"Modern avant-garde for the new millennium." AMG REVIEW: 13 by Earnest Woodall is a true character. He creates outrageous atmospheres from eclectic sound sources. 13 by Ernest Woodall is a collection of 13 compositions, each of which deals with or recognizes a different superstition. The pieces have just enough dissonance and just enough melody for balance. This is modern avant-garde for the new millennium. It will appeal to fans of Terry Riley, Pauline Oliveros, and Dmitri Shostakovich. - All Music Guide - Review by Jim Brenholts﻿
 
My music is influenced by - Terry Riley, Pauline Oliveros, Dmitri Shostakovich, Radiohead, Björk, Mogwai, Muse, Alt-J, Animal Collective, Coldplay, Oasis, Sigur Rós, The Flaming Lips, Flying Lotus, Nine Inch Nails, Pink Floyd, Kronos Quartet, Kate Bush, Brian Eno, Arcade Fire, Coldplay, Bill Frisell, Thom Yorke, LaMonte Young, Steve Reich, Terry Riley, John Adams, Jon Hassell, Meredith Monk, Harold Budd, John Cale, Elmer Bernstein, Alla Rakha, John Cage, Bang on a can, Aaron Copland, Scott Johnson, Erik Satie, Mike Oldfield, Karlheinz Stockhausen, Stereolab, Laurie Anderson, Philip Glass, Arvo Pärt, Deep Listening Band, George Crumb, Pierre Boulez, Iannis Xenakis, Jon Hassell, Kronos Quartet, Jack Quartet, Arditti Quartet, Ethel, Turtle Island String Quartet, Zapp String Quartet, eighth blackbird, London Sinfonietta, Ahn Trio, Arthur Russell, Lee Hyla, Lois V. Vierk, Michael Nyman, David Watson, Alarm Will Sound, Louis Andriessen, Tan Dun, Tom Waits

Dharma Bums

Everything recorded by myself including instruments and voice. Hope you enjoy.

Why Does It Feel So Bad

Chill music with a groovy sound in the background and electric guitar.
Chillige Musik mit groovigem Sound im Hintergrund und dazu E-Gitarre.

Chillout Guitar

The Millimetre Forest

#los_caDAveres

menuju

Atmosphere Remastered (Unloved)

No way to stand - Ngoni sketch

Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

Lyrics:

I must have some weight
I must have some wind
To hold me down

Waving from Purgatory
The content of my soul
Let me go

I heard you had grief 
I heard you had relief
Let me carry it home

Nothing defeats a happy home
Nothing defeats me all alone

Waving from Purgatory
The content of my soul
Let me go

I must have the moon
I must have the sun
To hold me down

Nothing defeats a happy home
Nothing defeats me all alone
I hear you had relief
Let me carry it home
March 17, 2025


Waving From Purgatory

Clover is a set of explorations that combine polyrhythms with manual timbre manipulation.

Video: 
https://vimeo.com/1145371336

Tracks:
https://soundcloud.com/knut-graf/clover-a (current)
https://soundcloud.com/knut-graf/clover-b
https://soundcloud.com/knut-graf/clover-c
https://soundcloud.com/knut-graf/clover-d

Patch notes:

Pulsar generates 4 lanes (blue, purple, green, red) of looping pulses, which are changed slightly during the recording. Lane 1 moves the Klee sequencer forward. 

Klee provides a loop of pitches, and a second loop of modulation values. The pitch signal is quantized and distributed to the voices.

Blue voice is the main voice, consisting of a square wave with PWM from Doepfer Miniature Synthesizer Voice, mixed with a square from Jupiter Storm oscillator. Voice 1 is modulated in a variety of ways: envelope speed by the modulation loop on Klee, filter cutoff (FM1) by LFO, PWM rate by sine from Mino oscillator.

Purple voice is a bass from STO oscillator through a low pass gate (Meng Qi DPLPG, with an envelope from Delptronics Module One. "Shape" modifier of STO Is modulated by LFO.
Green voice is a high "blip", a saw from Mino oscillator through the other channel of DPLPG.
Red voice is a hi hat-like pulse generated by pinging the AI Synthesis OTA filter (plus some digital shaping.)
Doepfer VC Slew Processor / Generator serves as LFO.
Playing the patch involves adjusting the patterns on Pulsar, the pitch sequence on Klee, parameters on blue voice and purple voice, and playing the LFO to as it feeds into the blue voice filter.
The voices are recorded in Loopy Pro on iPad, where a little reverb, delay and compression is added, along with granular atmosphere from Bram Bos / Hainbach Fluss plug-in. Blue voice receives sidechain compression from purple voice.
The name of the track, Clover, is the English translation of German "Klee", the name of the sequencer used.

Clover A

A quietly epic, all-acoustic instrumental in 7/4, built around some simple melodic ideas voiced across ukuleles, acoustic guitars, and acoustic bass—exploring phrasing, articulation, and rhythmic displacement rather than repetition.

Fingerpicked and slide guitar lines intertwine with a grounded bass pulse and muted, organic percussion, creating a sense of forward motion that feels both playful and stubborn, light yet quietly profound.

The piece leans toward acoustic post-rock and organic prog, with cinematic, travel-adventure overtones and a strong melodic focus.

Instruments played:

Kala ukulele
Martin acoustic guitar
L’arrivée acoustic bass
Assorted percussion (including hitting my Spanish guitar w/mallets , doumbek and pezuñas)

Composed and performed by Daniel Diaz, December 2025

Inspired by the haiku:
A quiet cabin;
hunting milkcaps, I was soon
lost among the pines
— Kagami Shikō

@naviar-records

Lost Among The Pines (naviarhaiku624)

proud member of WPT!

genre-less sound research
...
with a touch of humor...

pure electronic based tracks i will post 
on @protonetwo

No way to stand - Ngoni sketch

Pro.Tone

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Plume Blanche

henry koek

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