Listened to this mix several times over the weekend. Such a great flow. Great mix!

Philip Sherburne - Mixes

Recorded at La Textil, Barcelona, on Wednesday June 8, 2022. 

A journey from 80 to 118 BPM featuring Gonno, Purelink, Yoni, Gescom, Leo Anibaldi, Autechre, DJ Python, Salamanda, Nicola Cruz, Physical Therapy and more.

Primavera Sound 2022

Nosedrip at Praia - Waking Life '22

On 11 June 2022, we had PLO Man and Hashman Deejay at Club Daphnia in Osaka. Our 20th mix is a part of their B2B live at that night.

DREAMING 020 : PLO Man & Hashman Deejay Live @Club Daphnia - 11 June 2022

A swift hour long excursion into the unknown. Expect the unexpected from host Tom Cathcart as almost anything goes: techno, post-punk, minimal synth, dub and new wave. Don’t be a prude. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/last-resort/episodes/last-resort-5th-october-2024

Last Resort w/ Balmat 051024

Recorded at VINT: Lapsus Records 20th Anniversary, Paral.lel 62, Barcelona, September 26, 2024.

Ken Ishii - Kala (Innerelements / Apollo, 1994)
Seefeel - Utreat (Succour / Warp, 1995)
DJ Trystero - VALIS (Castillo / Incienso, 2023)
Oneohtrix Point Never - Stress Waves (Returnal / Editions Mego, 2010)
uon - suB1 (zlo / Motion Ward, 2017)
Tammo Hesselink - Choice of Onto (Work Work Work / Midgar, 2023)
Elkan - Dub for Funny Cats (Elkan / Nous’Klaer, 2024)
Leo Anibaldi - Muta 4 (Muta / ACV, 1993)
Oni Ayhun - OAR002-A (OAR002 / Oni Ayhun Records, 2008)
Autechre - Teartear (Amber / Warp, 1994)
Boards of Canada - Hi Scores (Hi Scores EP / Skam, 1996)

There was a problem with the recorder that caused a second-long dropout in the left channel every 20 seconds. I did a manual fix by copying over the audio from the right channel to fill the gaps; IMO it's almost unnoticeable, unless you're listening for it. I also did a more elaborate fix that papers over those moments, BUT the mix ended up losing some dynamics and stereo separation. I prefer the one uploaded here, but if you find the glitches too distracting, you can download the other version from the link below.

https://www.dropbox.com/scl/fi/peb7ppsp550ah7t2za7l1/Philip-Sherburne-Lapsus-20th-Anniversary-Set-phase-corrected.aif?rlkey=ahv4442zqry4z2uu7nagydzj2&st=io2khe8n&dl=0

Lapsus VINT 20th Anniversary Set

We've got an another letter from Canada. 45th mix is delivered by Scott W., a true fixture of their underground scene, also known for his ZAP! party. With his masterful skill, and discerning selects as a avid vinyl collector, all diverse tracks are transformed into unique and trippy story of 70 mins. MOLDIVE will have him on March 22, at Club NOON. We'd love to see you there.
@scottw_stuff

DREAMING 045 : Scott W.

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The train is well and truly back on the rails, so let’s keep the energy rolling and treat those ears to a dose of pure sonic liberation. This brain-bending, neck-snapping, foot-burning mix comes courtesy of local legend Walter Majik, aka Jimmy Pham.

A masterful curation of all things mystical, this is a downtempo odyssey and an electrifying ride for the listener. Spanning every known dimension and beyond, this three-hour voyage elevates you into a higher state of consciousness, weaving together deep cuts from across the ages. Expect the finest in street soul, visionary alt-pop gems, 8-bit psychedelia, couch-core oddities, and so much more. It’s all about the journey—where you’ll end up is anyone’s guess.

This is Cafe-del-MORE!

Tune in, Drop out.

his sounds >>>> https://soundcloud.com/waxflowerbar

FHUO # 96 // Walter Majik

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-29th-april-2025

Pender Street Steppers 290425

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

CZ Wang

Based in New York, CZ Wang is a DJ, producer, and engineer with deep ties to Vancouver’s influential Mood Hut collective. Over the past decade, he has played a pivotal role in shaping underground sounds, both as a selector and behind the scenes, contributing his skills to collaborations with artists like Huerco S, Nick Len, Okay Kaya, Daniela Lalita, DJ Python, Ana Roxanne, Jack J, and untitled (halo).

He holds residencies at Public Records and Eavesdrop, and regularly performs at renowned festivals like Sustain-Release and Warm Up MoMa PS1. His sets can also be heard at iconic clubs including Nowadays, Bar Part Time, Sunday Sunday, and Renate.


CZ Wang 是一位駐紐約的 DJ、製作人與工程師，擁有深厚的 Mood Hut 廣受讚譽的溫哥華音樂集體背景。在過去十年中，他作為選曲人和音效工程師，對地下音樂場景產生了深遠的影響，並參與了 Huerco S、Nick Len、Okay Kaya、Daniela Lalita、DJ Python、Ana Roxanne、Jack J 和 untitled (halo) 等藝術家的合作。

他目前在 Public Records 和 Eavesdrop 擁有駐場 DJ 位置，並在 Sustain-Release、Warm Up MoMa PS1 等音樂節上演出，此外，還常常出現在 Nowadays、Bar Part Time、Sunday Sunday 和 Renate 等知名俱樂部。

CZ Wang @TOHA Radio 2025.04.29

For Trushmix 239 we got Thurlow Joyce in the mix.
A producer and DJ based between Vancouver, and Berlin. His most recent record, Lemon Citrus, was released on NAFF last year and explores dub techno, trance, and other styles with additional music from Priori x Regularfantasy.

In the mix he presents varied styles of techno on the more early nineties progressive side, with some added elements of micro house, house, trance and ambient.
A one hour and twenty two  minutes of vibes.

Enjoy!

Trushmix 239 - Thurlow Joyce

Four hours and 20 minutes recorded at Es Claustre, Maó, Menorca (May 30, 2025). Pulled out a lot of all-time faves. A tiny bit chagrined at putting so many "big" tracks into one set, but hey. Sometimes you just wanna hear what you wanna hear.

Philip Sherburne Presents Claustrephilia #1

recorded live at good work in a backyard on a lovely saturday in brooklyn

Loidis @ Good Work - 12 July 2025

Originally aired on Pitchfork Radio on June 10, 2016. 
http://pitchfork.com/radio/

1. Motion Graphics, "Brass Mechanics" (Future Times)
2. Sissel Wincent, "Investigation" (Peder Mannerfelt Produktion)
3. Forest Drive West, "System" (Livity Sound)
4. Darling, "Video" (Voyage Direct)
5. Mr. Fingers, "Outer Acid" (Alleviated)
6. Ploy, "Move Yourself" (Hessle Audio)
7. Powder, "Afrorgan" (Born Free)
8. Bender, "Think Green" (Kann)
9. Airaboi, "Endless Field" (Banned in Vegas)
10. Studio OST, "ITCZ" (Lustwerk Music)
11. Call Super, "Nervous Sex Track" (Dekmantel)
12. Mr. Fingers, "Qwazars" (Alleviated)


Omni Mode @ Pitchfork Radio - June 2016

Next up on our podcast series, we're happy to have Philip Sherburne, writer, dj and artist currently living on the small Balearic island of Menorca
Tracklist: https://leftbank.club/archives/809

Left Bank 006 - Philip Sherburne

Writer, DJ, lapsed producer. 
Bylines in Pitchfork, NYT, and others.
Weekly newsletter: futurismrestated.substack.com
Mixes ranging from techno to ambient to who knows what.

Omni Mode @ Pitchfork Radio - June 2016

Philip Sherburne

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