Related tracks: Dance On Mars

■概要(Overview)
熱すぎて溶けてしまうくらいの情熱を持てたらいいね。
PrivateからPublicへ熱心に大名行列する。
I wish I could be so passionate that I would melt.
An enthusiastic procession of feudal lords from private to public.

■video
https://youtu.be/pdM0huA1zaE
※あまり動かないですわ

「溶けるくらいに」Let's get passionate

溶けてしまうくらいに
打ち込めるものがあれば
それだけでいいわ

十二時を過ぎたころに
アタマにあふれる「I hate you.」
傷つけあうのはもうやめて
心を解放したならば今

幾重にも重なる
合わせ鏡の迷路
本物は自分だけ
燃えるように　溶けてる


好きなものをいくつか
そばに置いておけたなら
それだけでいいわ

人づての言葉信じ
正義の仮面で「I hate you.」
傷つけあうのはもうやめて
好きなものだけそばに置いていて

幾重にも重なる
合わせ鏡の迷路
映し出されたものは
燃えているか　溶けているか

■Lyrics
If there is something I can devote myself to so much that it melts, that's enough.

After midnight, the words "I hate you" flood my head.
Stop hurting each other. If you free your heart, now.

Labyrinth of mirrors overlapping one after another. The only real thing is yourself.
Melting like it's burning.

If I could just keep a few of the things I like close by, that's enough.

People who believe the words of others who don't know the truth and say "I hate you" under the mask of justice.
Stop hurting each other. Keep only the things you like close by.

Labyrinth of mirrors overlapping one after another. Is the reflected thing burning or melting?

Ignite your passion(溶けるくらいに)

SEE By Zitou Itou + Hansohioma + Wildsilences

"The Quilcom Trout synthesiser is a tribute to the Trautonium in its many incarnations and versions", Quote Rex Baxterfield, who created this free vst. The Trautonium is the first Synth from 1930, well known from A. Hitchcock's The Birds. Well, I used Trout 5 times in this track + drum and bass vst + flute ! ....  Famous are compositions for Trautonium from Paul Hindemith, German Composer, who accompanied the development of the Trautonium as a university teacher and was a kind of "Bürgerschreck" (musical bogey) at that time, because of his "modernity" ... :-)

Eclectic // 5 x Trout

Dubiousity Of Love

Tendering my confession in advance to the writer's besetting sin of oversimplification, I say: synthesizer technique has two main paths. The first -- call it the Moog approach -- sees the instrument as a tool for the creation of new (if you will) organ stops. The other, the Subotnik approach, is concerned with the generation of SOUNDS -- very few if any of which will be at all expressible in the notation which has developed over the past millennium and served us so well. The two approaches are not mutually exclusive, of course: virtually all synthesists draw from both, as their Muse, mood, and machinery may dictate.
As to my title, it goes back to a chance inspiration scrawled on a balloon at the Fillmore in '67. (Cream, Paul Butterfield, and Charlie Musselwhite, "Three bands for three bucks," eat your hearts out, endebted-out-the-whazoo youngsters!) It was a time and place where the most extraordinary things were said -- and more than might have been hoped or feared were even done -- but this wasn't one of them. But like the good man who can't be kept down (or the bad penny that keeps coming back) here it is in our present day. Lacking the euphony and heartstring-tugging of the Twelfth of Never, perhaps, but equally from that realm of the definitionally impossible, even for this age determined in so many ways to make 2+2=5.
To the technical side: all synth parts from my Roland SH-32. Rhythm (and Reality-grounding) comes from my African drums, assisted by real-world cymbals and the Yamaha DTXtreme.

the 32nd of February

*** A Foundational Song ***

We can make our dreams reality 
inasmuch as we make reality our dream. 
Let's first find truth, then build on it. 
Whatever we build on the  rock of truth will  stay. 
Whatever  we build  on the sand of  lies will crumble.
That's simple enough. 
And yet there is more to it.

I remember grandma, she used to  tell me:
"Don't you lean your  head out of the window
so you won't fall down to the street and die, 
as many other children died. 
Remember: Your head is heavier,
so much heavier than your body!"

I could tell this was a clear exaggeration.
But I'm glad I never challenged the wisdom
of those loving lies, intended to keep me alive.
There's no need to rush our happy way to heaven
proudly waving the standard of truth
while falling down to the merciless ground.
Words will always be approximations.

But love and kindness will cast out sorrows, 
will bring forth dreams, astounding  science, 
speeches and poems quoted by angels
throughout eternity. 
Remember:  Love and kindness is the only road to eternity.

Foundational Song

The live album is finally here and we have TONS of bonus studio tracks!! WEeeee! Buy the album now on Bandcamp! https://malldad.bandcamp.com/album/all-2gether-far-apart

Gas Station Creeps NOSTALGIA REMIX

This song was originally released 5 years ago...current world events allow for a re-release. Thanks for listening.

Rudi played Keyboards, Drums, Percussion
Music: some decibel
Lyrics: some decibel
Vocals: Rudi

No Doubt About

Enregistrement, composition, mixage et mastering : Audio Colors
Paroles et Chant : Chris A.


J'ai vu en toi mon amour, l'amour de ma vie
Soudain il m'a bien surpris, l'amour de ma vie

En quoi j'ai pu croire en ce thème, éblouissant phénomène

J'ai vu en toi mon amour, l'amour de ma vie
Soudain il m'a tout appris, l'amour de ma vie

Plus aucun doute ne me freine, j’avance enfin sans peine

J'ai vu en toi mon amour, l'amour de ma vie. 
Enfin je suis son cours, l'amour de ma vie

Reflet de Confiance (Musique originale : Audio Colors)

Dance On Mars

сенке у тами

Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, claps, shakers, vocals, and lyrics
TexMex Shaman– @texmex-shaman –Stephen– Gibson Custom Shop Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass
This song started as a guitar composition Tez came up with while on holiday recently. He wrote it with the Eclectic Collective in mind, inspired by ZZ Top, and shared it with the rest of us as soon as he was able to return home and record it. 
  Stephen was first to the trough with this one, adding his thrilling guitar fills and solo. Being from Texas, too, he's no stranger to Biily Gibbons. Mark came next with some synth, and later added some claps and shaker. Ken put his rocking drums in after Mark, laying the groundwork for the groove. Josh completed the rhythm section with his bass soon after, though. Mark decided early on that he was going to add some vocals to this, and Stephen had to adjust his part to suit them. We're all really happy with not only Mark's lyrics, but especially his vocal performance, as well. Eclectic Collective now has a go to member of the band who know's what he's doing with his voice. 
  Once it was in the can, Tez decided to mix it, as it was his song to begin with. He did his always expert job with the task, too. 
  This is an example of Eclectic Collective getting down and dirty for a rocker that has the flavor of all of us firing on all cylinders. Special attention to both Tez and Mark for their inspiring generosity and hard work in conceptualizing this one, too. We all hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by mistermark:

I got the top down, driving around
Burnin’ down the road, no prisoners
Everybody knows that I’m on the run  
I’m gettin’ outta here do or die 
Black Jack paddy whack listen to me 
ain’t giving no dog no bone
What’s mine is mine and what’s thine is thine
But if you want me just pick up the phone 
If you need my number I’m # 1
Mama raised me alone ‘cause I’m a son of a gun
Now I’m paying my dues but I’m almost done
So if you want a piece of me
Come and get me
Come and get me
Well, hey baby baby now what you say
You hitch a ride with me I’ll take you all the way 
she said hey there baby just step on the gas 
I got places to go I wanna get there fast
Well somewhere at around mile 103
I heard a rattling sound I had to check and see
We stopped right there on the side of the road 
Then what happened next it made my mind explode
The girl started laughing as she locked the door 
She put the pedal to the metal couldn’t push it no more 
Way off in the distance half a mile away 
My baby called out to me as I heard her say…
Come and get me
Come and get me
My feet got draggin’ in the desert sand
But as she waved goodbye something fell from her hand
I picked up the paper it was plain to see 
My baby wrote down her number and she left it for me
I been ‘buked & scorned I been thrown some shade 
I wanted revenge cause I gotsta get paid
I called her up but I just got the machine 
And wattaya think that the message said…

Come and get me

Come and Get Me - The Eclectic Collective

još jedna boca na polici(demo)

On April 15, the last remaining hospital in Gaza was destroyed. To date, 50,000 civilians have died, of which 15,000 are children and another 34,000 children have been injured. (source: Unicef).
Due to the almost total displacement of the population in refugee camps where food and water are scarce, the lack of hygiene, of medical facilities, it is predicted, with a very conservative estimate, that in the end the civilian deaths related to the conflict will be four times as many (source: Lancet).

Thanks to my dear friend @Rosindust at violin.
Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

Who cares - with Rosin dust

Another 'getting away from it all' experimental trip. 

Beyond The Spiral Arm

Fantasy of the Trip: Dreamlike and surreal — this one’s for the imagination. Float through shimmering tones and soft echoes that feel like a lucid dream.

432HZ RELAX 3

FANTASY OF THE TRIP

Steven Francis, pro keyboard player. 
 From age 9, I played small keyboards and by ear.
and no training, a 1 in 10,000 rare perfect pitch
and play in 432Hz for the warmer, smoother sound.
MY MUSIC IS EXCLUSIVE. 
but I do
sell online

CD ALBUMS AND VINYL AVAILABLE 
WORLDWIDE POST

https://elasticstage.com/djstevefrancis

MY 2 FANS' MECH ONLINE SHOPS

https://djstevefrancisfanshop.dizzyjam.com/
and 
https://streamlabs.com/djstevefrancis1/merch

my LINKS 

STEVEN FRANCIS

još jedna boca na polici(demo)

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