Animalada de track, lo pasó Digweed en el Metro y se vino abajo todo, una bomba.

this is the best track i ahve heard this year - sounds like the intro  to Taxi Driver

What a tune. I'm definitely playing this in my next podcast..🙌

Saif Ullah's  PL Electronic Tracks

Taken from the album 'Tread', released 22 October on Brainfeeder: https://rossfromfriends.lnk.to/treadSo

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The Daisy

Original Classic

The Way I Feel Tonight

Akabu - Phuture Bound (Âme Remix)

Samum EP

Samum (Echonomist Remix)

Apocalypse EP

Deepest Mind

Fire In My Soul

Fire In My Soul (John Digweed & Nick Muir Remix) [feat. Carn Crua]

https://www.instagram.com/danny_howells78/
https://www.facebook.com/dannyhowellsdj
https://soundcloud.com/user-175274758

Manjumasi
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Nostalgia Del Presente Remixed

Premiere: Polo (AR) - Nostalgia Del Presente (Danny Howells Remix) [Manjumasi]

'Megatron' EP - Stream on Spotify interstellar.ffm.to/megatron-ep 

The eclectic Swedish DJ and producer Jeremy Olander's 4-track EP showcases his signature style with tracks like dark, atmospheric lead single 'Megatron' and 'Holmen'- the debut release under the Insomniac Music Group imprint Interstellar. 

Alongside these, the EP introduces brand new tracks 'Fabric' and 'Gygax’, further solidifying the tastemaker’s position as a prominent figure in melodic house and techno. 

'Megatron' EP - Stream on Spotify interstellar.ffm.to/megatron-ep 

Stay up on all things Jeremy Olander
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Megatron EP

Stream on Spotify 🎧

Jeremy Olander - Megatron [INTERSTELLAR]

Infinity

Infinity (Original Mix)

Well holy hell Andre it's mushroom-spaceship bananza or maybe it's just a banana OOORRR MAYBE a bandana! :) enjoy crew!
Hahah I might of taken it too far with the spaceship scene but I just couldn't get enough :)

(●'◡'●)
Stream / download / buy ➜
(❁´◡`❁)
https://music.apple.com/us/artist/grass-patch-bum/1596136340
☆*: .｡. o(≧▽≦)o .｡.:*☆
https://soundcloud.com/grasspatchbum
ᓚᘏᗢ


The Story ➜
The first time the stars breathed, Kiera thought the station’s windows were fogging from the inside. A ribbed pattern shimmered over the night—fine, parallel lines radiating outward, folding and unfolding like the underside of some celestial creature. Then the pattern vanished and the sky returned to the ordinary cold scattering of points.

Kiera held still, counting. Three seconds. Five. Eight.

The pattern returned, faint but certain: silver lamellae sliding across the constellations, as if the dark itself wore gills.

She killed the cabin lights of the Kite of Radials and let her eyes adjust. The ship—a grafted thing of bone-white ribs and black ceramic tissue—hung docked on Harbor Nine like a seed caught in a spiderweb. In the dim, the cockpit felt more grown than built: vein trails in the console resin, organ-glass curled around the navigation core, the slow pulse of the hull’s self-healing membranes.

“Show me the sky raw,” she said.

The glass peeled back its filters. Deep field flooded in, along with the faint photonic noise the station usually scrubbed. There—again—the slow, tidal sweep of lines, not atmosphere, not lensing, not a glitch. It was a rhythm. A breath.

Kiera’s left hand eased toward the lamina compass she wore on a cord around her throat. It was an old, illegal thing: a coin of frost-glass with a thin gold filament threading inside it like a living maze. At first breath the filament trembled; at the second it traced a curve to starboard. By the third, it formed an arc that settled toward a patch of nothing near the Mirror Belt.

“Coordinates,” she whispered, and the Kite woke by degrees—panels unfurling, thrusters whispering, marrow engines tasting vacuum.

Three months earlier, a courier had handed her a cloth-wrapped bundle with no name. Inside: the lamina compass and a single line of handwriting, shaped like a sigh.

Find where the stars learn to breathe.

Kiera had laughed then, because she had spent years mapping lies dressed as mysteries. Contracts with extraction fleets taught her that most wonders hid pipes and price tags. But now, with the compass thrumming and the windows showing parallel ridges slipping over starfields, the old skepticism felt thin and brittle. This wasn’t a trick. The sky had gills.

She undocked without asking permission. Harbor Nine came from a culture that never said no if you didn’t ask first, and Kiera had long since learned to protect that balance.

The Kite drifted, then glided, then became a line spreading away from the station into the black.

Continues on the website.


ಥ_ಥ
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Gills in the Stars | Psychedelic Music Video @ YouTube

Returning to the label are Goa-based Whosane! and Essio with a collaborative four-track EP called Madness and Sanity, showcasing their unique and playful style.

Artwork: Špela Fridau
Mastering: Tim Schultz

Madness & Sanity EP

Listen (Original Mix)

[SNIPPET]_Whosane!_,_Essio_-_Listen_(_Original_Mix_)

RasadRashi - Narco Ritmo

Dousk - Pa dida

Buy/Stream: https://anjunadeep.lnk.to/TMGJRso
Release Date: 8th September 2017

Way Out West a.k.a. Nick Warren and Jody Wisternoff made a stellar return this summer with their new studio album ‘Tuesday Maybe’. The title track was released as a single in early 2016, remixed by I:Cube and supported by John Digweed, Maceo Plex and Âme, and now Israeli maestro Guy J works his magic on a brand new remix.

Layering the atmospheric original melodies over a driving low-end groove, Guy adds his trademark progressive touch to proceedings whilst ramping up the drama in an epic breakdown.

Way Out West - Tuesday Maybe (Guy J Remix)

Newest signing to Sasha’s Last Night On Earth label, Henry Saiz, readies his ‘Appreciation’ EP. Two tracks that traverse the intricacies of melodic writing through explorative synthesis and delightful minimalism.

Henry leads with ‘Iridiscent’. The monumental voyage begins with steady kicks and splashy, rolling tambourines providing the backbeat for an ominous synth exploration. The crisp leads contrast pounding toms in the breakdowns and develop through with slowly changing timbres. Fusing in uplifting harmonies to the complex web of interlocking synth lines, the genius of Henry’s writing comes from the amalgamation of different rhythmic patterns throughout this anthemic composition.

‘Voice of A Gentle Breeze’ follows, where modular synth grooves meet eastern influenced improvisational leads. Bright, fluffy drums steer the course while warm, trancey chord progressions bring the emotion. Trippy vocal lines drift atop, barely distinguishable and bring a haunting sense of melody and semantics with no needed lyrics, a genius touch to this delicate piece of music.

Voice of a Gentle Breeze

Dawn Nostalgia

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Premiere: Polo (AR) - Nostalgia Del Presente (Danny Howells Remix) [Manjumasi]

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Graeme Warner

pato

MOE BAKIER aka MOEZ-ART

Lateral Cut Groove

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