Prototype One - This Town (Preview)

Prototype One - Be My Slave (Preview)

Prototype One - Don't Even Know Your Name (Preview)

Prototype One - Do What's Right (Preview)

A table by the sea and the condensation water of some bottles have left their mark. I like that. 

I interpreted the score as follows:

1. first, I see grains of sand on a surface. The grains suggest - simply put - a granular treatment of a pad or surface. 
2. the circles reminded me of the loop representation of the loopy app. So I recorded four loops. Wherever two "grooves" were visible, I played two notes, otherwise, I used just one; the fatter a groove, the greater the amplitude. I used Bardzo, Pigments, and SQ80-V. 
3. I ignored the fifth circle discreetly because it didn't fit into the piece anymore. Shame on me. 

First, the "table" (drone) starts, then the bottles (loops) are introduced with one time each. Once all four have played twice, they are removed again, until the piece ends. 

_______________________________________________________________

Disquiet Junto Project 0557: Condensation Is a Form of Change
The Assignment: Interpret a graphic score that depicts four phases.

A combined play on a Brian Eno phrase and a John Cage visual motif is pretty much foundational Disquiet Junto territory. This week, interpret this image as a graphic score:

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0557” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0557” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, September 5, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 1, 2022.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0557” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 557th weekly Disquiet Junto project — Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) — at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Four on a Beach  [disquiet0557]

헬마우스코너31:법원을 무시한 윤석열 정부 강제징용 배상 판례에 대한 왜곡된 해석 정리(3/3)

-석동현의 거짓말 분석
-국제법과 일괄타결협정이라는 거짓말
-샌프란시스코 조약과 한일청구권협정의 차이
-독일 대 이탈리아의 주권 면제 사건
-케냐의 마우마우 기념동상
-벨기에 국왕의 대 콩고 사과
-브룬디 의회의 배상금 요구
-독일에 사과를 요청한 나미비아
-탄자니아의 배상안
-폴란드와 그리스의 배상금 요구
-‘악쓰는’을 뺀 석동현
-천박한 관광객 타령

뉴스 아카이브:대통령직 인수위 출범(2022), 서울교통공사 내부 문건 논란(2022)

XSFM

496c. 헬마우스 코너:수정주의 대잔치

기본교양 수퍼히어로의 잉해-스판덱스 영웅전(24):가디언즈 오브 갤럭시와 스페이스오페라(上)

-제임스 건의 마지막 마블작
-가디언즈 오브 갤럭시(1969):영화판에 등장하는 주인공들, 스탠 리의 후계자 로이 토마스, 공산진영에 지배받는 가상세계의 게릴라들, 밴스 아스트로의 알파센타우리 천년여행, 욘두와 원주민서사, 레드컴플렉스의 문제
-스타-로드(1976):액션로드무비 주인공, 가계의 사연
-로켓 라쿤(1976):Beatles의 ‘Rocky Raccoon(1968)’과 로켓 라쿤의 배경이야기, 스타로드의 오른팔
-그루트(1960):통역오류 활용, 가장 오래된 캐릭터, 공포물의 괴수
-가모라(1975):타노스를 만든 짐 스탈린, 빌런에 종속된 히어로들, 타노스의 딸에 대한 스탈린의 후회, 원작에서 가져다 쓰기 어려운 서사, 2019년에 바뀐 가모라와 타노스의 관계
-드랙스(1973):원래는 환생한 지구인, 환생과 드랙스, 지능에 문제가 있는 헐크, 영화버전의 재해석
-네뷸라(1985):타노스에게서 인피니티 건틀렛을 빼앗다, 가모라와의 관계설정
-애덤 워락(1967,1972):모자란 수퍼맨, 로이 토마스의 지저스 크라이스트 수퍼스타, Universal Church of Truth와의 관계, 유럽이 가진 이슬람에 대한 오해, 우주의 현자
-맨티스(1973):드래곤레이디 스테레오타입, 오렌 이시이와 맨티스, 우주의 성모, 베트남에 대한 서양의 편견
-크래글린, 코스모, 파일라 간단 소개
-69년판과 08년판의 차이
-왜 스페이스오페라는 쉽게 폄훼될까

510c. 스판덱스 영웅전:가디언즈 오브 갤럭시 /홍성갑

Leaving the nest

Standing Without You in the Rain

Debut album 'Home' available now. 
http://hyperfollow.com/prototypeone

Prototype One - Do What's Right (Preview)

Prototype One

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