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The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

link to my youtube
https://www.youtube.com/channel/UC-c19NYzotiLDI6v8d6mJ-Q

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

Gargyzaa is a one-man band located in Espoo, Finland.
 I play all the instruments manually (guitars, keyboards, bass, plastic  didgeridoo, Korg monotron duo, fipple flute etc.) and sing all the vocals. Plus I have written these lyrics and peculiar poetry/ bizarre dialogues you hear (in Finnish&English).
Some people have asked me who plays the instruments and I have answered them several times that it´s me who is responsible for all this trippy noise and musical weirdness.
It has been quite tedious and more or less irritating to explain this relatively often, hahaha.
I´m a also a self taught "musician" and "vocalist". I play by ear.
The drum parts are made from short loops with Audacity and then the so called rhythm track is upoaded to my Zoom R-24. After that I will start recording the instruments/vocals on top.
I don´t have or play drums. Well, maybe one day.
So basically I use Zoom R-24 to record and even master these tracks. I bring the finished "product" to SoundCloud through Audacity.
My equipment is very amateurish, cheap and in some cases semi-broken. 
I use those infamous progressive rock structures, but deliver them with a punk rock attitude/gear, hehehe.
The cover art/design is just basically a few collages/paste-ups, psychedelically distorted&enhanced pics and a couple of random photos I took. Nothing special.
This is a non-profit project. Enjoy!
Many thanks to all of my listeners and followers!

guitarist, composer, recording in logic with roland guitar synth, stratocaster and tiny amps.
please visit kid otari soundcloud for more rock collaborations with guillaume: https://soundcloud.com/user-970486418/tracks

and NG-Xp cloud for experimental orchestral & soundscape collaborations of naldo & guillaume here: https://soundcloud.com/ng-xp/tracks
https://soundcloud.com/ng-xp/tracks

https://www.youtube.com/@digitalsouth1969
Trance Fantasy 

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

Hello
srp which lives in Japan. I write freely.
Please hear.

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