Is it Bansuri, what a wonderful flute poem 

ich setz mich dazu, offen und berührt, zauberhafte Nacht

so good! all sooo good in this playlist of seven wonderful soundcloud classics :)

Didgeridoo

Thank you as always for your listening time and thoughts - it drives us all.  And this most incredible of valleys is in the Lauterbrunnen Valley in Switzerland - taken from Wengen.   

jamie

The Awakening

Friday noodling with sound studio and friends

3.10.2025
Image: AI fake

Space

Nostromo

lumină interioară

Traces

空から地上を透視すれば
街路も村道も鉄道も産業道路も生活道路も
白墨で描いたような無数の薄白い軌道が重なり
切り刻まれ、ささくれだっている
仕事、買い物、旅行、配達、徘徊、逃走、探索、追跡
人と動物と物が動きまわった痕跡は消えることがないが
わたしの足跡と自転車の車輪が描く軌道を見分けることはできない

Seeing through the ground from the sky.
Streets, village roads, railways, industrial roads, and community roads are all full of traces like pale tracks drawn with chalk.
The ground is like a wall with doodles.
Work, shopping, traveling, deliveries, wandering, escaping, searching, or being tracked.
Traces of moving about of humans, animals, and objects never disappear.
I cannot find my footsteps and ruts of my bike from traces interwining each other on the ground.


Traces

- incantation to whiteness " Part 2 "

Sunshine filtered through the interstices of the arching trees

Bass & Keyboard , Picture : Josef Sudek " ≃ 1924  ( it robbed them of words )

p e r i p h e r y ❇️

An invocation for late October

(ya don't get this sort of thing doin' AI shit....it comes from the soul)

_______________________________________________________________________

Invocation of the Darkness

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision bass and Gibson SG electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals
J.J. Terrell– @j-j-terrell – organ and piano
Mistermark-- @user-432503709 -- Mark –- harmonica, VST sax, VST strings
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar

This cover of the CCR version of this Screaming Jay Hawkins classic began as an idea Josh had for Eclectic Collective putting on a musical Halloween costume. He was inspired by his favorite band, Phish, who cover an entire album every Halloween as a musical costume. Although, which song we covered was up for debate from the start. 
  Once we decided on a song, Josh laid down the skeleton for it on his '71 SG. Once we had a framework to work with, Ken laid down his rocking drums, followed by Josh completing the rhythm section by adding his trusty P-bass. Even though the song was now in its infancy, Carl summoned all his Halloween spirit for his dynamic vocal performance.  
  Now that it was sounding like a real song, JJ dropped both the key piano part, as well as his expressive organ in there, too. Mark wasn't far behind, adding his magic via some bluesy harmonica, the sax in the solo section, and strings near the end. Stephen came through with the spooky tremolo guitar and the fiery first half of the guitar solo in the solo section right after. And to put the cherry on the musical sundae, Tez brought the lightning down for the second half of the guitar solo, as well as the solo work that leads the whole way to the end.
  We all enjoyed bringing this classic song back to life, and doing it in the spirit of what may be the most fun holiday on the calendar. We hope you enjoy listening to it as much as we enjoyed creating it. Happy Halloween!


I Put a Spell on You (Eclectic Collective)

“Ignition” is one of the most energetic tracks from my debut EP Observation Rituals. It’s built around a steady rhythm and a melody that keeps evolving, giving the feeling of taking off and gaining speed. I wanted it to sound like movement and lift, with layers of synths that slowly come together into something bright and alive.

Ignition

Hesychia

Only doing what feels right

Two good friends sitting around a fire somewhere in the nature. spontaneously they begin to play their instruments ...
Flute by Pedro @eco-rem
Didge by me 

Long Way - (Eco Rem & Pro.Tone)

Made with joy, respect to Djalu Gurruwiwi ... I discover your instrument more and more and feel privileged to play it
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Djalu Gurruwiwi is a senior member of the Galpu clan and an internationally reknown didgeridoo maker and player. His status as a yidaki (didgeridoo) master craftsman has grown to Herculean proportions over recent years with one leading Australian newspaper proclaiming his as Arnhem Land’s latest international cult figure.
Djalu’s expertise in the way of the didgeridoo is an extension of the role handed down to him by his now deceased father, Monyu, a noted Yolngu leader in his time. Monyu instilled in his son the importance of culture and gave Djalu the responsibility of looking after the didgeridoo for the Galpu clan. This duty is all the more important when considering the fact that many clan groups throughout Arnhem Land look to the Galpu as one of the primary custodians of the instrument. And linked to the didgeridoo are many aspects of knowledge and cultural practice that are sacred, their hidden secrets religiously guarded by those in authority.

Djalu Djalu

Sunday 37

The Didgeridoo i play is from a son of David Blanasi, the first indigenous Australian who traveled 1967 to England and played there his Didgeridoo. David Blanasi went missing in August, 2001, reportedly after going out to search for wood to be used in instrument making. Newspaper coverage brought the situation into the public eye, and his disappearance generated widespread speculation and a number of rumors regarding "magical" occurrences. No trace of Blanasi has been found since 2001, but a number of spiritualists have claimed to be "in touch" with him. Although his body was never found, his family eventually held a funeral ceremony for him.

A journey (Blanasi)

Recording sample of a didgeridoo which was calculated, designed and built by Frank Geipel -> https://www.didgeridoo-physik.de
Read the whole story here: https://www.didgeridoo-physik.de/news-archiv/2019/

Peacemaker (sample for Frank)

Recording of a impro-session with a Mikme portable Microphone. Matthias and I play together, under the name ResoTone, and make improvisation concerts, mostly in Klangkeller Bern, where we both are also in the comittee. www.klangkeller.ch

ResoTone - FlugelDidge

proud member of WPT!

genre-less sound research
...
with a touch of humor...

pure electronic based tracks i will post 
on @protonetwo

Long Way - (Eco Rem & Pro.Tone)

Pro.Tone

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