Bookings: toon@e314.agency & 
tim@outlined-am.com

been gone a long time. Back for a bit now.

With more than 30 years working in the electronic music scene, Tato Piatti has a background that stands out among the Djs of the Argentina. Since he arrived from Misiones and settled in Buenos Aires in 2000, he conquered the Djs booths of the main clubs and discos of the country.

During several seasons he was resident of "the main floor" in the mystical PACHA, BUENOS AIRES, CLUB 69 Y KIKA. He made numerous presentations at festivals such as CREAMFIELDS, SOUTH AMERICAN MUSIC CONFERENCE (SAMC), PERSONAL FEST, ONEDOTZERO, and the recognized PLANETA ATLANTIDA in Brazil.

Together with Mariano Trocca, he founded ARJAUS, a music academy in Argentina certified by Ableton (Germany).
His extensive career led him sharing the stage with Richie Hawtin, Josh Wink, Booka Shade, Dj Hell, Lee Burridge, Adam Beyer, Darren Emerson, Oxia, Vince Watson, Stephan Bodzin, Christian Smith. Also with the outstandings Technasia, Marc Houle, Gaiser, Someone Else, Heartthrob, Mr. C, Justin Robertson, Stefano Noferini, Gui Boratto, Bill Patrick, Eddie Richards, John Selway, Troy Pierce, Magda, Dj Koze, Dj T, Angel Molina, Marco Carola, Paco Osuna, Kasell, Guy Gerber, Ray Okpara, Martin Eyerer, Bruno Pronsato, among other international world-class references.

Nowadays he is the artistic director of DER TANZ, a referring club for the electronic music in Misiones.

BIO ESPAÑOL


Con más de 30 años trabajando en la escena de la música electrónica, TATO PIATTI posee un background que lo destaca entre los Djs de Argentina. Conquistó las cabinas de los principales clubs de Argentina y Sudamérica a partir de que llegó desde Misiones y se asentó en Buenos Aires en el año 2000. 

Durante varias temporadas fue residente del main floor en el mítico PACHÁ Bs.As. CLUB 69 y KIKA. Realizó numerosas presentaciones en festivales como CREAMFIELDS, SOUTH AMERICAN MUSIC CONFERENCE (SAMC), PERSONAL FEST y el reconocido PLANETA ATLANTIDA en Brasil. 

Junto a Mariano Trocca fundó ARJAUS, academia de música en Argentina certificada por Ableton (Alemania). 

Su nutrida carrera artística lo llevó a compartir escenario con Richie Hawtin, Josh Wink, Booka Shade, Dj Hell, Lee Burridge, Adam Beyer, Darren Emerson, Oxia, Vince Watson, Stephan Bodzin, Christian Smith. También junto a los destacados Technasia, Marc Houle, Gaiser, Someone Else, Heartthrob, Mr. C, Justin Robertson, Stefano Noferini, Gui Boratto, Bill Patrick, Eddie Richards, John Selway, Troy Pierce, Magda, Dj Koze, Dj T, Angel Molina, Marco Carola, Paco Osuna, Kasell, Guy Gerber, Ray Okpara, Martin Eyerer, Bruno Pronsato, entre otros referentes de primer nivel internacional. 

En la actualidad es director artístico de DER TANZ, club referente de música electrónica en Misiones, como así también de HAT SWING Ltd, sello discográfico de ediciones en vinilos, distribuidos en Europa por Future Vinyl.

Having been born in Buenos Aires, Laura Seh  grew up listening to bands like Depeche Mode, and some years later she began to be interested in the electronic sound. 2005 was an important year in her career. She decides to begin to play and begins to learn to play music in Sonica (Important electronic music school from Argentina) With some teachers like Romayn and Hernan Paredes she learned to mix music and how to use effects in live performances, as well as to choose music for her gigs. Under the influence of artists like Hernan Cattaneo, Sasha, John Digweed and others she decided to create her own style, varying between House and Progressive House with Tech sounds. Starting to play in private parties organized by friends and some places like JACKOS CLUB, FRERE and others in Buenos Aires,  in 2006 with her second mixture, Laura Seh obtained a place among the best 30 new djs of Argentina in the competition DJ MIX 2006 of the association of djs and illuminators of Argentina www.adisc.org, participating in the semifinals. In 2007 she was present in SAMC (South American Music Conference) with ON MUSIK Record Shop and Sónica School of Electronic Music, and started her residence in KSK RADIO FM 101.9 (www.kskradio.com). She was also invited to several local and International radios like DLA (www.dancelatinoamerica.com), BEATBOX (www.beatbox.fm), FM Beat (www.fmbeat.com), FRISKY (www.friskyradio.com) and KISS FM 100.6 (Greece) catching the attention of the public. But that was not all, and following her career she decided to begin producing their own tracks with tools such as Reason and Ableton Live, and in November was invited by MINT to play in the warmup with Billie Ray Martin at the anniversary celebration. Trying to make something different, the blond girl started the year 2008 with a new project with her friend Dj RoMix, who she had met the year before. 2007 found them as partners on KSK Radio, each of them having their own show at the station. During that year it was Laura who opened the prime time of the feminine day of this famous radio station from Buenos Aires with her show Girls Just Wanna have fun. Just after Laura Seh..s show, was RoMix with Anna Maria X and Onirika who hosted High Gloss Girls in the same station. A great affinity in their musical taste and, at the same time, a big technical difference made them think: “what would happen if we joined in a dj booth?” The answer came quickly as after just one month they released their first dj set as FeMMes on DecKs. They made their official debut at Big One, one of the most important clubs in Buenos Aires, for 1500 people and had an excellent crowd reaction. After that moment, one success came after another, starting the year with multiple offers and invitations: magazines interviews, radio shows like Women on Top at www.danceradio.gr hosted by them and some guests on famous radios such as Frisky Radio and Proton. They also played in different parts of the world and in the most popular clubs, such as Big One, Bahrein, Amerika, Privilege (Buenos Aires), Sobremonte and La Caseta (Mar del Plata), Oxigen, Voodoo, Club Fire (Mendoza), La Boite (Tucumán), Una Club (Porto Alegre, Brazil) and Oceanía (Medellín, Colombia) among others, sharing the stage with well known djs like Jody Wisternoff, Martin Roth, Sultan, Miss Nine, Dale Anderson, Tim Andrensen, Lemon8, Nic Fanciulli, Fragma, Ondrej and many more. Their live performances are special for being a back to back between 2 girls, with different musical styles during the show: from tech house to progressive/techno, adding a great variety of sounds and loops from a Mac with Ableton Live. As if it were not enough, these girls can..t stop adding extra value to their shows and they aren..t just djs but vjs as well. With a second mac they started to make their own visuals offering an extra bonus to the crowd in each of their performances. At present with some releases by Keep On, Bonzai Music and Red Hammer Laura together with RoMix launched a new radio show. With the support of Frisky Radio “High Heeled Geeks” is on the air since June 2009. You may wonder why they call themselves “Geeks”. That is because the word geek is a slang term used to refer to the person fascinated by technology, with a social life irrevocably linked to the internet as well as their free time. Electronic music is in the geek world up today, and every day new devices and software are released for doing weird and awesome things, so in a way, FeMMes On Decks are two geek girls. In continuous evolution and with a female instinct, they use the best of the techno advances in their performances but with a different fashion touch.

Producción y tecnica en @nicetoclub. 
Buenos Aires. AR.

In a basement music-making studio in the south of England sit a bunch of machines. A Moog System 15, a Juno 106, classic Roland TR-808, TB-303 and TR-909s, an Emu SP1200, a Sequential Circuits Prophet 5, Akai MPC, a Mini-Moog… these machines have been some of the foundation hardware for electronic music over the years.

But these machines can’t make music by themselves. Despite all the hype about artificial intelligence (AI) and robots, these machines need somebody to collaborate with — a human — to draw out their soul and funk.

We’ve been fascinated by machine music since the second half of the 20th century, and electronic music has been powered by the ever-developing automation of new technology. “I’ve collected these machines for a long time now, and each one has a story,” says uber-producer Steve Mac, owner of all these machines. “Every time I buy a new one, the rule is that I have to make a track with it.”

The variety of people who drop by to play on these machines are what make the music coming out of this studio so diverse. Whether it’s house music legends like Marshall Jefferson or Danny Rampling swinging by, or cult Trainspotting author Irvine Welsh laying down some vocals on a German/Scottish kosmische disco ditty; a session with dubwise breakbeat rave act Genaside II to making a track with unknown guitar n’ bass whizkid Scott Booth; from working with young house hotshots Cousn from Bristol to some songs with a Brazilian band Steve met in the pub — these machines need humans to collaborate with. They can’t do it themselves.

The above-mentioned Brazilian band member Rafael Berrio provided the impetus for ‘Martina’, a Balearic Brazilian love story that’s the first single from Steve’s new project. It’s backed by a melodic breakbeat piece that also utilises those Brazilian vibes. “I want to make music from the heart,” says Steve. “It’s the interaction of people and machines that I’m really fascinated with.”

Each of these machines is a feat of engineering. Machines like these have created countless classic electronic music cuts, and lately Steve has been adding to that cannon — with a slew of tracks ready to go. The electricity is on. The motor is running. Are you ready for the sound of These Machines?

Nima Gorji (OFFICIAL) 
𝕀𝕓𝕚𝕫𝕒 𝔻𝕛 𝔸𝕨𝕒𝕣𝕕𝕤 𝟚𝟘𝟙𝟘
https://ngtrax.com
For bookings and other inquiries:
𝗟𝗔𝗧𝗔𝗠 𝗕𝗢𝗢𝗞𝗜𝗡𝗚𝗦: FAM Bookings
ggarcia.ferrer@gmail.com
𝗕𝗢𝗢𝗞𝗜𝗡𝗚𝗦: ngtrax.com
home@ngtrax.com

SHORT BIO

Born in Iran and a citizen of Denmark since the early ’80s, Nima Gorji is based in Ibiza from where he continues to influence the international electronic music scene with his distinct style and vision. His career spans more than 30 years, having a beautiful beginning in Copenhagen’s club scene around the time when the modern house and techno music were taking shape, capturing people’s attention more and more. In 1995 he began a residency at the iconic Club, now remembered as one of the most known underground clubs in Copenhagen, where he played alongside numerous renowned DJs, slowly building on his name. His relocation to Spain brought him extended collaborations with Ibiza Underground, Monza, FUSE, Pyramid, Zoo project and Next Wave while in 2010 he was awarded “Best Ibiza Resident DJ”.
In 1999 Nima Gorji founded Welt Recordings alongside partner, followed by NG Trax and Need For Sound alongside his partner, relentlessly following his passion for electronic music by releasing numerous personal works as well as promoting other artists. His rich discography also includes materials published through labels like SCI+TEC, Deeperfect, Fuse London, Bondage Music, Out Of Orbit, Love Letters From Oslo, Indigo Raw, Cocoon Compilation , Murmur, Bla Bla Records, ÉTÉ, BodyParts and Melodeum, while others have been dispatched through Bandcamp

As it would have been written beforehand, Ariel started to gain interest for music since he was 10 years old, when he got his first keyboard. Since that moment, he grew his devotion constantly, learning also to play guitar and percussions. His first musical influences were Dub & Reggae, listening to artists such as Bob Marley, Horace Andy, King Tubby, Mad Professor among many others.

Since year 2000, he got interested in House & Techno music listening to a big variety of records and learning from rising artists who came booming from the London wave like Nathan Coles, Terry Francis and Eddie Richards, and after these ones, legends like Kevin Saunderson, Derrick May, Carl Craig, Robert Hood and Jeff Mills.

Ariel remembers: “There have been countless evenings and nights that i´ve spent listening to music at home mixing and re-mixing all the records I bought or received”
Thanx to the time and effort he had dedicated to it, the first live performances began to show up, gaining his first residence at the beach disco “Pueblo Limite” in Villa Gesell, achieving a very important jump in his career, and from that moment on, he has taken his sound continuously to the most important clubs in Argentina, such as Pacha, Mint, Big One, Bahrein, Cocoliche, Shamrock and in festivals like South American Music Conference 2008 and 2009 editions, and on the outside, in cities from Uruguay and Colombia.

Ariel is also mentor of Unique and Blow parties, two from the most important from his country, in which he was able to share stage with artists such as Marco Carola, Paco Osuna, Paul Ritch, Joseph Capriati, Phonique, Matthias Tanzmann, Simon Baker, Camea, Martin Eyerer, Alexi Delano, Alex Under among others.
In his live performances mainly wander Instrumental dub, House, Jazz and Techno accompanied by surrounding basses and a hypnotic and unique groove rhythm.

His works were edited in labels like Monique, Unlock Recordings, Be Real, Pura Music among others, receiving support of Loco Dice, Mathias Kaden, Nick Curly, Paco Osuna, Alex Under, Someone Else, Barem, Matteo Spedicati, Guy Gerber, Matthias Meyer, Luciano Esse, 2000 and one, Davide Squillace, Joseph Capriati, The Littlemen.

Currently he continues working and showing total commitment with music, preparing a lot of tracks that we will glimpse at the course of time, because, as he says "This love will never end."

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