Mirage

Enough

Known for his energetic flow, Chicago's own BabyChiefDoit is making waves. His sound is rooted in drill but shaped by the energy of southern trap, blending both worlds into his own. BabyChiefDoit pulled up to the studio to drop “The Wood Freestyle” for The Booth — SoundCloud’s newest live performance series — filmed in NYC. Tap in now because BabyChiefDoit is just getting started.

Recorded live at the SoundCloud office in NYC – August 6, 2025 
Produced by: BabyChiefDoit, Foxwhyyousogodly, Ky, Vizzy
Recording, Mixing & Mastering: Dom Martin https://soundcloud.com/soydommartin 
Visuals: Steve Muelz https://www.instagram.com/stevemuelz/?hl=en 

BABYCHIEFDOIT - THE WOOD FREESTYLE | THE BOOTH

Babyface Ray - A Million Cash Race - [FAST] - FastMusic754🌴

Conmigo se besa

HEARTS SOLD SEPARATELY

Sacrifice

BOU on the beat he’s gone crazy, SHAPES, RASKIT, LIAM BAILEY …

Gather Around (Good Times)

We're Onto Something

We're Onto Something (feat. Zach Bryan)

The official worktape to Trey Pendley's "The Dog"

The Dog (Worktape)

In this installment of Sound Advice, we talk to singer-songwriter Julia Wolf and her producer Scro, who blend hyperpop, metal, indie, trap, Y2K nostalgia and Julia’s goth-pop vocals on her new album, ‘PRESSURE.’ In this exclusive interview, we find out about the creative process of ‘PRESSURE,’ and how it led them to be more open, authentic and risk-taking artists. Julia delves into her musical story, the success of her single “In My Room” and the aesthetic world-building through social media that’s grown her fanbase. We also hear about Scro’s musical background and production techniques, and how they both use SoundCloud to find new sounds and remixers, connect with fans and get their music heard. 

Episode Show Notes: https://soundcloud.com/stories/post/julia-wolf-scro-interview-sound-advice
Follow SoundCloud Stories: @soundcloud-stories
Follow Julia Wolf: @juliawolfnyc
Follow Scro: @scrobaby
Get Started With Artist and Artist Pro: https://artists.soundcloud.com/

I Decline (Explicit)

D. Diggla

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