Disco

Head – Prince

De'shmember

Purple Reign: The Numero Group Guide to the Minneapolis Sound

End of Transylvania

disc1

Clan Of Xymox - No Words

Submitted for the Spike Lee - 40 Acres and Mule production 'Da Sweet Blood of Jesus' soundtrack (2014).  Original version available on 'Greasekydz - Big Bass Monster', IGLOO Recordings(2010)

http://www.amazon.com/Big-Bass-Monster-Ep-GreaseKydz/dp/B003IOQS10

Greasekydz - The World Is A Stage (Remix)

Funkadelic & Moodymann - Sloppy Cosmic

I've been playing the DJ Duke bootleg of this for 20 years now and I really love it but I wanted to make one for myself. And for you guys! 

Sade - Stronger Than Pride (Eli's No Ideas Original Mix)

Ms. Fine Brown Frame - Syl Johnson

Get as Much Love as You Can

Nights Over Egypt

Larger Than Life

Real Love

Dirty Mind

Head

Prince

I Wanna Be Your Lover

Diamonds and Pearls

Insatiable

Sign "O" the Times

The Ballad of Dorothy Parker

Strange Relationship

If I Was Your Girlfriend

Brazil 45, number 50 http://www.mrbongo.com/products/celia-na-boca-do-sol-a-hora-e-essa-7

Two tracks from Celia’s awesome, sought after, second self-titled LP from 1972. 

‘Na Boca Do Sol’ was written and arranged by Arthur Verocai and Vitor Martins, the original of which appeared on Verocai’s self-titled LP. Fuzz guitar, drums, strings and Celias vocal combine to create an epic.

‘A Hora é Essa’ is the first track from the LP, a brilliant samba-funk workout, with strings and piano.

Also originally released as a 7” in 1972 on Continental, which is very difficult to get hold of now.

Celia – Na Boca do Sol

It's The Weekend 

Leroy Burgess - It's The Weekend (Patchworks Remix)

Purple Snow: Forecasting the Minneapolis Sound

I’m Under Your Spell

The Lewis Connection

Mr. G

Lady

Get It On

DOGCD07

Listen To Your Heart

Session Victim - Almost Midnight

Return Of The Ghetto Fly (feat. J Dilla, T3 & Neco Redd)

A deep disco edit from the Stilove4music (@stillmusic) boss that gives maximum satisfaction if you keep your skipping finger at bay.

Read more & buy: http://www.stampthewax.com/2017/10/15/premiere-jerome-derradji-step-by-dub/
Listen on Youtube: http://bit.ly/step-by-dub

stilove4music047

Listen on Youtube

Jerome Derradji - Step By Dub (STW Premiere)

The Cookhouse Five

I'll Always Love You (feat. Prince)

🎧 https://spiritofhardstyle.lnk.to/TheTimeHasComeSo

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The Time Has Come for the legend to collaborate with the talented prodigy Devin Wild! This led to this masterpiece in which both groundbreaking sounds blended perfectly! Just sit back and let the music do the thinking! 

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🔽  Follow Devin Wild online:
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The Time Has Come

Noisecontrollers & Devin Wild - The Time Has Come

Tunes Of Negation - Reach The Endless Sea
Format: 2xLP  
Cat.No. CR10
Pre-order: http://bit.ly/2MYQDkp

As it has become a somewhat common occurrence in his discography, Shackleton’s Cosmo Rhythmatic debut as Tunes Of Negation opens with a song. Its structure and, most importantly, themes, can be integrally traced within his rhizomatic net of creations, consistent with a process that’s regularly wandered through spiritual depths by means of sonic perseverance. Sung by Heather Leigh, the double – cantos continuum of “The World Is A Stage” and “Reach The Endless Sea” deal with time, or rather its illusory, treacherous nature, as well as spiritually investigating ideas of immortality, memory, and grief.

Ultimately, it is a meditation on the non-finitude of life and spirit, and the limits of perception in dealing with it. It could be argued that the whole record, as well as Shackleton’s whole body of work, represents an attempt to break those limits and trespass beyond human experience, incorporating an immense vocabulary of music traditions in order to ditch linear narratives and the established grammar of electronic music.

Shackleton’s usual arsenal of resonating woods and metals, ceremonial polyrhythms and astral melodies acquire a freer, more spontaneous character by the intervention of keyboardist Takumi Motokawa and mallet player Raphael Meinhart, whose symbiosis with the producer generates a truly beautiful and multi-directional flow of energy. The sacral austerity of the music is paralleled by its sheer, seductive, harmonic power, one that draws new trajectories in time and space with its seemingly endless layers of arpeggios, beats, and drones.

For all their complexity and propulsion, these are indeed Tunes of Negation. The title, inspired by a poem by 13th Century mystic Jalalu’l-Din Rumi, is a description of what Shackleton himself hopes to achieve with the music, to “aid transmutation and enter into the light”.

Music written and composed by S. Shackleton except track 3 by S.Shackleton and T.Motokawa. Words for tracks 1 and 2 by S. Shackleton and H.Leigh.
S. Shackleton does the programming, electronics, synthesizers, and all related stuff.
T. Motokawa plays harmonium, keys, percussion, gongs.
R. Meinhart plays mallets and percussion.
Guest vocals on tracks 1 and 2, Heather Leigh.
Artwork by Zeke Clough.
Mastered and Cut by Rashad Becker @ Dubplates and Mastering. 
© Cosmo Rhythmatic 2019

Tunes Of Negation - Nowhere Ending Sky (CR10)

Get It On

Prophets of Peace