LYRICS:

There's a place
That suffers so many notes,
Where the heavens start,
and hold her body's chains.
and the heart remains.
He never stole things
Others things
Would you hold them high?
With the fallout's soul?
Is this right? well, no.
Rhythms fold, together they'll hold
There can be a meaning
Headlong, her hearts already still.
(oooh)

*

Its the same
There's only one way in
and the squalor builds
In the die-cast tomb.
The kitchen's making us sick
She's probably waiting
Underground
Fukushima splits
and Chernobyl's tomb waits...
All their songs
together, sound wrong
Inflection is gone
Headlong, the heart's already still

The Heart's Already Still

Fugue In C minor  - 4 voices

Fugue in E Major

Contrapuntal Improvisation

Prelude & Fugue No. 3 for piano (2012)
The prelude is slow and elegiac in character, opening with simple chords that feature in several transformations throughout the piece. The melodic material is always in the left hand. The fugue has a complex structure based on the Fibonacci Series (1, 2, 3, 5, 8, 13 etc.). The notes of the ‘subject’ unfold gradually using this series. When the ‘subject’ is 34 notes long, the process is reversed, gradually losing all the earlier notes. Throughout the fugue the ‘subject’ material also appears into shorter note values, so that in the last 3 bars it simply disappears off the page!


Prelude and Fugue No. 3 (fugue)

Sylvian joululaulu

Original music by Sarah Claman (violin), live in Brussels at Exit Lab. 08.10.2017.

Live in Brussels - Violin Solo

Menuet

Béla Bartók (1881-1945) - Duos, Sz.98

Rutén Kolomejka.’ No.35 
Oláh Nóta ‘Wallachian Song,’ No.7
Tót Nóta ‘Slovakian Song,’ No.8
Szentivánéji ‘Midsummer Song,’ No.4
Gyermekrengetéskor ‘Cradle Song,’ No.11
Menetelö Nóta ‘Hungarian March,’ No.18
Minuetto, No.3
Mese ‘Fairy Tale’, No.19
Burleszk ‘Burlesque,’ No.16
Lakodalamas ‘Wedding Song,’ No.13
Magyar Nóta ‘Hungarian Song,’ No.25
Párnás Tánc ‘Pillow Dance,’ No.14

Commissioned by German violinist Erich Doflein, Béla Bartók composed his 44 Duos, Sz.98 in 1931 as a series of pedagogical pieces not unlike his Mikrokosmos (1926-1939). Bartók draws from a variety of Eastern European folk melodies & dances as per his youthful ethnomusicological travels with colleague and composer Zoltán Kodály, representing music of many eastern European oral traditions: Hungarian, Romanian, Ruthenian, Serbian, Slovak, Ukrainian, and more. The exquisite quality of the counterpoint, as well as the timbral contrasts, harmonies and melodies make these works ideal for translation to the transparent colors of violas da gamba.

Performed by @EricAMiller-1 & @PhillipWSerna February 3, 2019 at Emmanuel Episcopal Church of La Grange (www.emmanuel-lagrange.org) as part of @ViolMedium's program Façades & Duplicities - Beguiling Curiosities & Excursions for Dueling Gambas, Copyright © 2019 ViolMedium. https://youtu.be/Yh7eUGARp_o

Founded by gambists Eric Miller & Phillip Serna, the viol is the medium through which we bridge contemporary & historically-informed performance with experimental and innovative programming for violas da gamba – ViolMedium!

For more information on ViolMedium and gambists Eric Miller & Phillip Serna, please visit www.violmedium.org.

Béla Bartók (1881-1945) - Duos, Sz.98

sounds like a stack of papers need some proper sorting, biatch!
als, Mr. MIDI is doing a good job, too.

"I do not regret anything, officer!"

paperwork suite

My sax concerto premiered in Bologna by Michael Brecker on August 2nd, 2000.

Omnifenix (original performance by Michael Brecker)

Composer / Songwriter / Producer
More recent music: https://www.youtube.com/channel/UCeYYBHhLG32hmDhMY3xakgg

Fugue in E Major

Tom Jensen

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