Returning to Proton Music, Janko Dragovic has created a powerful narrative with his Desaturate production moniker. Reaching a notable highlight in January 2018 with his "Wanderer" EP, the Serbian artist now creates another moment of magic with "Spinal Slip". Joining forces with production partner, Goran Ferenc for the second original track on the EP, the duo's Dual Flux soubriquet provides another sonic highlight via "Ground Zero". Remixes comes from iconic Croatian and Belarusian artists.

Characterised by intricate percussive top line and commanding bass pattern, a filtered melodic refrain appears in Desaturate's "Spinal Slip" amongst waves of white-noise effects. Pulsating evenly across its 10-minute duration, glass arps appear at the stripped back breakdown before emerging in the second half with heavy beat and additional growling bassline, to mesmeric effect. The similarly forceful, "Ground Zero", immediately catches the ear with its driving kick and relentless bass as an off-beat tambourine makes itself heard and filtered stabs supply melodic weight. Striking vocal cuts add further texture in a track that builds to a rousing acid-fuelled crescendo at the breakdown, before launching into the third movement with gusto and force.

Petar Dundov is no stranger to the Proton Music catalogues with his work dating back to a June 2019 remix for Simos Tagias. Two original EPs have since followed with December 2020's "Salvation / Nature of Nature" and October 2021's "Spark" illustrating the Croatian's unrivalled production technique. Returning to Proton with a third remix, Petar Dundov's commanding rework is a majestic offering that evolves in characteristic fashion from a beat-laden opening to swells of familiar melodic refrains from "Spinal Slip". Emerging through the sonic collage, a glorious new piano refrain gradually builds to a delay-infused masterstroke, while elements from the Desaturate original criss-cross the stereo spectrum with dizzying panache. A new arp adds intrigue at the breakdown before melodic plucks and rolling rhythmic precision again flourish in the second half.

Another familiar name to the Proton Music roster, Michael A has continued to play a central role with a half-century of credits that has witnessed an abundance of original releases that included the likes of "Symbol", "Aura Tears" and "Geometria" between 2017 and 2019. Beginning the "Fantasy" series in September 2020 with an array of original new music, "Vol. 3" is set to hit the shelves in early 2022. A clutch of remixes for the likes of Dousk, James Monro and Pole Folder adding to his portfolio, the Michael A remix of "Ground Zero" takes the driving techno character of the original and transforms it into a lilting progressive gem. Glistening with flowing new melodic phrases that shimmer across the left-right soundstage, elements from Dual Flux's original intelligently sit in the opulent surroundings of Michael's production work, while a strong beat and ticking percussion add club credentials.

Originals from Desaturate and Dual Flux plus remixes from Petar Dundov and Michael A build a towering musical edifice to "Spinal Slip / Ground Zero".

Directed by Jay Epoch
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Spinal Slip / Ground Zero

Buy on Beatport

Dual Flux - Ground Zero (Michael A Remix)

I repost the music I personally like. I'm not promoting anything other than the music I like. As well as listening to music, which includes activities such as searching for new music, I dance to music. In (personal) fact, a significant amount of the music I like could be categorized as dance music. However, I also experience a mix of positive effects whilst listening to what could be called 'chill-out' or 'ambient' music. Furthermore, occasionally, I will 'dip' into my previous (past) catalogue of favorite music tracks. I was born in 1971, so I have been influenced by the music that was produced in  the 70's, 80's, 90's, etc. Although, now is my favorite time of music (now is all there is)



Science Communicator on Mastodon social https://mastodon.social/@ScienceCommunicator

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

We're a family of electronic music makers + lovers.  Proton is a radio station (www.protonradio.com) and powers distro for 2K+ indie electronic labels (https://protonrad.io/Label-FAQ).

Say hello: info@protonradio.com

☥ ╳I make a journey. You make a journey. We make a journey together╳☥ 
"We shall not cease from exploration. And the end of all our exploring will be to arrive where we started and know the place for the first time."

"Sleep is an overrated need"

🗣 
https://www.instagram.com/lahar_istheanswer/
https://thelaharfloatingspace.blogspot.com/
https://linktr.ee/craftradiolounge
laharistheanswer@gmail.com

thank you for  support me: 
https://buymeacoffee.com/thelahar
  
ミ◕ฺｖ◕ฺ彡

I don’t produce the music you listen here.
Support the artists and labels — they are the soul of this journey.