acid

c s - y m y t f - a l t _ v

Cast of Characters:  

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement 

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix 

TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion  

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass  

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys (including the sax solo you hear towards the end.    JJ invited Stephen first, who came up with the funky ass wah guitar that also carries the groove. 

Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. 

JJ had a rudimentary bass line that he played himself, but decided to get Josh to do the honors instead. So, Josh came up with a totally new bass line designed to shake your cheeks. 

Once it was in the can, we decided to ask JJ to mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer.    

We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.   We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet - (Eclectic Collective) w/ Roy Roy

Silence

method: working with different kinds of ground and earth noise - somehow a lot of 'body' was lost  as this one left my daw - the door openings must have been too narrow
narration: listening will do / has listening done
image: in the vicinity of delphi, 2012, copyright jo richter
poem: no poem, just a performance: will do / has done

will do / has done

This is the draft of a score for a "Ciné-concert" that was unfortunately cancelled due to the "lack of preparation time" of the musicians involved. A score that was pleasant to compose despite this.

Tales Of The Sea

Symbols (2024)

Recorded on my phone.

I wasn't happy with the mix on 'InterPrise Technologies 01' so I tried again. I also didn't resample the audio at 44.1khz this time so the audio isn't slowed down and repitched.

The trio. 

This is a song I wrote on a whim. I was searching for a song that was easy to play so I can sing at the same time. I didn't even hit the first note on beat, though, proving that I truly am the Naïve Composer. I also sang the lyrics out of order the second time. D'oh!

Lyrics:

Sex Queen online.
Think I've lost my mind.
God, she's so fine.
Must be a sign (yeah).

Hedges - Bass and Additional Voices.
Norsa - Guitar and Vocals.
Willy - Drums.

Mixed by Norsa.

Toon bee by Norsa.

Recorded on 28th of October, 2022.

InterPrise Technologies 02

Généré par IA sur https://makebestmusic.com/fr à partir du texte de la Biographie disponible sur https://www.djyako.fr/biographie/

Biographie de Quentin PETITEVILLE alias DJ YAK'Ô V2

noxpox - prayer to the aliens

02-02-2020

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

c s - y m y t f - a l t _ v

# p r o y e c t o 5 8 1 3

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