Without any doubt, Efraín González is one of the leading pioneers in the Northern Mexican Electronic Music Scene, having a long and successful trajectory as a DJ and event & artist promotor under the legendary label Maia Records and recently became part of Mandarina Records Mexico, a new breed label in constant growth, releasing high quality deep house, tech house and techno tracks from domestic and foreign artists.

During his career he has experimented with many electronic genres such as chill, dub, house, techno, progressive and psytrance. He’s spun in some of best clubs and festivals in the US, Canada, and of course, all across Mexico, sharing stage with a very long list of big names in the music industry.

His sets are long, energetic and carry out fresh intelligent sounds. No matter what style he plays, he will always drive you with a constant BIG FAT BASS. Xerpent is a truly world-class expert on the decks.

After 15 years of promoting the electronic music scene in so many different ways, he decides to start working in the studio to create his own sound and beat. A couple of tracks have been released and more on their way.


In his sets we can find a tour of sounds in electronic music, in its production we can detect sounds: Psy, progressive, trance, ambient and glitch. But always marked by the broken aspect, heartbreaking, compelling and explosive, with voices and occasionally includes melodies that touch Progressive trance. 
Maikas, produces his own tracks, with its own sound and definition, has been his philosophy and his rhythms to different countries of Europe (Romania, Germany) and different states of Mexico , always looking for positive and energetic attitude on the dance-floor. 
Maikas aims to explore a new way to use the influence of contemporary electronic music a summary of the main producers.

Maikas born in Michoacán, Mexico. He began his musical studies early, succeeds in forming different groups and groups focused on the search for new tools, instruments and sounds. "Maikas" studying at the conservatory  number one in América: "Conservatorio de las Rosas" Morelia Michoacán, Mexico. then becomes a participant in the laboratories of the conservatory midi. maikas change your life to the city of Mexico and continues to study this time the engineer before audio systems.

labels:
broken records by jesse saunders  (usa)
deepna records by ariel medina   (argentina)
sugar shock records by z cordero  (florida--miami)

tiago sousa é o nome por detras do djapois que surgiu numa brincadeira entre amigos e que desde então o nome ficou.
tiago sousa nasceu em portugal na cidade de lisboa na época dos anos 80,passou por uma transformaçao musical da cultura dance music e desde entao foi influenciado por varias melodias da epoca que o contagiaram .
quando era miudo ,na escola era bom aluno na area musical onde sempre foi um rapaz aplicado e com um gosto musical para a musica que ao longo dos anos foi apreciando cada vez mais.
tiago sousa sempre obsorveu todos os estilos musicais e foi muito influenciado por artistas da epoca,onde os ouvia nas radios ,ou cassetes ,ou mesmo na tv.durante a transiçao que se vivia em portugal na musica de dança. tiago sousa foi fortemente influenciado e cada vez mais interessado em aprender a arte do djing.tiago sousa acompanhou algumas das mais famosas discotecas de portugal ,(lisboa) e o bixinho da musica começava a entrar-lhe nas veias e nos ouvidos,e o seu interesse crescia ,até ao ponto que começou a comprar muita musica e a ter varios temas e passa-los .
tiago sousa colecciona musicas numa busca grande daquela sonoridade que o cativa e o faz sonhar e dançar a noite toda...mais tarde com a influencia de discotecas da moda em portugal como o kremlin e o alcantara mar,tiago sousa sempre muito comunicativo e conhecedor de varias pessoas noturnas desses mesmos espaços,ouve um amigo que o convidou a aprender a arte da produçao,e desde entao esse bixinho tambem se tem vindo a desenvolver cada vez mais a cada dia,meses,e anos que passam.
gosto das novas tecnologias e ando sempre numa busca constante de materiais,musicas e coisas a que chama ,futuro da musica de dança. :=) a luta teve inicio já á mais de 15 anos,mas so á 10 anos ,começei a vender todos os meus trabalhos.
ja com 4 editoras,a primeira delas todas foi a broken records-que pertence ao famoso jesse saunders,o primeiro dj a editar a primeira faixa house em chicago e no mundo ,em vinil.djapois conta ja com 2 trabalhos editados na sua label como vertente house ,old schooL e propaganda constante dos seus trabalhos com a editora.
mais tarde surgiu o convite da deepna records by ariel medina e pamela,onde me convidaram a lançar um e.p com varios trabalhos meus e uns remixs de outros artistas da mesma label e originais.com a deepna records ,djapois tem trabalhado arduamente para lançar sempre que possa os seus trabalhos unicos e remixs unicas de outros artistas.a deepna records abriu-lhe muito as portas para o seu trabalho ,para o visionamento que transporta em cada trabalho que faça.
passado algum tempo surgiu outra editora a - sugar shock records by z.cordero,onde me convidou tambem a editar varias faixas até ao momento inclusiv o ultimo album da label que esteve presente na winter music conference miami 2012e 2013 e o meu album completo de originais meus e umas acapelas .2013,onde entra tambem a minha propria voz.djapois tenho vindo a editar varios trabalhos com a label e mais estao para desenrolar dentro de breve....
(http://www.magazinesixty.com)---review of a track i did 
----anja schneider play dj apois-something about house- november chart 2012-
---josh wink play dj apois- something about house-november chart-2012
--Nalin & Kane – Beachball (Chris Lake Remix) w/ DJ Apois – Something About House (Acappella) 2013
deep groove -chart 2013
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Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

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Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.

The underground dúo by is a project created Tuxtla GTZ, Chiapas, Mexico. based producers and DJs Miguel A. Cordova and Diego Anaya J. 
FRΞΞMIИDS DJ's of Party.
#DancingInOuterSpace.
#SpaceWarriors.

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