Insensible

some weird cathedral-sounding shit. very happy :) yay

the happy song

...to "clean" the fingers betwen a lot of Scriabin

Scarlatti - Sonata in E minor L.22

Fire Emblem: Three Houses OST by Hiroki Morishita, Rei Kondoh and Takeru Kanazaki.
Chorale by Ven Hasten.
AAB form, after the Baroque style.
Hope you enjoy :)

Edge Of Dawn (Chorale)

A pretty cool piece on my Alto Recorder:) Follow me on youtube: https://www.youtube.com/channel/UCXmPnt2X2CqfIwslHnk1YaA

Chaconne Mr Morgan

Im Sommer 1677 entsteht in Hamburg direkt an der Alster eine neue Baustelle. Schon sechs Monate später öffnet das erste deutsche wirtschaftlich-öffentliche Opernhaus seine Tore für das neugierige Publikum.

Unterstützen Sie unsere Arbeit an Wiederentdeckung und Wiederaufbau der alten Oper am Gänsemarkt hier: PayPal https://bit.ly/3MgereL

Was war die Oper am Gänsemarkt und warum ist sie so unbekannt? Was war ihre Rolle im barocken Hamburg? Was macht die neu gegründete Historische Oper am Gänsemarkt? Diese und viele weiteren Fragen stellen wir uns und beantworten sie in unserem neuen Videopodcast.

Abonnieren Sie unseren YouTube- und vimeo-Kanal, die meisten Podcastdienste und die sozialen Medien, um immer über die Geschichte der alten Oper am Gänsemarkt und über die Neuigkeiten sowie Aktivitäten unserer Gesellschaft zu erfahren!

Weiterführende Links:
Homepage: https://gaensemarkt-oper.de
Facebook https://www.facebook.com/Historische-...
Instagram: https://www.instagram.com/operamgaens...
vimeo: https://vimeo.com/hoperamgaensemarkt

Quellenangaben für das in diesem Video genutzte Material:
Musik: Reinhard Keiser, Marche aus der Oper "Trajanus" (1717), Akt II, Sz. 10. Gespielt von Michael Freimuth, Laute / Johann Sigismund Kusser, aus Compositions De Musicque (1682) Suite III Second Air, Suite II Chaconne, Suite III Huictieme Air - Passepied,  Les Enchantants,  Westermann, mit freundlicher Genehmigung von Klaus Westermann.
Hintergrundbild und weitere Zeichnungen aus dem Bestand und mit freundlicher Nutzungsgenehmigung des Hamburger Staatsarchivs.
Abbildung "Börse und Rathaus" (um 1680) von Hieronymus von Hensbergen aus dem Buch "Hamburg vor 200 Jahren" von Schrader, Jacoby, Wolters, Rüdiger und Ehrenberg, Hamburg 1892
Bühnenbilder aus dem Museum für Hamburgische Geschichte und der Staatsbibliothek Preußischer Kulturbesitz, veröffentlicht im Buch "300 Jahre Oper in Hamburg", Hamburg 1977
Zitat aus Hamburgische Chronik MS., 18. Jh. Commerzbibliothek, Sign. S/654 – Bd. 1, bis 1680 – 1677 S. 852

Die vermutlich schnellste Baustelle in Hamburgs Kulturgeschichte · Oper am Gänsemarkt :insight

Bach: Violin Partita No. 2, BWV 1004, I Allemanda

thank you to malice mizer, handel, SoundTeMP, kim junsung, osamu kubota, granado espada OST, youtube user 'Abyss Rebirth's' MIDI rendition of castlevania: SotN's Wood Carving Partita, and ragnarok online's christmas in the 13th month for inspiring me

strings idea 3

Doe-het-zelf!

Legacy

Two Stories

Technique

Light

Soundscape (Interlude)

Welcome To Amsterdam

this one goes out to DJ ICE :(
dj ice tribute
@fuhone

tiktok: @starz.wrldd
ig: @tattlestar

remembrance of a demoralized dream

BoomBap Beat ´´Pieter Claesz´´

Pinchgut Opera's pre-opera podcast, hosted by Genevieve Lang, with very special guests Pinchgut Opera Artistic Director Erin Helyard, and Director Constantine Costi.

Witty, beautiful and psychologically fascinating, Orontea is set in a heightened contemporary world somewhere between Egypt and Las Vegas. The story centres around a love octagon, where decadence, pleasure and power fuel our colourful cast of grandiose and joyful characters as they pursue their personal passions above all else.

When it premiered at Innsbruck in February 1656, Orontea became one of the most successful operas of the entire century, deftly combining Cesti’s melodic inventiveness with Cicognini’s clever and comic libretto. 

With Pinchgut’s imaginative staging and musical assurance, Orontea is guaranteed to amuse and delight our audiences of today, just as it did then.

Orontea

Pre-Opera Podcast - Orontea by Cesti

SPLOOTCH JAM SESSION #1

DISCOVER SCRIABIN
Italian-Switzerland Pianist now working for Scriabin.
Tracks in continuous updating, stay tuned

the box
a square or oblong division or compartment
the box is the omnipotent power, the energy center of existence
the box is the internal essence of sound

I am simply that which I am. Nothing more, and nothing less.
I may rarely finish any one of my works, much to my unending regret, but I take pride in making them pleasant to the ear regardless.

- I make music myself just for fun. That's why I also upload different music. If someone wants to use the beat for something then just write because of the license if that is possible.
- Find me and more Tracks/Instrumentals on YouTube
https://www.youtube.com/channel/UCU2EcIzAK4BwFcWgIhXi_4A

Early opera is like wine; it comes in a fascinating variety of different styles, genres, tastes and colours. Baroque Banter is Pinchgut Opera's new podcast series diving deep into the world of baroque music and offering a taste of all the varying aspects of early opera. Put on your tasting slippers, sit back and enjoy a nice full glass of music appreciation.

I play guitar and bass guitar. Sometimes I post things, probably songs I have written or shit I made whilst I was playing around. If anyone wants to hire me and pay me pls do thx.

ULTRASONIC DRUM KIT BUY NOW!
ONLY $3!!!!!
https://payhip.com/b/meFRp
#RIPDJICE
I'm quitting phonk soon, probably killing myself or something idk. If u wanna collab dm on discord, i wont be accepting collabs by 7th June. 

200!
~
producing since 2019
~
FOUNDER OF: @skyrisersclique
~
if u wanna collab dm me on my discord:
starm4ne#2081
ㅤㅤ
ㅤㅤㅤ
@xw0 daddy

New tracks tagged #Baroque