Pal Joey's "Crazy Cowboy"!!!!! I never thought I'd heard anyone but me playing this, cool track...

Daneeka in slo-mo is even better. As a matter of fact I'm thinking music shouldn't be played any faster than this in clubs (is this 118 bpms or slower??)

ingenious & powerful mix-part! really appreciate the selection and way of mixing so much every time I listen ::: )

LNS no stranger to Trushmix is back in the groove. This time of Trushmix 224. The talented producer and DJ delivers one hour and thirty seven minutes of joy!
This mix is part of a live set at Paloma 30th of March this year.
The mix spans in different genres such as house, techno, electro sounds, dubby techno, tribal house, acid and brain dance, a deep selection for the heads and the groovers on the dance floor.

As LNS stated herself: 
This was taken from a particularly nice Sunday morning after a long club night at Paloma in Berlin. The time when everyone needing intensity have gone home and those left are down to just vibe out. Magic!

Enjoy music from the top!

Trushmix.com

Trushmix 224 - LNS

@livwutang at praia

foto: anetaurbonaite

livwutang at Praia - Waking Life '24

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-29th-april-2025

Pender Street Steppers 290425

"Summer of Solstice 3055: 

I’d just returned from a long stint working the orbital docks, preparing to settle back into the life cycle routine that was Valkor Zenith. The last thing I expected was to reconnect with three old friends from my days at the Echo House orphanage. Sora had slipped back from exile on Neoterra Prime. Rion had fled the undercity of Crysalis after a grav-bike race gone bad. And Omrin, who I hadn’t seen or heard of in more than a decade, had shown up out of nowhere as if no time had passed with a stolen data map and a proposition: we’d go find the Dream Beacon.

We’d grown up with the story. A myth, really. Some ancient alien relic buried deep in the sand sea, spoken of in hushed tones in level D bars and back-alley data centres. The promise was simple, if you could reactivate its signal with your own transmission, you’d be granted your most longed-for dreams and unimaginable wealth. No one had ever found it.

I’m still not entirely sure what made us set off and follow Omrin so blindly that summer. Maybe it was grief, maybe hope. Or just that need to move, to do anything but sit still. Each of us were adrift in our own orbit of longing and loss, and somehow, we collided again, drawn together like shards of a broken constellation.

We had left the neon haze of Valkor Zenith behind at sunset, riding the wide stretches of plasma rail to the outer edges as the city lights faded behind us. Nights were lit by twin moons and we passed the time listening to old mixes we’d recorded in our youth, our playlists humming through our comms as we hurtled across other-worldly landscapes at 200mph. In the two months that followed, we would laugh in the ruins of the Oblivion Cradle, party with rogue miners in bioluminescent fungi caverns, feel the cold rush of air as our bikes skimmed the ridges of the Halcyon Scar, be chased by Karn bike gangs through synth-storms, and save a lone settler named Joyce trapped in a dust pocket whilst traversing the Ash Spires. 

As we hurtled towards the promise of the Dream Beacon, I often wondered, was the beacon even real? And if it was, what would I even upload as my transmission? Maybe one of those old mixes we used to make. I’m sure all these questions flickered across all our minds, unspoken. But that summer, deep down, none of it really mattered. I would’ve followed those three anywhere..."

@riccardovillella
@truants
IG: @villella303
truantsblog.com

Distant Signals 077: Villella

rev lon & jo 
june 2025
@gbrevlon & @tw_ins

meltdown 75 - rev lon & jo (live @ slow bump!)

recorded live at good work in a backyard on a lovely saturday in brooklyn

Loidis @ Good Work - 12 July 2025

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-22nd-july-2025

Pender Street Steppers w/ Khotin 220725

All the atmosphere, length and drama of a film score: over two hours of dark, thick post-punk and wave from Brussels-based DJ Nina Welch, recorded live from RA's stage at Horst Arts & Music 2025.

@horstartsmusicfestival

RA Live - Nina Welch - Horst Arts & Music 2025, Belgium

Recorded live from Weaving Weeds at Horst Arts & Music 2025, this is a mesmerising three and a half hours of Dutch artist Oceanic, deftly slipping and sliding through textural club sounds in a manner that's distinctly his.

@oceanicocean
@horstartsmusicfestival

RA Live - Oceanic - Horst Arts & Music 2025, Belgium

Animalia alumni, the very talented @al-den-te at Diega, a New Years Festival held in the bush near Melbourne. 30th December 3-4am, 2024.

<3 


ani/live Seventy Two: Al Dente @ Diega

Jarl & Fotmeijer, "Lifesigns Pt 1" [Innertrax]
Space Dimension Controller, "BBD Alignment" [Royal Oak]
Axel Boman, "Not So Much" [Pampa]
Joe Smooth, "I'll Be There" [DJ International]
Kid Sublime, "Basement Works Vol 4.1" [Rush Hour]
Pal Joey, "Crazy Cowboy" [Loop D'Loop]
Cosmin TRG, "See Other People" [Rush Hour]
St Plomb, "Precious Soul (Soulphiction Mix)" [Perspectiv]
Doc Daneeka, "Hold On" [Ramp]
Midnight Magic, "Beam Me Up (Jacques Renault Mix)" [Permanent Vacation]
Jimpster, "Alsace & Lorraine" [Freerange]
Martin Dawson, "Sunday Smoking" [Mood Music]
Move D, "Between Us" [Shanti]
Axel Boman, "Purple Drank" [Pampa]
Motor City Drum Ensemble, "Satellites" [Room With a View]
Four Tet, "Love Cry" [Domino]
Flash & the Pan, "Walking in the Rain" [Mercury, 1978]


Context Is Key Mix

Writer, DJ, lapsed producer. 
Bylines in Pitchfork, NYT, and others.
Weekly newsletter: futurismrestated.substack.com
Mixes ranging from techno to ambient to who knows what.

Context Is Key Mix

Philip Sherburne

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