure Thing record label and podcast founder, known for hosting an immense list of explorative modern techno artists from around the globe. Altering our consciousness for the first time in 2023 with a particularly awe inspiring set at Sustain-Release, Aaron's deeply considered and intricate approach is something of sheer beauty, and coupled with masterful technical ability, his inspiring DJ sets allow for fully immersive dancefloor experiences. 

Here Aaron explores the softer edges of his expansive sound palette, meditative soundscapes and tranquil IDM converging in total harmony for what he describes as a 'recalibration of the senses'. 

@arn_j
@sure_thing

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. Of all the mixes I’ve put together over the years, this one definitely feels the most vulnerable. The months I spent thinking about and working on this mix accompanied an intensely busy time in my life, and the process helped me stay in touch with the simple joy of listening as a way of stepping back and letting things go. There is a direct connection here between the music within and the emotions that live inside me. At the same time, I’ve tried my best to mix this as transparently as possible, so that the act of DJing takes a back seat and allows the music to take center stage.

The inspiration behind the tracks I chose and the story of the mix is one of finding balance, so I hope listening to it feels like a casting off of the present day and a recalibration of the senses. I’d love for people to listen to the mix in a setting where they feel most protected from the changes and stressors of the outside world, whether that be sitting outside in nature or laying on a couch surrounded by the comforts of home.

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. There is a track in the mix by Autumn of Communion called “Goodbye PK” dedicated to the late Peter Kuhlmann, who many of your listeners will know as the legendary Pete Namlook of FAX +49-69/450464. It’s an immensely moving track that manages to convey both the tragedy of his loss and the depth of the beauty he left with the world, and I feel we’re so fortunate to have music and influences like this in our recent history. I included it early to set the tone of the rest of the mix, which is quite different than any I’ve done before, and to pay my respects to those who’ve inspired our scene from the very beginning.

Q. I was lucky enough to witness your set at Sustain-Release in 2023 and was in awe of your ability to practice restraint while steadily building up tension and energy in the set with such clinical and seamless execution. Is this part of the DJ craft something you spend a lot of time planning and refining?

A. That was such a life-changing moment for me, so I’m really glad you were there! You really nailed what I hoped to accomplish with that set, and I definitely spend a lot of time thinking about where my sets will begin, where I would like them to end up, and what sort of path I might take to get there. Understanding the minutiae of how a transition will affect someone’s state of mind and how to propel someone forward without jarring them back to reality is something I’m always working to improve on. That said, the upward trajectory is not always the most interesting one, and there are so many other ways of charting a course through a set that I hope to be able to explore. For the mix I’ve made for you, it’s not so much a set that builds energy as it is one that expands and contracts, hopefully in a gentle and purposeful way.

MDC.311 Aaron J

@caroune-dem

French bork, UK based artist Caroune is one half of @osmura a label and party series focusing on deep, dubby techno and swirling soundscaps. 

"a slow build mix from ambient building into dub, bass and breaks. Joyful, percussive and tribal tinged".

Sunset on FBi Radio : Caroune

98dots [17.05.25]

Recorded session at Electromagnética Radio straight from Villaverde, Madrid, where Nogue (from duo Systema) and David el de la Alba (running electromagnética radio) share stories related to ambient music and where does it take us.

Proper Balance 002 at Radio Relativa W/ Nogue & David el de la Alba

030 - Bartoli

Eora’s dub-techno tastemaker Command D and Naarm’s harmoniser of the emotive and abstract Zara combine for Gravity Reset, a collaborative four-tracker on Butter Sessions.

Both producers are equally nestled with love into Australia’s underground, with releases on beloved labels like Animalia and Pure Space. Command D also boasts refined live sets heaving in sub-bass, while Zara's celebrated for boundary-blurring productions and her Kinesis imprint championing the local scene. On Gravity Reset, they meet in lockstep, delivering trance-inducing offerings rooted in a shared love of rhythm, space and subtlety seeded with dub minimalism and introspective, tech-driven sound design.The titular track 'Gravity Reset' sets the tone with a deep, persistent kick, reverberated snares, and a low-end that twists and lifts. 'Cascadia' introduces pad warmth and light percussion, where laughter weaves into the mix, adding a human touch to the dub-soaked cut. '2Pulse' brings expressive congas and dubby psychedelia into dialogue with the wubs, before The Fog closes in a haze of phasing hats and musky bass.

A collaboration for the ages. What they mean when they say #deep.
credits
releases July 18, 2025

Mastered by Corey Kikos
Artwork by Maryos Syawish
Words by Margarita Bassova

Command D & Zara - Gravity Reset (BSD08)

Animalia's natural evolution into new regions & sounds comes with the introduction of @sub-basics to the label. For the first iteration in a new series of releases by the London based artist, Sub Basics brings his signature blend of minimal UK bass, with prismatic percussion loops & spaced out, psychedelic grooves, meeting a tech-house adjacent score that underpins the release.

Immersive yet functional, the release is versatile by nature, timely and fitting for both the autumnal shift in the northern hemisphere, and the welcoming of spring in Australia.

Artist: Sub Basics (London, UK)
Title: Wavelengths
Format: 12” / Digi
Distributed by: Clone (Rotterdam, NL) 
Artwork & Design by Josh Abramovici, (New York, USA)
Mastered by Jason Goz, Transition Mastering (London, UK)

Animalia would like to acknowledge that whilst all tracks were produced in the UK, the label itself operates on the traditional land of the Woiwurrung & Wurundjeri peoples of the Kulin Nation, and pay respect to their elders past, and present. Sovereignty was never ceded.

2025 Animalia Label

Sub Basics - Wavelengths (ANIMA17)

There’s a special kind of trust when a festival makes someone a resident. For Les Chaos Ambiants, that someone is Lynne. We’ve partnered with this boutique French festival for the second year, sharing the sounds and stories behind their lakeside weekend in the wooded hills of Sommant. The festival thrives on curation that feels personal, lineups that move like chapters in a book, sound systems tuned to catch every detail, and a setting where the air itself seems to carry the low-end.

Lynne embodies that approach. Originally from Japan and now based in London, she’s built a reputation on mixing low-lit atmospheres with rhythm patterns that shift just as you think you’ve caught them. Her triumphant comeback to our podcast series finds her opening the spectrum: warmer tones, space between the beats, a subtle dub pulse, and even flickers of jazz phrasing. Yet the structural backbone remains hers, breaks that fold time and pacing that keeps you just ahead of the next turn. It’s not a departure, it's more like a widening of the frame, perfectly in sync with the spirit of Les Chaos Ambiants.

https://soundcloud.com/lynne-tokyo
https://www.instagram.com/lynne_tokyo/

https://soundcloud.com/leschaosambiants
https://www.instagram.com/leschaosambiants/

Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed

Contact us: 
info@delayed.nyc

Delayed x Les Chaos Ambiants: Lynne

ED052: Zarina

Record label based in Madrid.

Run by Javi Lier