An artist who has been pulling up sizeable trees over the past 18 months, Hobin Rude is a welcome addition to the Proton Music roster with his "Found Myself" EP. Based in the Belgrade capital, the Serbian star has over 300 production credits to his name since a June 202 debut, with the likes of Roger Martinez's HIGHER STATES, Praveen Achary's Juicebox Music and Mango's Mango Alley amongst them. Now debuting on Proton Music, the title track is a superbly conceived affair with low-slung percussive groove, deep kick and cadenced bassline. As it evolves, a pitched down vocal cut eerily declares, "Found Myself" while a smooth and flowing lead line adds to the sonic tension inherent within. Pausing at the breakdown and dropping away to momentarily silence, the track soon falls back into the familiar refrains of earlier movements. "Awake Between Worlds" immediately excites with its rapid fire, off-beat hats and thumping kick while atmospheric pads wash over the rhythmic backdrop in textured waves. Haunting and evocative in equal measures, free-flowing chord progressions play out, keenly felt at the beatless but gently pulsing breakdown. Hitting the heights once more in the third movement, familiar rhythms come to the fore as a juxtaposed bass pattern sits underneath the smoothly oscillating pads.

A Proton Music regular, Dmitry Molosh has been at the vanguard of modern Progressive House for some 15 years and 700 production credits. Able to shine a powerful light on his inimitable talent through a host of original releases and remixes, the "Little Friend", "Winds of Change", "River Pond" and "Station" EPs have been notable additions to the Proton Music catalogue. Moreover, remixes for such celebrated names as Kastis Torrau, Trilucid and Paul Deep have showcased another side to the Belarusian's production talents, as Dmitry now works his magic on "Awake Between Worlds". Picking up the pace slightly compared to the original, a sublime sustained bassline creates dynamic dancefloor energy. Cleverly interpreting themes from Hobin Rude's track, Dmitry has shaped the coruscating pads into a series of melodic sequences that sit superbly alongside a rippling arpeggio at the breakdown. Hitting its straps in the second half, courtesy of a stirring snare roll, a growling bassline note delays into the distance as the arp and earlier melodic phrases make their presence felt again with a glorious new additional melody. The result is yet another hugely impressive remix from the Dmitry Molosh production vault.

With trademark style and verve, James Monro has been a significant contributor to Proton Music with a veritable feast of Progressive House since a 2013 debut remixing Juan Deminicis. Since then, the "Sanctuary" series has enjoyed 3 volumes while "In the Ether" represented a high watermark in August 2017 with a full-length album that exuded quality from start to finish. Remixes for the likes of Clawz SG, Desaturate and Rick Pier O'Neil are also among a slew of striking interpretations that have additionally helped shape the James Monro sound. Finding his way back to the label for the first time in 2 years, the James Monro remix is a pounding, rhythmic affair that captures the essence of "Awake Between Worlds" but transforms it into a sparkling new interpretation by intelligent use of original components and immaculately conceived additional production material from James' Brazilian studio. The result is a driving and pulsating remix that turns Hobin Rude's work in hypnotic dancefloor destroyer.

A superb debut EP creates an environment where Hobin Rude has truly "Found Myself" on Proton Music.

Directed by Jay Epoch
Mastered by Cid Inc., Grant Collins
Design by Ben Mautner
Text by James Warren


Found Myself

Buy on Beatport

Hobin Rude - Awake Between Worlds

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

We're a family of electronic music makers + lovers.  Proton is a radio station (www.protonradio.com) and powers distro for 2K+ indie electronic labels (https://protonrad.io/Label-FAQ).

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BOOKINGS:
hobinrude98@gmail.com

REMIX REQUESTS / PRODUCTION INQUIRIES:
forartists@themangoalley.com

LABEL OWNER  @RudeResonanceRecords

Awarded as the best regional DJ of the year 2023.

Some people do Rude things, other people then turn those Rude things into Rude notes...

Hobin Rude is a 27 year old Serbian progressive house artist based in Belgrade.
In an endless quest for deeper meaning, his music is anchored in rhythm and propelled by intricate sonic textures - yet it lingers in the shadows, forever elusive, where mystery reigns.

Over a brief period of time, with over 250 tracks released on 100+ record labels, mysterious and highly intriguing progressive house as his hallmark and his strong work ethic and attention to detail have brought him releases on prestigious record labels such as SUDBEAT, The Soundgarden, Mango Alley, Meanwhile, PlattenBank, Hoomidaas, Solis Records, Proton, Vapour,  Movement Recordings, Juicebox Music, ICONYC & UNIVACK - while becoming irreplaceable in the sets of legendary DJ's who seek out his work.

His music is regularly supported by industry giants such as Hernan Cattaneo, Guy J, Sasha, John Digweed, Nick Warren, Danny Tenaglia, Eelke Kleijn, Henry Saiz, Guy Mantzur, Jeremy Olander, Max Graham, Stan Kolev, John 00 Fleming, Armen Miran, Ezequiel Arias, Dmitry Molosh, Jerome Isma-Ae, Khen, Nicolas Rada, Roger Martinez, Mariano Mellino, Alex O'Rion, Marcelo Vasami and many more.

Hobin Rude is also the host of Progressive Tales podcast by Progresivna Suza where you can hear famous artists from all around the globe, reaching thousands of listeners, while his DJ tours take him from Serbia to Netherlands (including Exit Festival's Dance Arena and equally prestigious Amsterdam Dance Event), Argentina to the United Kingdom, Spain to Malta, Armenia to Sri Lanka, Norway to Pakistan and Russia to India - sharing the stage with worlds famous artists such as: Hernan Cattaneo, Solomun, Sasha, John Digweed, Guy J, Henry Saiz, Yotto, Guy Mantzur, Roy Rosenfeld, Lexicon Avenue and others.

As of October 2025, he has also started his own record label - Rude Resonance Records, dedicated to releases that explore mysterious and melancholic sides of Progressive House.
Label's mission is to connect raw emotion and sophisticated sound design, leading listeners to the deeper states of electronic music.

Keep Hobin Rude at the edge of your thoughts, for to overlook him would be to miss the haunting allure of his unfolding mystery.

How Rude can you be?

Biophilic, love all animals, electronic music passionate, truth seeker., psychonaut, Sound Is the real medicine...