tra*do3_r&$6&rdo

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

After successfully participating in a PXD Musicsoftware competition, I gained my first experiences with composing and arranging electronic music in the late 90s. But then I concentrated on playing the bass in various bands from different musical genres. At the same time, I started my electronic-metal-solo-project BLUTWURST BREATH (1999 - 2010), which was featured on numerous samplers (https://blutwurstbreath.bandcamp.com). In 2011 it was succeeded by the new, more focused electronic-grindcore-project TUNNELBOHRER (https://tunnelbohrer.bandcamp.com), which is still active today. In autumn 2021, my bands, in which I had been working as a bassist since 2006, unfortunately broke up. This was the occasion to revive my old passion for electronic music: KASTROPODUX was born. KASTROPODUX is devoted to the synthwave-sound of the 80s and the techno-style of the early 90s, sometimes combined with rock-guitars.

DJ/PRODUCER

Monthly independent house music podcast "Kalanda Tapes" covering the months best releases from the underground house scene, mainly covering the minimal / deep / tech subgenres, will also post original tunes from time to time.  

KALANDA TAPES PLAYLIST ALL EPS HERE!  - https://soundcloud.com/hifilowlife/sets/kalanda-tapes/s-OvhJp3vE9XB?si=e96cb31afed34cdcaaaddb60ddd2056b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Promoting underground music culture. 

Follow me on insta for some more mixes and music recommendations.

slow down , breathe deep , and let a forest guide you to peace ..

Heavily Video-Game Influenced
I'm a self-taught Composer/Pianist with Autism.
I listen to my music because I get sensory overloads in public
I do not own the art used on my profile besides the 2 logos, drawn by a good guy in the itsBOOFY community! Much love ❤️

猫/
dub/
ambient/
electronic/
and vinyl select0r 👁‍🗨

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

stuck in the experimental phase. I mix for headphones because that's how I listen to  my tracks so may take some eq for speakers.

tra*do3_r&$6&rdo

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