a hot meal for a hot artist

label boss https://soundcloud.com/badboombox

Demo submission:
https://tstack.app/hot-meal-records

Legal:
THE PURCHASER agrees to provide (6) Six hot meals after sound-check or following the concert – whichever time is more appropriate to standard mealtimes. THE PURCHASER agrees to provide QUALITY food that may include chicken, fish and/or red meat, pasta, salad and vegetables. Please provide several options to choose from. THE PURCHASER will provide meal at the venue or reserve two tables at a nearby quality restaurant. If PURCHASER deems a "buy-out" necessary, ARTIST will receive in cash at sound check the local currency equivalent of €69.00 (EUR) for the group in total. The following will be made available to THE ARTIST at the designated sound check time and thereafter until the performance concludes: FRESH COFFEE and HERB TEA, FRESH MILK, ORANGE JUICE, FRUIT AND CHEESE PLATTER, FRESHLY CUT VEGETABLES & DIP, COLD CUTS, WHOLE GRAIN BREADS AND CRACKERS, CONDIMENTS, TWELVE (12) 2- LITER BOTTLES OF WATER (combination of sparkling and still) , SOFT DRINKS, 12 BOTTLES QUALITY BEER AND TWO BOTTLES OF EXCELLENT FRENCH OR ITALIAN RED WINE. PLEASE NOTE NO SOY, DAIRY OTHER THAN THE MILK FOR COFFEE OR NUTS. ARTIST REQUESTS (AND APPRECIATES) THAT ALL FOOD AND BEVERAGE ITEMS SERVED BE NATURAL, FRESH AND AS FREE FROM PROCESSING AS POSSIBLE. SECTION TWO TECHNICAL REQUIREMENTS: HEAVY SMOKING REQUIRED IN VENUE OR BACKSTAGE THROUGHOUT SOUNDCHECK & PERFORMANCE!!!

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Eerste Communie is a series of events from Amsterdam

Not responding to direct messages here. For any inquiries send email.

Pure Ibiza Radio was born out of the inevitable urge to follow the path taken so far after more than 25 years of history in the electronic scene with David Moreno’s legendary Ibiza Dance Radio programme, with the feeling of love for music and the spiritual islands of Ibiza and Formentera.

Now a new episode emerges full of illusion and commitment to the listener and the island. To be able to communicate in a direct and sincere way all that we hear and feel in order to make a link between the island and the world, to connect and transmit the truth of Ibiza’s music.

The radio is a medium that invites you to imagine as we want to place the listener in a better world filled with good feelings and moments to share, beyond the interests that often prevail in the Dj’s Clubber movement. We believe that there are thousands of people who think and feel as we do.

For this project we are going to be fuelled by great figures of the scene, but let’s not fool ourselves, the new generations of Dj’s and producers are the foundation of the present and the immediate future. This is what we have always been reflecting in Ibiza Dance, watching it grow and evolve, adapting to the times without losing its essence.

We are ready for a journey full of amazing music that sometimes is only in our imagination and we create as we see the landscape unfold…

This is Pure Ibiza Radio! Press play and we’ll enjoy the music of Ibiza together.

💕Club-Focused Bass Heaters💕
Bookings/Chat2me: thomasplace@outlook.com
Joint CEO of @hedplacesynthetics

Originally inspired by the early dubstep & breaks; UK born producer Tom Place endeavours to blur genre lines and push his eclectic style of blended bass, techno & electro. His sound should only be described as fun, hard & sexy.

Released on labels including:
Angels Gun Club
Bade Records
Childsplay
Choccy Biccy
Crazed Behaviour
Dansu Discs
ec2A
Etched
Fly By Night Records
GODDEZZ
La Bonne Musique
Lambratech
Unknown To Unknown

PSYMAMA

Bookings : alex@cthmanagement.co
Label Manager : michele@artcoremf.com 

OWNER OF ARTCORE RECORDS : https://soundcloud.com/artcore_records


HEAVEN IS FOR WARRIORS , PSYMAMA LOVES YOU

French DJ and producer delivering  spicy and groovy vibes 🌶️
Hard techno to Acid rave with a trancy touch
IG :https://www.instagram.com/lost__dj/

Peaktime is a Parisian Label that promotes a wide range of Power House, Electronic Music and Club Culture.

Contact : peaktime.project@gmail.com

Record label based in Paris, France. 
Demos: collectif.dko@gmail.com

Next events:
https://shotgun.live/fr/venues/raw-ppl

Latest releases:
https://rawppl.bandcamp.com

Premiere Form:
https://urlr.me/e6zwSg

JUSTPS is following