full broadcast

http://m50.net/playlists/2021.06.25.html

@aheloy...
nuno canavarro - untitled
lilienthal - sequeway rmx
twisted science - lube
jeswa - sed
solvent - leeches
lazyfish - endless warp
metic - tape birth
datach’i - animals coming home are excited
andreas tilliander - snedsteg
novel 23 - cool sun rays
randomajestiq - synopsis
oval - story mode
robert merlack - svirka #1
smyglysnna - departures a1
newworldaquarium - jack herer
wzrdryAV - familiar dreams
kirill sobolev - terd32
telekinetic soulmate - illumination
cenik - syndrom
seti - fragment 05
fizzarum - izoterica
freeform - bubbled
jamaszka FT - O
basement j - lab rat boogie
zugzwang - miia
youngman - electro beat maker
kinesthesia - sanq
boards of canada - mukinabaht

@francesco-de-gallo...
1. SYNCOPE - Oil Thief
2. Vester Koza - arthur two sheds
3. Leslie Winer & Jay Glass Dubs - No Famous Actors
4. Haron - Benthos
5. Thomas Fehlmann - Baratti
6. Color Plus - Lyeh
7. Aleksi Perälä - FI3AC2139280
8. Perila - On A Roof
9. Topdown Dialectic - 05 - 09
10. pent - organ fluid - glue
11. 0N4B - dotdotdotOne
12. Ditterich von Euler-Donnersperg - Der Morgengnattel Des Kleinen Fritz
13. Perko - Polly
14. FarWarmth - Shadows in the Air
15. CELINE GILLAIN - Youth and Beauty
16. Front De Cadeaux - Dolcemente
17. Jossy Mitsu - Odyssey
18. Death Note - Yotsuba Group
19. Space Afrika - 217
20. Bogdan Raczynski - tteosintae
21. Skymn - Subterrane 2
22. Grischa Lichtenberger - 0521 31 Lv 1 Crsh Arg 1 (egress)
23. Steve Roach & Vir Unis - Mind Link
24. Stine Janvin - MEWE
25. Watching Airplanes - Inside Job
26. Dassae - B
27. Black To Comm - In Scherbe

@m50...
Autechre : Bine : Confield : WARP
H-Lite : Bathing : A. V. Tone Alterations : Multidim
Actress : Fret : Karma & Desire : Ninja Tune
Machine Drum : U Don't Survive (Falty DL Remix) : Room(s) : Planet Mu
Grischa Lichtenberger : 001_1215_06_re1115 26 1b : Spielraum. Allgegenwart. Strahlung : Raster Noton

streamed live at
@datafruits, ICN
@internetpublicradio, GDL
Sphere-Radio, LEJ
Wax n' Cats, CHI

Aheloy! + fdg + m50 @ etc 2021.06.25

https://www.nts.live/shows/ikura-imprint/episodes/ikr-imprint-29th-september-2021

Ikr. Imprint 290921

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com every Thursday and Friday.

Lulu ╚═ Future Intel X Plaza ═╗ 22 10 2021

Stereo mix of 4 channel piece at virtual exhibition space
https://subneu.live/ 
from 15 October to 15 November

Between(stereo mix_long)

Après avoir organisé de nombreux concerts à Marseille, le collectif et label Champ Döner s'attache désormais à la production de cassettes et a lancé sa première série de splits : deux artistes convoqué(e)s et invité(e)s à se remixer le temps d’un morceau. C'est aux côtés des duos Humbros et R.I.P, primo-invités de cette série, que Champ Döner officiera sa première fois à Ola Radio.

@josue.confort @thibaut_de_raymond @lsma_rds @charles_dubbois humbros.music

Champ Döner Invite Humbros & R.I.P.

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album "Watering The Steel Flowers". Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Joe Fujinoki is a Tokyo-based musician and synthesist.

WATERING THE STEEL FLOWERS

PURCHASE PHYSICAL COPY

ENXPL11 - JOE FUJINOKI - A5. LESS LIGHT

Living Room n°28 ~ @malvern-brume

q. pls introduce yourself

I'm Rory, I live in South East London, spend a good deal of time working with sounds and putting various names in front of it, but mainly do things as Malvern Brume. I run a small label with my good friend Ben Waggett called Infant Tree and do all sorts of other stuff in and around those things.

q. is there a story behind the mix?

Not sure there's much of a story in terms of a narrative but usually when approaching these things, unless i've got a burning urge to do something specific, its a case of playing the music i've been listening to most at that given time (which is why in most of my mixes you'll hear something to do with Af Ursin or Karla Borckey because I seem to listen to them all the time!). I find I fall quite easily into listening to music that reflects how I'm feeling, as I'm sure most do so it's nice to have a document of it to look back on. I like music that challenges me and my perception of what I would deem to be good. Quite often I find things like the music I've played at the start of the mix to be confronting, something to do with the minimal instrumentation and probably some emotional entanglement. I think writing about sound can be an impossibly difficult thing to do and there's very few people who do a good job of it (in my opinion) so I'm hesitant to say too much! haha

q. what's the best way to enjoy your mix?

All the music I've picked is stuff I've listened to whilst walking or cycling so I'd say that would be one suggestion. I really enjoy the disturbances and interactions that come from listening in a less controlled listening environment, especially when you come across tones that oscillate against what's happening in the music. Walking is a really important part of the Malvern Brume stuff in general. Most of the music for it is based on walks I've done or graphic scores I've made whilst walking. When I'm listening back to the recordings it's usually when walking that I decide whether to do something with it or not.

q. describe a favorite object in your living room

I've got a painting by Ben Waggett who does Infant Tree with me (it's titled Shoreham Hovel https://www.victorwaggett.co.uk/threeanchorites/). I love it, I think I asked Ben for it when he was finishing uni and hope it stays with me forever. I live in a shared house with some friends so it's probably the most sentimental thing I keep down here (I'm in the living room now)

q. are you working on any projects right now (music or not music)?

Yeah, I've got a few things on the go. Next thing to surface will be a tape for Kashual Plastik, which may even be out by the time this surfaces (Last track in the mix is from this tape). Very stoked to be working with my friend Frank to get that music out and I'm really happy with how it sounds. Myself and Sholto Dobie have been editing some recordings we made when I was in Vilnius to see where that will go, which I'm excited about (again I played one of the tracks in this mix). There's another release lined up with some music I made early 2020, not sure when that will surface but it's in the works, and then I've started recording some new MB stuff and am working on some music for different projects. I like to take pictures and recordings of bird houses I find on walks so i'll be keeping that up for sure and maybe one day i'll do something with that, and there's some other work i've been doing with walking and graphic scores for a couple years now but i'm in no rush to share that just yet!

~~~

Tracklist:

Af Ursin - Elégie
Jon Collin - Five
Rafael Toral - Bodyjoya Mix Pt 12
Sean McCann & Matthew Sullivan - Central Casting
Spirogyra - Love Is A Funny Thing
Maria Valentina Chirico - Initale
Sholto Dobie & Malvern Brume - Untitled
Triangles - A
Anne Guthrie & Seymour Wright - Chelsea Bridge [Short Excerpt]
Double Goucher Shop - #3
Joe Colley - Burn Memory (Test For Headphone Rattle)
Farmer Manual - Macro-Woeb
Malvern Brume - The Whorls

Living Room n°28 ~ Malvern Brume

Forest Kelley's debut album, Silt, is the culmination of a decade-long sonic realization of a singular vision: nematoda, annelida, and other abyssal worms inhabiting the aphotic depths, sensing each other without light. Living and cavorting amongst a carpet of compressed dust and organic matter, as unaware of our existence as we are of theirs. To create this 'soundscape ecology', Kelley began developing custom software in 2018. It allows for sounds to function as organisms: to be born, express themselves, change through friction with their world, and then dissipate, transcend, or die. Silt represents a snapshot of this world; the raw material for this particular instance includes guitar-based recordings dating from 2004 in collaboration with Jacob Uretsky. Through Kelley's exacting and intuitive selection of the results, we are presented with an ever-evolving selection of sounds. On their surface perhaps intersecting with ambient dub techno tropes, but Silt draws the listener ever deeper into the zone with its organically shifting textures and events.

Forest Kelley is an artist, electronic musician, and experimental composer based in Lexington, Kentucky. In 2018, he contributed music to the score for the Academy Award-nominated and Criterion Collection-selected documentary 'Hale County This Morning, This Evening ' along with composers Alex Somers and Scott Alario.


Limited 125 copies
Holographic silver foil print on metallic paper
Recycled cassette shells and cases 
credits
releases March 29, 2022

Composed, recorded, and mastered by Forest Kelley in 2021.
Source guitar by Jacob Uretsky.
Audio finalized for cassette tape by Glyn Maier.
Design by RJM Vanderheyden.

SILT

"SILT" CASSETTE

ENXPL13 - FOREST KELLEY- SIDE B EXCERPT FROM "SILT"

runx3 2.1 e1 12 bpm take 1 82425

stortion 2 15 bpm 12125 take 2

breathe 1.2 10 bpm gt take 1 62925

Label ran by @nick-klein
contact: psychicliberation@gmail.com

For the physical and digital purchasing of PSYCHIC LIBERATION/PRIMITIVE LANGUAGES :

www.psychicliberation.bandcamp.com

ENXPL11 - JOE FUJINOKI - A5. LESS LIGHT

PL/PSYCHIC LIBERATION/PAIN LIBERATION