Prōtokol donne carte blanche à l'artiste et musicienne EMAA.

EMAA est une artiste-musicienne et compositrice parisienne de musique techno, ambient et expérimentale. Diplômée du Master de Musicologie, Musique et Création Sonore de l'Université Paris VIII, elle s'intéresse particulièrement au travail de la matière sonore et aux techniques électroacoustiques. Inspirée par des artistes tels que D.Å.R.F.D.H.S., Svarog et Öspiel les mixes et compositions d'EMAA visent à créer des expériences cathartiques qui poussent au lâcher prise et à la libération des corps par la danse.

Tracklist :

Bernstein - Mycelial Clouds
Tozzi - Subterrel
Von Grall - Continued Sum
Vardae - Layer 3
Altinbas - Layers of compassion
Takaaki Itoh - Warbler
Joachim Spieth - Dispersion
Metamethod - Exoshift
Ospiel - Playful Brutality
Unn - Mask Off
OPL & Worg - Macula Lutea
Oxygeno - Neurological Disintegration
Rhyuski Grhosour - Viels
Svarog - Aglar
Dikken - 06_00AM

DEEP HOUR : Prōtokol invites EMAA / 10.04.2022

𝔼𝕔𝕙𝕠𝕤𝕪𝕤𝕥𝕖𝕞𝕖 𝟙𝕣𝕤𝕥 𝕄𝕚𝕩 𝕓𝕪 ℙ𝕣𝕠̄𝕥𝕠𝕜𝕠𝕝 ! (soundcloud.com/protokolofficiel ) 

Luc Bydon aka. Prōtokol is a French musician, composer, performer, dj and one of Échosystème’s co-founder. In 2017, back in Paris, he launched the Planisphère, an experimental music label and radio show. Today, his music falls somewhere between ambient, electronica and techno. In 2020, he released his first EP of electronic music "Lueur crépusculaire", on his  label. He followed it up with a ambient EP this time " Kowuq: Prolegomena" where his work focuses on the elasticity of time.

𝕋ℝ𝔸ℂ𝕂𝕃𝕀𝕊𝕋 
Aja - Harmonoiseau
Apollo Noir et Adrien Pallot - trente-sept 
Richard Francés - 18823
Variéras - Bakélite (Apollo Noir - Chute Infinie Rework)
Aelred Nils - Sun Dancers
Odalie - Les Hybres
Tryphème - walking through the choir
Prōtokol - Unreleased
Ligovskoï - Mana
Thea Soti - hesitate to enjoy
Kassel Jaeger - Shifted in Dreams
Frédéric D. Oberland - Panspermia / Pneuma

𝔸 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕖 𝕄𝕚𝕩 
A sneak preview of a particularly vibrant French ambient scene. Here we discover both renowned and emerging artists. This hour-long mix reflects the spirit of the French scene, as well as the aesthetic diversity of the genre itself: field recording, noise, spoken word and long atmospheric sonic layers.


ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 𝕪𝕠𝕦𝕣 𝕒𝕡𝕡𝕣𝕠𝕒𝕔𝕙 𝕥𝕠 𝕒𝕞𝕓𝕚𝕖𝕟𝕥 𝕞𝕦𝕤𝕚𝕔 ?
Ambient is a genre that anyone can tame, interpret, reshape and enrich. Ambient is not easily defined, because everyone has their own approach to the subject. Almost half a century after Brian Eno's Discreet Music, ambient music is no longer truly discreet - it's omnipresent in our lives. Ambient music gently lulls us and invites us to take an inner journey. It encourages concentration and even has therapeutic virtues. It can be as gentle as it is violent, as naive as it is complex, as meditative as it is political.


𝕊𝕦𝕡𝕡𝕠𝕣𝕥 & 𝔽𝕠𝕝𝕝𝕠𝕨 𝕥𝕙𝕖 𝕒𝕣𝕥𝕚𝕤𝕥 #𝕀ℝ𝔼ℤ𝕌𝕄𝕀 𝕙𝕖𝕣𝕖 :
https://www.instagram.com/lucbydon.protokol 
https://www.facebook.com/protokolofficiel 
https://planispheresound.bandcamp.com/album/kowuq-prolegomena 

𝕊𝕦𝕡𝕡𝕠𝕣𝕥 & 𝔽𝕠𝕝𝕝𝕠𝕨 𝕥𝕙𝕖 𝕔𝕠𝕝𝕝𝕖𝕔𝕥𝕚𝕧𝕖 #𝔼𝕔𝕙𝕠𝕤𝕪𝕤𝕥𝕖̀𝕞𝕖 𝕙𝕖𝕣𝕖 :  
@echo.systeme
 www.instagram.com/echo.systeme
  www.facebook.com/echosystemelive

[𝔼́ℂℍ𝕆𝕊𝕐𝕊𝕋𝔼̀𝕄𝔼 𝕄𝕀𝕏𝟘𝟘𝟙] Prōtokol

Catch Sebastein Forrester every 4th Wednesday of the month from 23h to 00h [CET] on rinse.fr

Rinse France Podcast

Afraa avec Sébastien Forrester & Jorrdan - 28 Juin 2023

Cahiers Électroniques : Hold-Up Radio Show avec Younger Than Me - 29 Juin 2023

E2-E8 w/ Luca & Joanna OJ - Netil Radio 9/7/2023

[𝔼́ℂℍ𝕆𝕊𝕐𝕊𝕋𝔼̀𝕄𝔼] 𝕄𝕒𝕥𝕙𝕚𝕒𝕤 𝔻𝕖𝕝𝕡𝕝𝕒𝕟𝕢𝕦𝕖, 𝕝𝕚𝕧𝕖 𝕒𝕥 𝕃'𝔸𝕣𝕔𝕙𝕚𝕡𝕖𝕝 𝟙𝟟.𝟘𝟛.𝟚𝟘𝟚𝟛
@mathiasdelplanque 


Mathias Delplanque  has released some thirty albums since 2002, both solo and with his group Lena. He is a sound artist and composer for contemporary dance, navigating between ambient, electronica and electroacoustic music. He performed,  in March 2023 during an Échosystème event  at l’Archipel, a live set inspired by his albums 'Ô Seuil' (2022) and 'Drachen' (2015, released on the label called Ici d'ailleurs, using a series of instruments sampled live (electric bass played with a bow, chimes, drums  and synthesizers), from which he constructs rich acoustic materials creating immersive soundscapes.


𝔸 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕚𝕤 𝕝𝕚𝕧𝕖

This live performance is the latest stage of a solo live project that I've been developing for over twenty years. It's a great laboratory, a lifelong project... It has obviously taken many different forms and colors. But the questions always remain more or less the same. How do you do a 'real' live performance with live machines? What tools should you use, what principles should you follow to get yourself into a real musical game on stage? I'm working on the relationship between machines and acoustic instruments, the link between improvisation and interpretation... This solo is a personal creative space that is constantly evolving.

This latest live show, imagined to accompany the release of my album 'Ô Seuil' on Ici d'Ailleurs label, is the most constructed and composed piece I've ever done. In the end, there's very little improvisation. On the other hand, I let myself go with the instrumentarium... There are pre-recorded elements (rhythms, bass, etc.), which I mix live using a bunch of MIDI controllers. I play the bass with a bow, the metallophone, I use three synthesizers, I transform my voice into a microphone... I systematically sample and transform all these sounds in real time. In fact, the tracks are written, I know where I'm going in terms of structure, but the sound part (mixing, sound processing) is totally improvised. I guess that's because of my dub roots.



ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 𝕪𝕠𝕦𝕣 𝕒𝕡𝕡𝕣𝕠𝕒𝕔𝕙 𝕥𝕠 𝕒𝕞𝕓𝕚𝕖𝕟𝕥 𝕞𝕦𝕤𝕚𝕔 ?

I've always listened to a lot of ambient music. And I have a deep affection for 'space music'. These kinds of music dilute traditional musical structures and are more akin to environments. I did a lot of painting before I started making music, and I feel that I'm still approaching musical composition from a painter's point of view.

Personally, I don't use the term 'ambient' to describe my music. I'm not sure it fits. I might prefer the term 'immersive music'. I find that term a bit more dynamic. My music is built on tensions and contrasts. It's deeply narrative, moving, playing with extremes. While I'm a fervent advocate of slowness and sonic immersion, I approach music as a game of tensions.



𝕊𝕦𝕡𝕡𝕠𝕣𝕥 & 𝔽𝕠𝕝𝕝𝕠𝕨 𝕥𝕙𝕖 𝕒𝕣𝕥𝕚𝕤𝕥 𝕙𝕖𝕣𝕖 :
https://mathiasdelplanque.bandcamp.com/ 
https://soundcloud.com/mathias-delplanque 
https://www.instagram.com/mathias_delplanque/ 

𝕊𝕦𝕡𝕡𝕠𝕣𝕥 & 𝔽𝕠𝕝𝕝𝕠𝕨 𝕥𝕙𝕖 𝕔𝕠𝕝𝕝𝕖𝕔𝕥𝕚𝕧𝕖 #𝔼𝕔𝕙𝕠𝕤𝕪𝕤𝕥𝕖̀𝕞𝕖 𝕙𝕖𝕣𝕖 :  
 www.instagram.com/echo.systeme 
https://soundcloud.com/collectif-echosysteme

[𝔼́ℂℍ𝕆𝕊𝕐𝕊𝕋𝔼̀𝕄𝔼] Mathias Delplanque, live at L'Archipel 17.03.2023

For this new iteration of Chronolithe, 132 Hertz, multi-faceted clarinettist and digger, takes us on a journey to the heart of deep, intimate landscapes. Between field recordings and psychedelic electronic music, he invites us into his mental universe that is as beautiful as it is strange.



Texte : @Design Default


Pour cette nouvelle itération de Chronolithe, 132 Hertz, clarinettiste et digger aux multiples facettes, propose un voyage au coeur de paysages intimes et profonds. Entre field recordings et musiques électroniques psychédélique, il nous invite dans son univers mental aussi beau qu’étrange.

TRACKLIST 

FIELD RECORDING - CRAPEAUX FINISTERIENS
MATTHIAS PUECH - HOMEOSTASIS
MARTA SALONI & TOM RELLEEN - DESERT GLASS
PARADISE CINEMA - POSSIBLE FUTURE
IMAGINARY SOFTWOODS - NORTH OF ROSWELL
SAPHILEAUM - FLORA
TONY SCOTT - ZA-ZEN (MEDITATION)
JOSEPH SHABASON & GIGI MASIN - NOVEMBER
MYSTICA TRIBE - NEW BEGINNINGS
TOKI FUKO - SPRING RAY 
MONT ANALOGUE – DANS LES EAUX D’APSU
TIM HECKER & COLIN STETSON – MONOTONY II
MIKE MAJKOWSKI - SPIRAL
ALEKSI PERALA -  KINETIC THEORY
UPSAMMY – SQUARE TO SPHERE
SHACKLETON & ZIMPEL & SIDDHARTHA BELMANNU - THE OCEAN LIES BETWEN US (EDIT)
DESIGN DEFAULT & 132 HERTZ - L’ILE AUX TEMPLES
LOSCIL - WELLS
WUKIR SURYADI – CENTONG NASI BESAR
SUBMERSION & Mon0 – PASSAGE OF SILENCE

CHRONOLITHE W/  132 HERTZ - SOULSCAPES - Design Default LYL Radio's residency

Musiques Pour Mobilier : Planisphère Invite Please, Babe (25.02.24)

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu
www.instagram.com/seeksicksound/

Please, Babe - Les Orbes Célestes
Planisphère, 2024
Buy: https://planispheresound.bandcamp.com/album/les-orbes-c-lestes

@please_babe
@planispheresound

Les orbes célestes

[Premiere] Please, Babe - Cycles de cycles (out on Planisphère)

Taken from @carl-gari & @abdullahmadm new album Shoot The Engine ا​ق​ت​ُ​ل​ْ ا​ل​د​ا​ف​ع, out May 9, 2024, via @amphibian_rec

Pre-order: https://zip.lu/3irur
Read: https://zip.lu/3itxb

Firing upon the engine. It is the commission of a just crime in favor of human skills. It is a revolutionary declaration of the act of walking. The oil stains the killer's arms and puts the car in a state of complete halt, forcing the passengers to walk. The engine is a signal of escape, and restraining the runaway means temporarily binding it. The spark plugs perform a crucial function, generating a spark to ignite the fuel-air mixture inside the combustion chamber. The heart of humanity is the spark plug inside the engine, it must be removed so it can stand still again. Carl Gari & Abdullah Miniawy step out of the way after spilling the engine oil.

The Egyptian-German collective, composed of Abdullah Miniawy, Till Funke, Jonas Yamer, and Jonas Friedlich, has been engaged in intensive collaboration after their initial meeting in Cairo in 2015. Earning critical acclaim from esteemed media outlets such as Pitchfork, NPR, Resident Advisor, and The Wire Magazine for albums like “Darraje,” “The Act of Falling from the 8th Floor,” and “Between the Bullet and The Front Sight, Casting Lots,” among others, they have showcased their unique sound at prestigious festivals and venues including the Institute of Contemporary Art London, Berlin Atonal, Haus der Kunst, Positive Education, and Rewire Festival.

Amphibian Records is teaming up with Carl Gari & Abdullah Miniawy to bring the first full album into the label's catalog.

Artwork by Omar El-Sadek

Mastered by Rashad Becker

Released by Amphibian Records

Premiere: Carl Gari & Abdullah Miniawy - Faqdo El A’aq فقدُ العاق [Amphibian Records]

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu
www.instagram.com/seeksicksound/

Richard Francés & Konpyuta - Music For Healing
Planisphère, 2024
Buy: https://planispheresound.bandcamp.com/album/music-for-healing

@planispheresound

Music for Healing

[Premiere] Richard Francés & Konpyuta - Dancing Without Fear Nor Ego (w/ Quentin Rollet)

Ambient, experimental and Techno music

Booking live & dj set : planisphere.sound@gmail.com


Co-founder of @Planispheresound & @collectif-echosysteme
Radio host : @radio_campus_paris 

- Gigs -
2023
21-23.07 Festival Septem / @7recordsparis (28)- DJsets
6-9.07 Château Perché - Château de Bazoches (58) - DJset
13.05 Chaud.e #1 - Le Sample (93) - DJset
15.04 Polyphon Release Party - Doc - Planisphère(75)- Live

2022
09/10.09 Festival Septem / @7recordsparis (28)- DJsets
27.08 Point Éphémère, @radio-sofa (75)- Djset
12.07 Le Doc - Échosystème(75)- Djset
22.01 Le Sample - @dement3d Carte Blanche (93) - Live

2021
27.11 La Pèche - Collectif TOP (93) - Live 
26.09 Mains d’Oeuvres - Radio Sofa (93) - Live 
16.07 ZUT à Vive les Groues (92) - DJset 
22.05 - Le havre de Perche - @Subtyl (14) - DJset

2020
12.09 - Le Totoro - @abricatalog (94) - Live 
13.03 - Lueur Crépusculaire Release Party (75) - Live 
31.01 - L’OpenBach - COLLECTIF YEA (75) - DJset

2019
13.12 - Les Nautes (75) - DJset
27.06 - Mains d’Oeuvres (93) - Live
05.04 - 59 rue Rivoli - COLLECTIF YEA (75) - Live

DEEP HOUR : Prōtokol invites EMAA / 10.04.2022

Prōtokol

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