A version of a tune that I wrote for my friend Mark, back in college.

Tune In G For MBA (Var2)  1 22 23 - -3 - 21 - PM HD

Writer and broadcaster Bill Richardson sat down with Countertenor Reginald Mobley and Alexander Weimann, director of the Pacific Baroque Orchestra, for an Intimate Conversation about music, what it means to “raise your voice,” their many years of friendship and the upcoming concert Raise, Raise the Voice. Learn more at earlymusic.bc.ca

Notations Episode #8 With Reginald Mobley and Alexander Weimann

A bit more than the first half of Bach's Contrapunctus 8 (a 3) from The Art of Fugue.

J. S. Bach - Contrapunctus 8 (a 3), first half + some

Frederick the Great of Prussia loved music deeply and set aside several hours each day to compose and to improve his flute-playing skills. This sonata is a good example of his level of virtuosity and his methodical compositional style. Recorded live in concert.

Music from the Court of Frederick the Great

Frederick II of Prussia: "Sonata in C Major," Allegro

Girolamo Frescobaldi
Fugue in G minor
Cembalo: Alberto Zecchi at Studio Beethoven (Italy)

Frescobaldi - Fugue in G minor (Alberto Zecchi)

Recorded on a Steinway piano, January 2023.

Sonata K. 466

Domenico Scarlatti, Sonata K. 466

I made a patch on my Matriarch that sounded way more like a horn than I was expecting, and then felt inspired to get something a bit baroque going on.

Chorale In E Minor For Matriarch

Wake The Dead is a composing duo:
Joanna Duda - piano, electronics 
Morris Kliphuis - french horn, cornet, electronics 

The Baroque Ensemble of the Royal Conservatory of The Hague:
Gaspar Polo Baader traverso 1 
Dante Jongerius - traverso 2
Ana Ares Giusti  - violin 1
Camilo Arias Cuellar - violin 2
Maria Garcia Sanchez  - viola 
Marino González García  - viola da gamba 
Krystyna Kulisiewicz - violone

Recorded in Korzo Theatre during Festival Dag In De Branding, The Hague, 15th of October 2022
Sound engineer: Nina Kraszewska

In Wake The Dead, pianist Joanna Duda (PL) and hornist Morris Kliphuis (NL) create a delicate musical world together, full of hypnotic, soft textures, wavy ostinatos, and interwoven with the unique, warm sound of Baroque instruments.
This duo have created a truly collaborative project, that is open to change every time it is performed. Music that draws from the old as well as the new, and that allows the listener to experience time and history from a refreshing, non-chronological point of view.

contact:
joannaxduda@gmail.com
morris@morriskliphuis.nl

Wake The Dead - Fireflies In Muchowiec live in Korzo

Wake The Dead is a composing duo:
Joanna Duda - piano, electronics
Morris Kliphuis - french horn, cornet, electronics

The Baroque Ensemble of the Royal Conservatory of The Hague:
Gaspar Polo Baader traverso 1
Dante Jongerius - traverso 2
Ana Ares Giusti - violin 1
Camilo Arias Cuellar - violin 2
Maria Garcia Sanchez - viola
Marino González García - viola da gamba
Krystyna Kulisiewicz - violone

Recorded in Korzo Theatre during Festival Dag In De Branding, The Hague, 15th of October 2022
Sound engineer: Nina Kraszewska

In Wake The Dead, pianist Joanna Duda (PL) and hornist Morris Kliphuis (NL) create a delicate musical world together, full of hypnotic, soft textures, wavy ostinatos, and interwoven with the unique, warm sound of Baroque instruments.
This duo have created a truly collaborative project, that is open to change every time it is performed. Music that draws from the old as well as the new, and that allows the listener to experience time and history from a refreshing, non-chronological point of view.

contact:
joannaxduda@gmail.com
morris@morriskliphuis.nl

Wake The Dead - Melancholia intro live in Korzo

Wake The Dead - Melancholia live in Korzo

just because its not venetian snares doesnt mean its not real breakcore you stupid moron

Je Tu Beliya Tan Man De Naal Mohd Rafi Song Batman Baroque Finde

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Je Tu Beliya Tan Man De Naal Mohd Rafi Song Batman Baroque Finde

A very simple prelude I just doodled together because I wanted to exercise a new organ VST.

VST in question: Hauptwerk, Krzeszow sample set by Sonus Paradisi

Poland Organ Prelude

Joanna Duda – composes and produces music with analogue and contemporary techniques. Plays acoustic (mostly piano) and electronic instruments (computer, samplers, sequencers), planting and growing them into multiplied layers consist of one texture.  As a follower of all-embracing art form and synthesis of arts and science, she also constructs installations. In her projects she seeks for absolute music communication and melting of personalities involved in musical narration. 

More informations about dates&projects you can find on www.joannaduda.eu

As a child and a teenager, I studied the piano intensively. But as soon as I went to university, I didn't have enough spare time to keep up my hobby. 

Three decades later, in January 2020, I decided to blow the metaphorical dust off my instrument. Currently, I study the piano a couple of hours every day. I have set myself a list of favourite works that I would like to be able to interpret within the next three to five years. 

Would you like to follow a non-professional pianist exploring the repertoire purely for musical pleasure on his journey?

New tracks tagged #Baroque