Because of Jesus, we can be saved in a world that is lost.

Since first breaking onto the alt-pop scene in 2007, Owl City has built a global following on the strength of his heart-on-sleeve songwriting and endlessly inventive sound. Along with earning a monumental hit with the diamond-certified “Fireflies”—a 2009 release that reached No. 1 in 26 countries—the Minnesota-bred artist otherwise known as Adam Young has made waves with smash singles like the double-platinum “Good Time” feat. Carly Rae Jepsen and brought his exuberant live set to sold-out shows around the world. With total album sales of over three million and single sales surpassing 20 million globally, Owl City has now delivered the highly anticipated new album Coco Moon: a wildly imaginative body of work revealing his deepened devotion to the strange magic of creativity.

To understand what makes Rend Collective so unique and special among worship artists, you have to go back—way back. Some 1500 years ago, the Irish missionary St. Brendan sailed from the Irish coast without maps or any clue where he was headed. “The only thing he knew was that God had called him,” says bandleader and drummer Gareth Gilkeson. And so Brendan chose to “go”: a bold act of faith that not only echoes the album title As Family We Go, but also speaks volumes about the songs.

It also tells you a lot about Rend Collective, a Northern Irish band that has ventured from its native land at the beckoning of an invisible hand. And they’re doing it differently than most other artists before them, living and working—singing and sharing the laundry duties—as a tight-knit family. It’s just the foundation to foster faith and community through music, and forms the heart and strength behind their latest effort.

And my, how this musical family has grown. This young, freewheeling band has seen so much recent success: from opening for the likes of Chris Tomlin, Matt Redman and Kari Jobe, to landing Christian radio hits such as the revival hymn, “Build Your Kingdom Here.”

The next logical step, then, was to hunker down in their private studio and work at a brisk, breathtaking pace—cutting the eleven tracks on As Family We Go in two weeks. As Gilkeson puts it: “There wasn’t much time for sleep—just going for it.”

In this case, sleep deprivation yielded divine inspiration. Then again, how many bands brave a family pilgrimage the way Rend Collective does? Or proudly present themselves as examples of a self-styled genre, “celebration music”?

Though that describes the sound on the new disc—a joyful mélange of foot-stomping acoustic grooves and full-on pop pockets worthy of U2—it only hints at the spiritual thread that pulls everything together.

“We want to make music that is journey music,” says singer Chris Llewellyn. “We notice that sometimes music is seen as the end goal, that a worship encounter is having a music experience. But that’s not really it; it should be the soundtrack to mission: community living, the soundtrack to a meaningful worship experience.”

No tengo nada que ver con Owl City ni con Adam Young, sólo soy un seguidor de su música... Visita su blog oficial: http://www.ayoungblog.com/

Persona (Extended) album out now 𖠂𖠂

2 brothers who make instrumental post-rock music.

Sammi Ward is following