You’re the one who F*CKED our ending!!!! STEP MOM OUT NOW
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The Duke City Riots began as a hang out session and then quickly morphed into something far more than it was ever intended to be. C.S. Parker and Shannon Haworth were introduced in a very pedestrian fashion. “My wife introduced us,” says Parker. “We hit it off right away.” There was an immediate rapport between the two, infused with the holy trinity of conversation: football, politics, and music. After a few months it was casually decided that the two would try messing around with some tunes just for fun.

“I thought I might be doing something on the guitar,” said Haworth. “I honestly had no idea I’d be playing drums.” He had a drum kit that he had bought for his wife a few years before. Haworth had been on the kit maybe once before he and Parker got together for their first practice. “He was a natural,” confided Parker. So with Haworth on drums and Parker on vocals and bass, the band spent a year writing and refining enough songs for an album before deciding to step into the studio.

A couple of weeks before they were due to record, it became apparent they would probably need someone on guitar. Enter Ron Reust, veteran rockabilly guitarist.

“I had been thinking about Ronnie being part of the picture since the very early days…knowing that we had something,” says Haworth, “He’s the only one that I knew I would call.”

Reust hadn’t played in nearly a year when he heard from Haworth. He had sold his gear the previous year and had settled down with a regular job, but still agreed to at least check it out. “Meeting Chuck for the first time, I didn’t know what he would sound like,” says Reust. Reust had known a lot of lead singers that were good front men, but not anyone that “sounded like that…”

‘I KNEW WE WERE ALL ON THE SAME PAGE, RIGHT AWAY.” – Everybody


The trio entered Wall of Sound Studio in Albuquerque in late 2012. Helmed by the prolific and talented John Wall, the band found a fertile breeding ground to let loose and create. “John Wall is the Zen Master of producers,” says Parker. “He really nurtures the good vibes and makes you feel comfortable just being you.” Duke City Riots pleasantly surprised Wall, who had been intrigued previously when Haworth and Parker approached him about wanting to record just drums, bass and vocals. “I love that they’re willing to be weird,” says Wall. “They really don’t sound like anybody I’ve ever heard before.”

Duke City Riots is a hell broth of alt-country, roots rock, rockabilly, blues & alt rock…along with a hefty blend of boozy minimalist eccentricity.

Bassist, singer and songwriter based out of Dallas. I'm attempting this solo thing for now and looking to get my feet wet. Recording my first ep currently which should be done soon!

Musician.
Main Instrument - Bass
Secondary - Guitar, Ukulele, Vocals, Drums...


Check out my band NVXO! www.NVXOMUSIC.com

"The Battle of Evermore" is a Led Zeppelin tribute band from Dallas, Texas made up of Griffin Tucker (guitar), Patrick Smith (bass), Matt Mabe (drums), and Trees Marie (vocals). 

We play rock music written by the greatest rock band of all time. 

For booking inquiries, contact thebattleofevermoreband@gmail.com.

Growing up with a single mother in San Benito, Texas, the hometown of Tejano star Freddy Fender was not easy for blues singer Charley Crockett. Hitchhiking across the country exposed Crockett to the street life at a young age, following in the footsteps of his relative, American folk hero Davy Crockett, who also lived a wild life on the American frontier. After train hopping across the country, singing on the streets for change in New Orleans’ French Quarter, busking in New York City and performing across Texas and Northern California, Crockett set off to travel the world and lived on the streets of Paris for nearly a year before searching for home in Spain, Morocco, and Northern Africa.

The blues artist returned home to Texas and released his debut solo album titled A Stolen Jewel
in 2015, receiving critical acclaim in Dallas and ultimately landing him a Dallas Observer Music Award that year for “Best Blues Act”. A record “rich with Southern flavor, a musical gumbo of Delta blues, honky-tonk, gospel and Cajun jazz,” Jewel proved that Crockett, born into poverty in the Rio Grande, had come home to make his musical mark on the South. Crockett, who is self-described as elusive, rebellious and self-taught, has been compared to legends like Bill Withers, Merle Haggard, and Gary Clark Jr. 

He released his sophomore record In The Night, an admirable nod to his Texas country and Louisiana blues roots, on June 4 and ended 2016 having played over 125 shows. “In the Night” and Crockett’s song “I Am Not Afraid” received international recognition from top tastemakers after being picked by NPR Music as one of the "Top 10 Songs Public Radio Can't Stop Playing” and selected by David Dye to be featured on World Cafe in late July. The Fort Worth Star-Telegram called it “an impressive calling card, full of Crockett's plaintive soulfulness and swinging tempos" and Central Track noted the artist as having "the well-rounded songwriting capabilities of Van Morrison and a vocal approach that finds common ground between Bill Withers and early Dr. John." Crockett graced the cover of Buddy Magazine in May 2016, who called him “the archetype of the new American vagabond.”

He has shared the stage with artists like Turnpike Troubadours, Leon Bridges, Justin Townes Earle, Citizen Cope, Alejandro Escovedo, Joe Ely, Sean Hayes, Tab Benoit, Ace Enders and others. 

For more information www.CharleyCrockett.com

Andrew Holmes has a style rooted in Folk and Americana. His songs reflect a mix of meaning and melancholy, crafted with keen observation, capturing moments worth remembering with lyrics you won’t forget. His melodies rise and fall to keep you on the edge of a feeling, always passionate and authentic. His crisp vocals and range are both warm and inviting, with a winsome vulnerability.

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